图片文件尺寸 : 5319 x 4646px

Zhuo Shu:Holding the War Horses
signed \'Z.S. Liang\' (lower right) and signed again, titled, dated and numbered \'#1182 / 2011\' (on the reverse)
oil on canvas
34 x 52 in.
framed 45 x 63 in.

卓树 手持战马34 x 52英寸。框架45 x 63英寸。

图片文件尺寸 : 3918 x 4910px

Damien Hirst:For the Love of God, 2011
Screenprint in colors with glazes and diamond dust on wove paper, signed in black ink and numbered 121/1000 (there were also 20 artist\'s proofs), with the inkstamp in red of the artist on the reverse, published by Other Criteria, London, the full sheet, framed.
sheet 23 x 17 1/8in (58.4 x 43.5cm)

赫斯特 为了上帝的爱

图片文件尺寸 : 4175 x 4816px

Ken Howard R.A.: Basel Bridge, Afternoon Light Effect
signed \'Ken Howard\' (lower right); titled and dated \'BASEL BRIDGE AFTERNOON/LIGHT EFFECT/7th APRIL 2011\' (on label verso)
oil on canvasboard
25.5 x 20.5cm (10 1/16 x 8 1/16in).

肯·霍华德R.A。 巴塞尔桥，午后灯光效果

图片文件像素：4600 x 3500 px

理查德·汉密尔顿，当代艺术II-

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(London 1922–2011 Northend)
I’m dreaming of a white Christmas, 1967, signiert R. Hamilton farbiger Siebdruck auf Pergament, Nr. 48 aus einer Edition von 75 Exemplaren, 51,5 x 76 cm (Bildgröße), 76,5 x 103,5 cm (Blattgröße), Lullin 64

图片文件尺寸 : 5090 x 5315px

Tauba Auerbach:Plate Distortion II, 2011
Aquatint in colors with chine colle on Revere paper, signed in pencil, dated and numbered AP VIII (an artist\'s proof aside from the edition of 35), with blindstamp of the publisher, Paulson Bott Press, Berkeley, California, the full margins.
34 1/8 x 24 3/4in (86.6 x 62.8cm)
sheet 44 1/4 x 33 3/4in (112.3 x 85.7cm)

陶巴·奥尔巴奇 钢板变形II

图片文件像素：4600 x 3500 px

理查德·汉密尔顿，版画和编辑-

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(London 1922-2011 Northend) "The critic laughs", Photooffset in Farbe mit laminierter Oberfläche sowie Collage und Übermalungen auf mit weißem Siebdruck überdrucktem Karton, signiert R Hamilton, Nr. 33 von 125 nummerierten Exemplaren, Darstellungsmaße 34,3 x 26,3 cm, Blattmaße 59,6 x 47 cm, Farben etwas geblichen, (RAC)

图片文件尺寸 : 2885 x 2011px

“探戈杯M Boin，A de Foquières by Georges Goursat（SEM）-Georges Goursat (Sem)

La coupe du tango ; M Boin, A de Fouquières--Georges Goursat (Sem) (法国, 1863–1934)

图片文件像素：6262 x 3993 px

保罗·詹金斯，当代艺术I-

Paul Jenkins - Zeitgenössische Kunst I-

(Kansas City 1923–2012 New York)
Phenomena Y to X, 1960, signed; signed, titled and dated on the reverse, acrylic on canvas, 100 x 100 cm, framed

Provenance:
Galerie Karl Flinker, Paris (labels on the reverse)
Sale Sotheby’s, Paris, 8 December 2011, lot 168
Arteinvestimenti, Milan (certificate available)
Sale Meeting Art Vercelli, 6 October 2018, lot no. 38
B. Collection, Brescia

图片文件尺寸 : 4568 x 3859px

James F T Morrison RSA RSW LLD:Calgary Beach
signed and dated \'Morrison 18.V.2011\' (lower right)
oil on board
25 x 100 cm. (9 13/16 x 39 3/8 in.)

James F T Morrison RSA RSW LLD 卡尔加里海滩25 x 100 cm。

图片文件像素：5713 x 4685 px

托姆布雷-

Cy Twombly * - Zeitgenössische Kunst I-

(Lexington, Virginia 1928–2011 Rome)
Untitled, 1963/1964, signed Cy Twombly, colored pencil, wax crayon on paper, 86 x 67 cm, framed

Provenance:
Galleria La Tartaruga, Rome
Galerie Karsten Greve, Cologne
Private Collection, 德国y
Kunsthaus Lempertz, 3 December 2016, lot 450 - acquired there by the present owner

Literature:
Nicola Del Roscio, Cy Twombly, drawings, catalogue raisonné, Gagosian Gallery, New York (Ed.), Munich 2011, vol. 4, no. 20

Cy Twombly occupies a unique position among US artists. Twombly lived and worked in Italy, far from the 美国 art world, and felt free to experiment. In Rome, Twombly refined his distinctive artistic language. Twombly\'s visual language is informed by classical literature, ancient history, poetry and mythology, as well as his own life experience. Since the 1950s, Twombly\'s drawings have been dominated by rhythmically repeated line progressions, swirls, dense tangles and isolated numbers. Pencil, coloured pens and ballpoint pens enabled Twombly to make this \'scriptural\' drawing, which ultimately includes the signature of the artist himself. On the white of the paper, the pictorial elements provoke by appearing as scribbles, appearing as if randomly distributed on the surface.

The untitled work offered here is a vivid example of Twombly\'s unique pictorial language. The pictorial elements merge into an abstract composition that is both delicate and dynamic. The work was created in Italy between 1963-64. Twombly lived in a 17th-century palazzo on Via di Monserrato in Rome at the time the work was created. Untitled is emblematic of the groundbreaking work Twombly produced in the 1960s, widely regarded as a critical and highly fruitful period in his long and illustrious career.

“Paint is something that I use with my hands and do all those tactile things. I really don’t like oil because you can’t get back into it, or you make a mess. It’s not my favourite thing... pencil is more my medium than wet paint.”
Cy Twombly