231. 康纳兄弟 每个圣人都有过去,每个罪人都有未来 高清作品[43%]

Every Saint Has a Past and Every Sinner Has a Future

图片文件尺寸 : 5254 x 5248px

The Connor Brothers:Every Saint Has a Past and Every Sinner Has a Future
Giclée print in colours with screenprint varnish, 2017, on wove, signed, dated and numbered 3/95 in pencil, published by the artists, with full margins, 1198 x 747mm (47 1/8 x 29 3/8in)(SH)

康纳兄弟 每个圣人都有过去,每个罪人都有未来

234. 贾斯培·琼斯 弯曲模板,根据什么系列从片段 高清作品[43%]

Bent Stencil, from Fragment-According to What Series

图片文件尺寸 : 4375 x 4089px

Jasper Johns:Bent Stencil, from Fragment-According to What Series (ULAE 95), 1971
Lithograph in colors on Arches paper, signed in pencil, dated and numbered 38/79 (there were also 12 artist\'s proofs), with the blindstamp of the publisher/printer, Gemini G.E.L., Los Angeles, the full sheet, framed.
sheet 27 3/4 x 20in (70.4 x 50.8cm)

贾斯培·琼斯 弯曲模板,根据什么系列从片段

235. 山姆·弗朗西斯 无标题红色 高清作品[43%]

Untitled Red

图片文件尺寸 : 4003 x 5707px

Sam Francis:Untitled Red (American Foundation) (SFE-080RC), 1992
Etching in colors on Fabriano paper, signed in pencil and numbered IV/XXIV (an artist\'s proof, aside from the edition of 75), published by 2RC Edizioni d\'Arte, Rome, with the blindstamp of the printer, Vigna Antoniniana Stamperia Arte, Rome, with full margins.
19 1/2 x 28 3/4in (49.5 x 73cm)
sheet 27 3/4 x 37 1/2in (70.5 x 95.3cm)

山姆·弗朗西斯 无标题红色

236. 山姆·弗朗西斯 无标题红色 高清作品[43%]

Untitled Red

图片文件尺寸 : 3909 x 4575px

Sam Francis:Untitled Red (American Foundation) (SFE-080RC), 1992
Etching in colors on Fabriano paper, signed in pencil and numbered VIII/XXIV (an artist\'s proofs, aside from the edition of 75), published by 2RC Edizioni d\'Arte, Rome, with the blindstamp of the printer, Vigna Antoniniana Stamperia Arte, Rome, with full margins.
19 1/2 x 28 5/8in (49.5 x 72.7cm)
sheet 27 7/8 x 37 1/2in (70.8 x 95.3cm)

山姆·弗朗西斯 无标题红色

237. 保罗·高更 上帝,来自诺亚, 高清作品[43%]

Te Atua , from Noa Noa

图片文件尺寸 : 3897 x 4740px

Paul Gauguin:Te Atua (The Gods), from Noa Noa (Guérin 31), c. 1894-95
Woodcut in black and orange on Japan paper, a fine and rare trial proof of the third (final) state, printed by the artist and Louis Roy, Paris, before the edition of approximately 25 with the halos and the floral offering stopped out, with margins, framed.
8 x 14in (20.5 x 35.5cm)
sheet 9 7/8 x 15 3/4in (25 x 30cm)

保罗·高更 上帝,来自诺亚,

239. 圣地亚哥玻色 沉思无限的上帝和维米尔 高清作品[43%]

Contemplating Infinito Dios and Vermeer

图片文件尺寸 : 5252 x 4869px

Santiago Bose: Contemplating Infinito Dios and Vermeer
1997

signed and dated 1997, affixed with a label on the reverse inscribed Metropolitan Museum of Manila R1998.7
wood, window pane, skullcap of cat, paper clippings, wax, epoxy and gold paint on board

133.5 by 95.5 cm.
52 4/8 by 37 5/8 in.

圣地亚哥玻色 沉思无限的上帝和维米尔

240. 圣地亚哥玻色 沉思无限的上帝和维米尔 高清作品[43%]

Contemplating Infinito Dios and Vermeer

图片文件尺寸 : 5076 x 4799px

Santiago Bose:Contemplating Infinito Dios and Vermeer
1997

signed and dated 1997, affixed with a label on the reverse inscribed Metropolitan Museum of Manila R1998.7
wood, window pane, skullcap of cat, paper clippings, wax, epoxy and gold paint on board

133.5 by 95.5 cm.
52 4/8 by 37 5/8 in.

圣地亚哥玻色 沉思无限的上帝和维米尔

95油画图片- 高清95绘画作品- 代表作全集 中艺名画下载


231. 康纳兄弟 每个圣人都有过去,每个罪人都有未来 高清作品[43%]

Every Saint Has a Past and Every Sinner Has a Future

图片文件尺寸 : 5254 x 5248px

The Connor Brothers:Every Saint Has a Past and Every Sinner Has a Future
Giclée print in colours with screenprint varnish, 2017, on wove, signed, dated and numbered 3/95 in pencil, published by the artists, with full margins, 1198 x 747mm (47 1/8 x 29 3/8in)(SH)

康纳兄弟 每个圣人都有过去,每个罪人都有未来

234. 贾斯培·琼斯 弯曲模板,根据什么系列从片段 高清作品[43%]

Bent Stencil, from Fragment-According to What Series

图片文件尺寸 : 4375 x 4089px

Jasper Johns:Bent Stencil, from Fragment-According to What Series (ULAE 95), 1971
Lithograph in colors on Arches paper, signed in pencil, dated and numbered 38/79 (there were also 12 artist\'s proofs), with the blindstamp of the publisher/printer, Gemini G.E.L., Los Angeles, the full sheet, framed.
sheet 27 3/4 x 20in (70.4 x 50.8cm)

贾斯培·琼斯 弯曲模板,根据什么系列从片段

235. 山姆·弗朗西斯 无标题红色 高清作品[43%]

Untitled Red

图片文件尺寸 : 4003 x 5707px

Sam Francis:Untitled Red (American Foundation) (SFE-080RC), 1992
Etching in colors on Fabriano paper, signed in pencil and numbered IV/XXIV (an artist\'s proof, aside from the edition of 75), published by 2RC Edizioni d\'Arte, Rome, with the blindstamp of the printer, Vigna Antoniniana Stamperia Arte, Rome, with full margins.
19 1/2 x 28 3/4in (49.5 x 73cm)
sheet 27 3/4 x 37 1/2in (70.5 x 95.3cm)

山姆·弗朗西斯 无标题红色

236. 山姆·弗朗西斯 无标题红色 高清作品[43%]

Untitled Red

图片文件尺寸 : 3909 x 4575px

Sam Francis:Untitled Red (American Foundation) (SFE-080RC), 1992
Etching in colors on Fabriano paper, signed in pencil and numbered VIII/XXIV (an artist\'s proofs, aside from the edition of 75), published by 2RC Edizioni d\'Arte, Rome, with the blindstamp of the printer, Vigna Antoniniana Stamperia Arte, Rome, with full margins.
19 1/2 x 28 5/8in (49.5 x 72.7cm)
sheet 27 7/8 x 37 1/2in (70.8 x 95.3cm)

山姆·弗朗西斯 无标题红色

237. 保罗·高更 上帝,来自诺亚, 高清作品[43%]

Te Atua , from Noa Noa

图片文件尺寸 : 3897 x 4740px

Paul Gauguin:Te Atua (The Gods), from Noa Noa (Guérin 31), c. 1894-95
Woodcut in black and orange on Japan paper, a fine and rare trial proof of the third (final) state, printed by the artist and Louis Roy, Paris, before the edition of approximately 25 with the halos and the floral offering stopped out, with margins, framed.
8 x 14in (20.5 x 35.5cm)
sheet 9 7/8 x 15 3/4in (25 x 30cm)

保罗·高更 上帝,来自诺亚,

239. 圣地亚哥玻色 沉思无限的上帝和维米尔 高清作品[43%]

Contemplating Infinito Dios and Vermeer

图片文件尺寸 : 5252 x 4869px

Santiago Bose: Contemplating Infinito Dios and Vermeer
1997

signed and dated 1997, affixed with a label on the reverse inscribed Metropolitan Museum of Manila R1998.7
wood, window pane, skullcap of cat, paper clippings, wax, epoxy and gold paint on board

133.5 by 95.5 cm.
52 4/8 by 37 5/8 in.

圣地亚哥玻色 沉思无限的上帝和维米尔

240. 圣地亚哥玻色 沉思无限的上帝和维米尔 高清作品[43%]

Contemplating Infinito Dios and Vermeer

图片文件尺寸 : 5076 x 4799px

Santiago Bose:Contemplating Infinito Dios and Vermeer
1997

signed and dated 1997, affixed with a label on the reverse inscribed Metropolitan Museum of Manila R1998.7
wood, window pane, skullcap of cat, paper clippings, wax, epoxy and gold paint on board

133.5 by 95.5 cm.
52 4/8 by 37 5/8 in.

圣地亚哥玻色 沉思无限的上帝和维米尔