18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. The Negro was the largest source of labor to be found after all others had been exhausted. 1940-41

雅各布·劳伦斯。黑人是在所有其他人都耗尽之后找到的最大的劳动力来源。194041-

图片文件尺寸 : 5333 x 4412px

TORII KOTONDO (1900-1976):Showa era (1926-1989), 1929
A dai oban tate-e print entitled Nagajuban (Long Undergarment) dated July 1929, published by Sakai Kawaguchi Goban, signed Kotondo saku, sealed Kotondo, with sticker Gaikoku yuki nihyakumai zeppan, dai-hyakunanajuroku-go (For Export Limited Edition 176/200) and inscribed Torii Kotondo and sealed Kotondo on verso
18 x 11 11/16in (45.7 x 29.7cm)

托利·科东多（1900-1976） 昭和时代，1929年

图片文件尺寸 : 4493 x 5995px

José Manuel Capuletti:Etude pour \'El eco de la imagen\'
signed and inscribed \'Capuletti/Paris\' (lower right), titled in an inscription (upper left), with a label from Hammer Galleries, New York (affixed to the stretcher)
oil on canvas
18 x 15 in (45.7 x 38.1 cm)
unframed

何塞·曼努埃尔·卡普莱蒂 Etude pour“图像的回声”

图片文件尺寸 : 3939 x 5808px

After Fernand Léger:Visage aux deux mains, c.1950
Painted and glazed ceramic after an original maquette by Léger, published by the Musée National Fernand Léger, Biot, with their printed label on the reverse, numbered 3 in black ink (from the edition of 50), produced by L\'Atelier Brice, Biot, France, framed.
18 x 12 5/8 x 2 1/4in (45.7 x 32.1 x 5.7cm)

费尔南多·莱格尔之后 双手面对

图片文件尺寸 : 4259 x 4231px

Robert Indiana: One plate, from The Book of Love, 1996
Screenprint in colors on A.N.W. Crestwood Museum Edition paper, signed in pencil, dated and numbered 21/200 (there were also 50 artist\'s proofs), published by American Image Editions, New York, with full margins.
18 1/4 x 18in (46.3 x 45.7cm)
sheet 23 7/8 x 20in (60.6 x 50.8cm)

罗伯特·印第安纳 一个盘子，来自《爱的书》

图片文件尺寸 : 4843 x 4748px

Fedor Ivanovich Zakharov:Male dancer in a contemplation pose; Male dancer dancing (a pair)
first: apparently unsigned; second: signed in Latin (lower right)
both: pastel on brown paper
both: 18 x 12 in. (45.7 x 30.5 cm.)

费多尔·伊万诺维奇·扎哈罗夫 沉思姿势的男舞者跳舞的男舞者

图片文件尺寸 : 4178 x 5212px

David Hockney:Made in April, from The Blue Guitar (Museum of Contemporary Art Tokyo 188), 1976-77
Etching and aquatint in colors on wove paper, signed in pencil and numbered 111/200 (there were also 37 artist\'s proofs), title stamped verso, published by Petersburg Press, New York and London, with full margins, framed.
plate 16 3/4 x 13 5/8in (42.5 x 34.6cm)
sheet 20 5/8 x 18in (52.4 x 45.7cm)

大卫·霍克尼 四月制造，来自蓝色吉他

图片文件尺寸 : 4540 x 5552px

Thomas Sidney Cooper, RA:Three cows on a river meadows
signed \'TSidney Cooper\' (lower right)
oil on canvas
45.7 x 38.1cm (18 x 15in).
There is a letter attached to the frame and stretcher verso, written from the artist to the original owner.

托马斯·西德尼·库珀，RA 河上草地上的三头牛

图片文件尺寸 : 5032 x 5834px

Ed Ruscha:Plate, from Domestic Tranquility (S.E. 73), 1974
Lithograph in colors on Arches paper, signed in pencil, dated and numbered 36/65 (there were also 24 artist\'s proofs), with the blindstamp and inkstamps of the co-publishers Multiples, Inc., and Castelli Graphics, New York, verso, printed by Cirrus Editions, Ltd., Los Angeles, with full margins.
8 1/2 x 19in (21.5 x 48.2cm)
sheet 18 x 26 1/8in (45.7 x 66.3cm)

Ed俄罗斯 盘子，来自国内宁静

12 x 18 (30.5 x 45.7 cm)

Jacob Lawrence. The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home. 1940-41

雅各布·劳伦斯。第二次世界大战导致北方工业严重短缺，外国公民也纷纷回国。194041-