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费利克斯·迈克尔·怀格兹瓦尔斯基，19世纪绘画-

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(Przemysl 1875-1944)
Fischer mit Körben am Bosporus, signiert, betitelt F. M. Wygrzywalski Kosze rybackie nad Bosforem, rückseitig auf Ausstellungsetikett, betitelt „Połów rzeczny“, Öl auf Karton, 47 x 66 cm, gerahmt

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URS FISCHER:Salt/Sandra
2010

silkscreen print on mirror-polished stainless steel sheets, polyurethane foam sheets, two-component polyurethane adhesive, stainless steel beams, aluminum L sections, screws, in 4 parts

Fox mask: 57 1/2 by 42 1/2 by 64 1/8 in.; 146.1 by 108 by 162.9 cm., each
Green chair: 42 1/8 by 32 1/4 by 35 3/8 in.; 107 by 81.9 by 89.9 cm., each

This work was executed in 2010 and is number 1 from an edition of 2 and 1 artist\'s proof.

厄斯费歇尔 Salt/Sandra 2010年

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DELLA PORTA, GIOVANNO BATTISTA. 1538-1615. :3 titles:
1. La fisonomia dell\'huomo, et la celeste ... Libri sei. Venice: Nicolò Pezzana, 1668. 4to (222 x 161 mm). Woodcut printer\'s device on title. Modern half calf.
2. Phytognomonica. Frankfurt:. Wechel and Fischer, 1591. 8vo. (173 x 114 mm). Woodcut printer\'s device on title, woodcut portrait and numerous woodcut illustrations in text. 16th century calf. Repairs to spine ends, light wear to joints.
3. De humana physiognomonia. Hanau: W. Antonius, 1593. 8vo (185 x 118 mm). Woodcut printer\'s device on title and numerous woodcut illustrations in text. Adams P-1925.

开门，年轻的击球手。1538–1615. 3个标题：

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彼得·哈雷，当代艺术I-

Peter Halley - Zeitgenössische Kunst I-

(born in New York 1953)
Six Prisons, 2006, signed and dated on the reverse, acrylic, fluorescent acrylic, pearlescent, metallic acrylic, and Roll-a-Tex on 6 adjoined canvases, 190.5 x 190.5 cm

We are grateful to Peter Halley Studio, New York for the kind assistance with the cataloguing of this work.

Provenance:
Galerie Forsblom, Stockholm (label on the reverse)
Private Collection, Vienna

Exhibited:
Galerie Forsblom, Helsinki, 10 November
2006 - 10 January 2007
Peter Halley – Prisons, Friedrich Schiller University,
Jena, 德国y, 10 May 2014 – 27 July 2014

Literature:
Martin S. Fischer, Barbara Happe, Steffen Siegel, et al.,
Peter Halley – Prisons, exhibition catalogue (Jena: Friedrich Schiller University, 2014), 91, ill.

“The deployment of the geometric dominates the landscape. Space is divided into discrete, isolated cells, explicitly determined as to extent and function. Cells are reached through complex networks of corridors and roadways that must be traveled at prescribed speeds and at prescribed times. The constant increase in the complexity and scale of these geometries continuously transforms the landscape…

Along with the geometrization of the landscape, there occurs the geo-metrization of thought. Specific reality is displaced by the primacy of the model. And the model is in turn imposed on the landscape, further displacing reality in a process of ever more complete circularity.”
Peter Halley, The Employment of the Geometric

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