图片文件尺寸 : 4624 x 4036px
Edgar Payne:
Near Summit Lake
signed \'Edgar Payne\' (lower left), titled and inscribed \'Painted 20 miles West of Village of Big Pine, elevation 11,700 feet\' (on the stretcher bars)
oil on canvas
12 x 16in
framed 20 x 24in
埃德加·佩恩 山顶湖附近12 x 16英寸框架20 x 24英寸
图片文件尺寸 : 5399 x 5511px
RYURYUKYO SHINSAI (1764?-1820):Edo period (1615-1868), late 18th/early 19th century
A surimono shikishiban print of a woman in a multi-layered kimono strolling and gazing at small pine trees while under an umbrella held by a male servant, with poems, signed Shinsai
8 1/8 x 7 1/8in (20.6 x 18.1cm)
新赛琉玉约（1764-1820） 江户时期，18世纪末/19世纪初
图片文件尺寸 : 4929 x 5007px
ANONYMOUS:Sipjangsaeng-do (Ten Signs of Long Life)
Early 20th century
An eight-panel screen painted in ink and colors on paper with silk surrounds and a lacquered-wood frame depicting fruiting peach trees, pine trees, red heart-shaped fungi, cranes, spotted deer, and bushy-tailed tortoises, all before mist-shrouded mountains and a bold red sun
36 7/8 x 80 3/4in (93.6 x 205.1cm)
匿名的，匿名的 20世纪初的Sipjangsaeng do
图片文件尺寸 : 5233 x 4925px
A SHIBUICHI INCENSE BURNER:Meiji era (1868-1912), early 20th century
The six-lobed body resting on three feet, the lid in the form of a blossom surmounted by a bird finial, the sides of the body chiseled and with gold and silver inlay depicting a continuous landscape of Mount Fuji, a lake, sailboats, rustic dwellings, pine trees, islands, a torii (shrine arch), birds, and a jetty, the shoulder with chrysanthemum crests, the lid applied with magnolia, cherry, chrysanthemum and other plants
4in (10.1cm) high
石壁池香炉 明治时代，20世纪初
图片文件尺寸 : 4436 x 5002px
AFTER KISHI GANKU (1749-1838):Two Tigers by a River
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
A six-panel folding screen in ink, colors, and silver foil of two tigers, their fur modeled with great care, a river running between them and surrounded by pine trees and their boughs; sealed Dokokan
61 x 129in (154.9 x 327.7cm)
源自岸信介（1749-1838） 江户时代或明治时代的两只老虎，19世纪
图片文件尺寸 : 3923 x 5438px
Stephen Hannock:Maternal Nocturne (MASS MoCA 66-D)
signed \'Mr. Stephen Hannock\' (center) and inscribed \'For Mrs. H on the 70th Anniversary / of the Pine Cobble School / Many thanks for decades of support / From Me + P.C.S.\' and signed again, dated and inscribed with title (on the backing board affixed to the reverse)
polished oil and photo transfer on canvas laid down on board
4 1/4 x 9 1/2 in. (10.8 x 24.1 cm.)
Painted in 2007.
斯蒂芬·汉诺克 母亲夜曲4 1/4 x 9 1/2英寸。
图片文件尺寸 : 4741 x 4286px
KAWASE HASUI (1883-1957):Showa era (1926-1989), 1929
An oban tate-e print entitled Matsu no yukibare (Pines in Clear Weather after Snow), signed Hasui, published by Kawaguchi Jiro and Sakai Shokichi, 35/100 written in pencil in the lower margin, with a label on the verso reading Shohan seisen, hyaku mai no uchi, dai sanjugo go, Hasui (From 100 carefully selected prints of the first edition, no. 35, Hasui) and with red round stylized artist\'s seal, stamped in black ink Made in Japan and Kawaguchi
16 x 10 5/8in (40.6 x 26.9cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1929年
图片文件尺寸 : 3906 x 4762px
KOGYOKUSAI:A gold lacquer four-case inro
Edo period (1615-1868), late 18th/19th century
Of oval profile with applied cord-runners, decorated in gold takamaki-e, shell and pewter inlay against a gold kinji ground, depicting a court noble of the Heian period (794-1185) and an attendant resting beside a carriage among tall pine trees, the interior of nashiji, signed Kogyokusai; ojime glass
3 1/2in (8.9cm) high
KOGYOKUSAI 18至19世纪晚期江户时期的四箱金漆
图片文件尺寸 : 4791 x 5775px
KOMA KYUHAKU LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in ceramic and shell inlay and gold and colored hiramaki-e with accents of gold kirigane against a black lacquer ground, depicting a cricket perched in a gourd, with leaves and tendrils, unsigned; with a wood ojime carved as a pinecone; netsuke staghorn, carved with an insect and snail on a pine tree
2 7/8in (7.3cm) high
KOMA KYUHAKU血统 19世纪江户时期的黑漆四箱
图片文件尺寸 : 5274 x 4550px
HARA YOYUSAI (1772-1845/6):A gold-lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with interior cord-runners decorated in gold, black and silver takamaki-e and red togidashi maki-e on a ground of bright kinji with a solitary crow perched in a snow-laden pine tree before the setting sun, the interiors nashiji, signed Yoyusai saku; fitted with a coral bead ojime and a wood netsuke carved as a Buddhist gong
3 1/4in (8.2cm) high
原佑斋（1772-1845/6） 19世纪江户时期的四箱金漆
图片文件尺寸 : 4624 x 4036px
Edgar Payne:
Near Summit Lake
signed \'Edgar Payne\' (lower left), titled and inscribed \'Painted 20 miles West of Village of Big Pine, elevation 11,700 feet\' (on the stretcher bars)
oil on canvas
12 x 16in
framed 20 x 24in
埃德加·佩恩 山顶湖附近12 x 16英寸框架20 x 24英寸
图片文件尺寸 : 5399 x 5511px
RYURYUKYO SHINSAI (1764?-1820):Edo period (1615-1868), late 18th/early 19th century
A surimono shikishiban print of a woman in a multi-layered kimono strolling and gazing at small pine trees while under an umbrella held by a male servant, with poems, signed Shinsai
8 1/8 x 7 1/8in (20.6 x 18.1cm)
新赛琉玉约（1764-1820） 江户时期，18世纪末/19世纪初
图片文件尺寸 : 4929 x 5007px
ANONYMOUS:Sipjangsaeng-do (Ten Signs of Long Life)
Early 20th century
An eight-panel screen painted in ink and colors on paper with silk surrounds and a lacquered-wood frame depicting fruiting peach trees, pine trees, red heart-shaped fungi, cranes, spotted deer, and bushy-tailed tortoises, all before mist-shrouded mountains and a bold red sun
36 7/8 x 80 3/4in (93.6 x 205.1cm)
匿名的，匿名的 20世纪初的Sipjangsaeng do
图片文件尺寸 : 5233 x 4925px
A SHIBUICHI INCENSE BURNER:Meiji era (1868-1912), early 20th century
The six-lobed body resting on three feet, the lid in the form of a blossom surmounted by a bird finial, the sides of the body chiseled and with gold and silver inlay depicting a continuous landscape of Mount Fuji, a lake, sailboats, rustic dwellings, pine trees, islands, a torii (shrine arch), birds, and a jetty, the shoulder with chrysanthemum crests, the lid applied with magnolia, cherry, chrysanthemum and other plants
4in (10.1cm) high
石壁池香炉 明治时代，20世纪初
图片文件尺寸 : 4436 x 5002px
AFTER KISHI GANKU (1749-1838):Two Tigers by a River
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
A six-panel folding screen in ink, colors, and silver foil of two tigers, their fur modeled with great care, a river running between them and surrounded by pine trees and their boughs; sealed Dokokan
61 x 129in (154.9 x 327.7cm)
源自岸信介（1749-1838） 江户时代或明治时代的两只老虎，19世纪
图片文件尺寸 : 3923 x 5438px
Stephen Hannock:Maternal Nocturne (MASS MoCA 66-D)
signed \'Mr. Stephen Hannock\' (center) and inscribed \'For Mrs. H on the 70th Anniversary / of the Pine Cobble School / Many thanks for decades of support / From Me + P.C.S.\' and signed again, dated and inscribed with title (on the backing board affixed to the reverse)
polished oil and photo transfer on canvas laid down on board
4 1/4 x 9 1/2 in. (10.8 x 24.1 cm.)
Painted in 2007.
斯蒂芬·汉诺克 母亲夜曲4 1/4 x 9 1/2英寸。
图片文件尺寸 : 4741 x 4286px
KAWASE HASUI (1883-1957):Showa era (1926-1989), 1929
An oban tate-e print entitled Matsu no yukibare (Pines in Clear Weather after Snow), signed Hasui, published by Kawaguchi Jiro and Sakai Shokichi, 35/100 written in pencil in the lower margin, with a label on the verso reading Shohan seisen, hyaku mai no uchi, dai sanjugo go, Hasui (From 100 carefully selected prints of the first edition, no. 35, Hasui) and with red round stylized artist\'s seal, stamped in black ink Made in Japan and Kawaguchi
16 x 10 5/8in (40.6 x 26.9cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1929年
图片文件尺寸 : 3906 x 4762px
KOGYOKUSAI:A gold lacquer four-case inro
Edo period (1615-1868), late 18th/19th century
Of oval profile with applied cord-runners, decorated in gold takamaki-e, shell and pewter inlay against a gold kinji ground, depicting a court noble of the Heian period (794-1185) and an attendant resting beside a carriage among tall pine trees, the interior of nashiji, signed Kogyokusai; ojime glass
3 1/2in (8.9cm) high
KOGYOKUSAI 18至19世纪晚期江户时期的四箱金漆
图片文件尺寸 : 4791 x 5775px
KOMA KYUHAKU LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in ceramic and shell inlay and gold and colored hiramaki-e with accents of gold kirigane against a black lacquer ground, depicting a cricket perched in a gourd, with leaves and tendrils, unsigned; with a wood ojime carved as a pinecone; netsuke staghorn, carved with an insect and snail on a pine tree
2 7/8in (7.3cm) high
KOMA KYUHAKU血统 19世纪江户时期的黑漆四箱
图片文件尺寸 : 5274 x 4550px
HARA YOYUSAI (1772-1845/6):A gold-lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with interior cord-runners decorated in gold, black and silver takamaki-e and red togidashi maki-e on a ground of bright kinji with a solitary crow perched in a snow-laden pine tree before the setting sun, the interiors nashiji, signed Yoyusai saku; fitted with a coral bead ojime and a wood netsuke carved as a Buddhist gong
3 1/4in (8.2cm) high
原佑斋（1772-1845/6） 19世纪江户时期的四箱金漆