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A TWO-COLOR INKSTONE AND COVER:Joseon dynasty (1392-1897), 19th century
Rectangular, carved on the cover in bold relief with a deer and crane beneath a blossoming plum tree, the stone grayish brown with a white outer surface, with a flat base
With a wood tomobako storage box
6 1/4 x 4 1/4 x 1 1/4in (15.9 x 10.8 x 3.2cm)

双色砚台和封面 朝鲜王朝，19世纪

图片文件尺寸 : 4102 x 3883px

A SPHERICAL SILVER INCENSE BURNER:Meiji era (1868-1912), late 19th century
Set on three cabriole legs decorated with swimming turtles in shakudo, the removable top half pierced with cloud-shaped openings and surmounted by a shishi (lion) finial, the upper edge of the lower half applied with a narrow frieze of cranes flying among clouds in low relief with gilt highlights
8 1/4in (20.9cm) high; 5 1/4in (13cm) diameter

球形银香炉 明治时代，19世纪晚期

图片文件尺寸 : 4187 x 4858px

A SHELL-INLAID LACQUER BOX AND COVER:Joseon dynasty (1392-1897), 19th century
Of shallow rectangular form with a flush-fitting cover decorated on the upper surface in inlaid iridescent shell with two cranes holding fungi in their beaks, fruiting peach branches, and clouds, the edges and the sides with fretwork
7 x 13 1/4 x 1 3/4in (17.8 x 33.6 x 4.4cm)

一个有壳的漆盒和盖子 朝鲜王朝，19世纪

图片文件尺寸 : 4929 x 5007px

ANONYMOUS:Sipjangsaeng-do (Ten Signs of Long Life)
Early 20th century
An eight-panel screen painted in ink and colors on paper with silk surrounds and a lacquered-wood frame depicting fruiting peach trees, pine trees, red heart-shaped fungi, cranes, spotted deer, and bushy-tailed tortoises, all before mist-shrouded mountains and a bold red sun
36 7/8 x 80 3/4in (93.6 x 205.1cm)

匿名的，匿名的 20世纪初的Sipjangsaeng do

图片文件尺寸 : 5348 x 4179px

OTA TOSHIRO (1869-1940):A pair of ginbari cloisonné-enamel vases
Taisho era (1912-1926), circa 1920
The slender baluster vases decorated in transparent enamels over silver foil with a pair of cranes perched on rocks in crashing waves, signed with the impressed seal of Ota Toshiro
9 1/2in (24.1cm) high

大田东郎（1869-1940） 大约在1920年，一对景泰蓝珐琅的金巴里瓦瑟大正

图片文件尺寸 : 5097 x 4937px

KAJIKAWA LINEAGE:A gold lacquer four-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold and colored takamaki-e against a gold hirame ground with a mass of flying cranes covering the entire surface, the interior gold nashiji, signed Kajikawa; onyx ojime
3 5/8in (9.2cm) high

KAJIKAWA谱系 19世纪江户时代或明治时代的金漆四箱

图片文件尺寸 : 3920 x 4521px

IIZUKA TOYO LINEAGE:A silver lacquer single-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in gold, silver, and colored hiramaki-e and takamaki-e against a silver lacquer ground, depicting Manchurian red-crowned cranes resting on the ground, the interior gold nashiji, the rims gold fundame, signed Toyo with a kao (cursive monogram)
1 7/8in (4.8cm) high

IIZUKA TOYO血统 19世纪江户时代的银漆单壳

图片文件像素：5704 x 4438 px

乔治·马修，当代艺术I-

Georges Mathieu * - Zeitgenössische Kunst I-

(Boulogne-sur-Mer 1921-2012 Paris)
Aglia Tan, 1987, signed; titled on the reverse, oil on canvas, 97 x 162 cm, framed

This work is accompanied by a photo certificate signed by the artist

Provenance:
Artist’s studio
Galerie Sapone, Nice
European Private Collection

Literature:
Georges Mathieu, 50 ans de création, Editions Hervas, p. 548 with ill.

„The wastelands belong to my youth. When I was young I played in the outskirts of the city - watching the cranes at the harbour. There was no law but garbage, grass and wildflowers like boys and girls, rough, hot and sexual and full of hidden pleasures. Life and death are overlapping in the wastelands like in my paintings.“
Karel Appel

图片文件尺寸 : 4989 x 4204px

A GILT-BRONZE EGORO (LONG-HANDLED RITUAL CENSER):Kamakura period (1185-1333), 13th/14th century
The gilt-bronze censer with a long L-shaped handle decorated with scrolling vines on a nanako ground, weighted on the end with a bridge-post shaped counter balance, the circular ash cup cast with straight sides rising to an everted rim and set on a chrysanthemum-form base, the handle joint decorated with a nyoi head-shaped flourish decorated with scrolling vines and pierced with openwork, the hinged, domed cover pierced with clouds and stylized cranes and finished with a jewel-form finial
13 3/16in (33.5cm) long

镀金镀金的EGORO（长柄仪式香炉） 镰仓时期，13/14世纪

图片文件尺寸 : 4438 x 5159px

:Nova Belgica et Anglia nova. Amsterdam: [1642 or later].
Hand-colored double-page engraved map, 388 x 507 mm, Dutch text on verso, decorative cartouche flanked by a native person on each side and surmounted by the Dutch Republic crest, scale bar flanked by mer-children, decorated with three ships, three canoes paddled by natives, a Mohican village, various wildlife including deer, foxes, bears, egrets, rabbits, cranes, turkeys and for the first time on a map beavers, polecats and otters. Framed. Centerfold reinforced on verso, small area of skinning in the Atlantic, but an attractive example.

Blaeu\'s seminal map was the first full printed representation of the manuscript map of Adriaen Block. It is one of the earliest to name Nieu Amsterdam and the earliest to depict insular Manhattan. Burden North America 241.

无 题 新比利时和英格兰阿姆斯特丹：[1642年或更晚]。