图片文件尺寸 : 4415 x 5240px
A LARGE SILK PANEL:Edo period (1615-1868), 19th century
Woven in silk and metallic threads with five immortals and their vehicles by pine trees and rocks among clouds, a temple pavilion in the distance
94 x 57 1/2in (238.7 x 146cm)
一块大的丝绸面板 江户时代，19世纪
图片文件尺寸 : 2959 x 4000px
Leon Wyczółkowski的《PoŃąga的松树》-Leon Wyczółkowski
波拉的松树--Leon Wyczółkowski (波兰, 1852 - 1936)
图片文件尺寸 : 3168 x 2496px
“停止联邦调查局对南达科他州松岭奥加拉苏族印第安人的骚扰”-Rachael Romero
停止联邦调查局对南达科他州松岭的奥加拉苏族印第安人的骚扰--Rachael Romero (Australian, b. 1953)
图片文件尺寸 : 5039 x 4631px
UTAGAWA HIROSHIGE (1797–1858):Edo period (1615-1868), 1856
An oban tate-e print entitled Tonegawa Barabara-matsu (Scattered Pines, Tone River), from the series Meisho Edo hyakkei (100 Famous Views of Edo), signed Hiroshige ga, published by Uoya Eikichi
14 1/4 x 9 5/8in (36.2 x 24.4cm)
芥川广志（1797-1858） 江户时期，1856年
图片文件尺寸 : 5071 x 5285px
KAWASE HASUI (1883-1957):Showa era (1926-1989), 1931
An oban tate-e print entitled Ikegami Honmonji (Honmon Temple in Ikegami) with a snow-laden pine tree above two women and a child with parasols walking to the entrance of Honmon Temple, dated 1931, signed Hasui
13 7/8 x 10 1/2in (35.2 x 26.6cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1931年
图片文件尺寸 : 3966 x 4107px
SUZUKI HARUNOBU (1725-1770):Edo period (1615-1868), circa 1768-69
A chuban tate-e print entitled Matsu wa senzai no chigiri (The Pine Tree Is a Pledge of 1,000 Years), depicting two lovers and a poem, signed Suzuki Harunobu ga
10 7/8 x 8in (27.7 x 20.3cm)
铃木春武（1725-1770） 江户时期，约1768-69年
图片文件尺寸 : 5302 x 5979px
TOTOYA HOKKEI (1780-1850):Edo period (1615-1868), circa 1820s
A surimono shikishiban print entitled Kuge (Court Noble) from the series Jinbutsu juban tsuzuki (Ten Kinds of People) of a man in courtier\'s dress standing among small pine trees, with a poem by Konando Yamasumi, signed Hokkei
8 x 7 1/8in (20.3 x 18.1cm)
托托亚·霍克伊（1780-1850） 江户时代，约1820年代
图片文件尺寸 : 4867 x 5170px
Nikos Hadjikyriakos-Ghika:Aiguilles de pin
signé et daté \'GHIKA 66\' (en bas à droite); signé, daté et titré \'Ghika 66/ Pine needles\' (au revers)
huile sur toile
46 x 66cm (18 1/8 x 26in).
Peint en 1966.
signed and dated (lower right); signed, dated an titled (on the reverse)
oil on canvas
尼科斯·哈吉基里亚科斯·吉卡 松针
图片文件尺寸 : 4071 x 3908px
FUTAGI SEIHO (1884-1954):A large lacquer sakazuki and stand
Showa era (1926-1989)
The red lacquered wide wood sake cup decorated on the obverse in hiramaki-e of snow-covered Mount Fuji ascending above the clouds in the background, and the Shira-ito Waterfall of Fujinomiya and its accompanying forest of maple and pine trees over a nashiji ground in the foreground, the tendrils of water depicted in gold and silver low-relief maki-e flowing to the very edge of the dish, the surface of the rock of the waterfall cliff decorated with gold Gyobu square flakes, on the reverse of the sakazuki a blossoming prunus tree and clouds in gold in hiramaki-e and low-relief; the accompanying black lacquered stand featuring a rimmed platform with a hiramaki-e motif of two cranes in flight surrounded by gold mist, the indented rounded legs of the stand covered in the stalks and leaves of a bamboo forest, the interior of the stand decorated in nashiji; the designs of the sakazuki and stand together completing the felicitous motif of pine, bamboo, and prunus
With lacquered wood outer tomobako storage box signed Futagi Seiho saku in silver lacquer and sealed Seiho in red lacquer, and the sakazuki with its own lacquered wood tomobako storage box which fits inside the larger box, also signed Futagi Seiho saku in silver lacquer and sealed Seiho in red lacquer
2 5/8 x 7 7/8in (6.7 x 20cm), sakazuki; 8 3/8 x 8 1/2 x 7in (21.3 x 21.6 x 17.8cm), stand
福田成和（1884-1954） 大漆坂崎和标准昭和时代
图片文件尺寸 : 4933 x 5492px
AN ARITA PORCELAIN VASE:Edo period (1615-1868), late 17th century
Decorated in in underglaze cobalt blue, polychrome enamels, and gilt with continuous design of pine, plum and bamboo, the \"Three Friends of Winter\", the shoulder painted with a collar of floral octagonal reserves framed by a cloud band and a comb-tooth pattern, with a later wood dome cover pierced with floral scroll, and a fitted wood stand
10 3/8in (26.5cm) high (jar only)
阿里塔瓷瓶 江户时期，17世纪晚期
图片文件尺寸 : 4415 x 5240px
A LARGE SILK PANEL:Edo period (1615-1868), 19th century
Woven in silk and metallic threads with five immortals and their vehicles by pine trees and rocks among clouds, a temple pavilion in the distance
94 x 57 1/2in (238.7 x 146cm)
一块大的丝绸面板 江户时代，19世纪
图片文件尺寸 : 2959 x 4000px
Leon Wyczółkowski的《PoŃąga的松树》-Leon Wyczółkowski
波拉的松树--Leon Wyczółkowski (波兰, 1852 - 1936)
图片文件尺寸 : 3168 x 2496px
“停止联邦调查局对南达科他州松岭奥加拉苏族印第安人的骚扰”-Rachael Romero
停止联邦调查局对南达科他州松岭的奥加拉苏族印第安人的骚扰--Rachael Romero (Australian, b. 1953)
图片文件尺寸 : 5039 x 4631px
UTAGAWA HIROSHIGE (1797–1858):Edo period (1615-1868), 1856
An oban tate-e print entitled Tonegawa Barabara-matsu (Scattered Pines, Tone River), from the series Meisho Edo hyakkei (100 Famous Views of Edo), signed Hiroshige ga, published by Uoya Eikichi
14 1/4 x 9 5/8in (36.2 x 24.4cm)
芥川广志（1797-1858） 江户时期，1856年
图片文件尺寸 : 5071 x 5285px
KAWASE HASUI (1883-1957):Showa era (1926-1989), 1931
An oban tate-e print entitled Ikegami Honmonji (Honmon Temple in Ikegami) with a snow-laden pine tree above two women and a child with parasols walking to the entrance of Honmon Temple, dated 1931, signed Hasui
13 7/8 x 10 1/2in (35.2 x 26.6cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1931年
图片文件尺寸 : 3966 x 4107px
SUZUKI HARUNOBU (1725-1770):Edo period (1615-1868), circa 1768-69
A chuban tate-e print entitled Matsu wa senzai no chigiri (The Pine Tree Is a Pledge of 1,000 Years), depicting two lovers and a poem, signed Suzuki Harunobu ga
10 7/8 x 8in (27.7 x 20.3cm)
铃木春武（1725-1770） 江户时期，约1768-69年
图片文件尺寸 : 5302 x 5979px
TOTOYA HOKKEI (1780-1850):Edo period (1615-1868), circa 1820s
A surimono shikishiban print entitled Kuge (Court Noble) from the series Jinbutsu juban tsuzuki (Ten Kinds of People) of a man in courtier\'s dress standing among small pine trees, with a poem by Konando Yamasumi, signed Hokkei
8 x 7 1/8in (20.3 x 18.1cm)
托托亚·霍克伊（1780-1850） 江户时代，约1820年代
图片文件尺寸 : 4867 x 5170px
Nikos Hadjikyriakos-Ghika:Aiguilles de pin
signé et daté \'GHIKA 66\' (en bas à droite); signé, daté et titré \'Ghika 66/ Pine needles\' (au revers)
huile sur toile
46 x 66cm (18 1/8 x 26in).
Peint en 1966.
signed and dated (lower right); signed, dated an titled (on the reverse)
oil on canvas
尼科斯·哈吉基里亚科斯·吉卡 松针
图片文件尺寸 : 4071 x 3908px
FUTAGI SEIHO (1884-1954):A large lacquer sakazuki and stand
Showa era (1926-1989)
The red lacquered wide wood sake cup decorated on the obverse in hiramaki-e of snow-covered Mount Fuji ascending above the clouds in the background, and the Shira-ito Waterfall of Fujinomiya and its accompanying forest of maple and pine trees over a nashiji ground in the foreground, the tendrils of water depicted in gold and silver low-relief maki-e flowing to the very edge of the dish, the surface of the rock of the waterfall cliff decorated with gold Gyobu square flakes, on the reverse of the sakazuki a blossoming prunus tree and clouds in gold in hiramaki-e and low-relief; the accompanying black lacquered stand featuring a rimmed platform with a hiramaki-e motif of two cranes in flight surrounded by gold mist, the indented rounded legs of the stand covered in the stalks and leaves of a bamboo forest, the interior of the stand decorated in nashiji; the designs of the sakazuki and stand together completing the felicitous motif of pine, bamboo, and prunus
With lacquered wood outer tomobako storage box signed Futagi Seiho saku in silver lacquer and sealed Seiho in red lacquer, and the sakazuki with its own lacquered wood tomobako storage box which fits inside the larger box, also signed Futagi Seiho saku in silver lacquer and sealed Seiho in red lacquer
2 5/8 x 7 7/8in (6.7 x 20cm), sakazuki; 8 3/8 x 8 1/2 x 7in (21.3 x 21.6 x 17.8cm), stand
福田成和（1884-1954） 大漆坂崎和标准昭和时代
图片文件尺寸 : 4933 x 5492px
AN ARITA PORCELAIN VASE:Edo period (1615-1868), late 17th century
Decorated in in underglaze cobalt blue, polychrome enamels, and gilt with continuous design of pine, plum and bamboo, the \"Three Friends of Winter\", the shoulder painted with a collar of floral octagonal reserves framed by a cloud band and a comb-tooth pattern, with a later wood dome cover pierced with floral scroll, and a fitted wood stand
10 3/8in (26.5cm) high (jar only)
阿里塔瓷瓶 江户时期，17世纪晚期