.1: 27 1/2 x 39 1/2 (69.9 x 100.3 cm)
.2: 24 1/4 x 33 1/4 (61.6 x 84.5 cm)
.3: 19 7/8 x 25 3/4 (50.5 x 65.4 cm)
.4: 12 3/4 x 19 1/8 (32.4 x 48.6 cm)
.5: 9 3/4 x 12 3/4 (24.8 x 32.4 cm)
.6: 9 3/4 x 12 3/4 (24.8 x 32.4 cm)
.7: 27 3/4 x 39 1/2 (70.5 x 100.3 cm)
.8: 28 x 39 3/4 (71.1 x 101 cm)
David Maljković. Scene for a New Heritage – New Possibilities Series, A. 2004
David Maljković。新遗产的场景——新的可能性系列，a.2004-
图片文件尺寸 : 4972 x 5285px
VICTOR VASARELY:Maamor III, 1969
signed \'Vasarely-\' (lower center); signed, titled, inscribed and dated \'vasarely- 0786 MAAMOR III 1969\' (on the reverse)
acrylic on canvas
39 1/2 x 39 1/2 in.
100.3 x 100.3 cm.
The authenticity of the present work has been confirmed by Pierre Vasarely, President of the Fondation Vasarely, universal legatee and the moral right holder of Victor Vasarely. This work will be included in the forthcoming Catalogue Raisonné de l\'Oeuvre Peint de Victor Vasarely, which is currently being compiled by the Fondation Vasarely, Aix-en-Provence.
维克多·瓦萨雷 1969年5月3日
图片文件尺寸 : 4741 x 4286px
KAWASE HASUI (1883-1957):Showa era (1926-1989), 1929
An oban tate-e print entitled Matsu no yukibare (Pines in Clear Weather after Snow), signed Hasui, published by Kawaguchi Jiro and Sakai Shokichi, 35/100 written in pencil in the lower margin, with a label on the verso reading Shohan seisen, hyaku mai no uchi, dai sanjugo go, Hasui (From 100 carefully selected prints of the first edition, no. 35, Hasui) and with red round stylized artist\'s seal, stamped in black ink Made in Japan and Kawaguchi
16 x 10 5/8in (40.6 x 26.9cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1929年
图片文件尺寸 : 4781 x 3859px
Robert Motherwell:
Beau Geste I; III (2 works) (Engberg Banach 480; 482.), 1989
2 lithographs on Georges Duchêne Moutarde and Arches Cover paper, respectively, both initialed in pencil and numbered 93/100 and annotated \'H.C.\' (an hors commerce proof, aside from the numbered edition of 100 and 15 artist\'s proofs), respectively, both with the blindstamp of the artist, published/printed by Editions Daniel Papierski, Paris and Waddington Graphics Ltd., London/Trestle Editions Limited, New York, both the full sheet, both framed. (2 works)
each sheet 22 x 15in (55.8 x 38.1cm)
罗伯特·马瑟韦尔 漂亮的手势I（三）
图片文件尺寸 : 3980 x 5198px
GEORGE GROSZ:Alfred Meyer, Munkepunke Dionysos. Groteske Liebesgedichte, Fritz Gurlitt, Berlin, 1921
each signed in pencil
the complete book comprising six lithographs
29.1 x 24.2cm (11 7/16 x 9 1/2in). (Folio) (6)
From the edition of 100, copy number 37/100, with the title page, justification and text in German, within the original green wrappers, bound (as issued)
乔治·格罗斯-Alfred Meyer，Munkepunke Dionysos。怪诞的爱情诗，弗里茨·古尔利特，柏林
| ID | 艺术家 | |
| 1个 | 巴勃罗毕加索 | 100 |
| 2个 | 文森特 - 梵高 | 77 |
| 3个 | 达芬奇 | 65 |
| 4个 | 克劳德·莫奈 | 56 |
| 5个 | 萨尔瓦多达利 | 47 |
| 6个 | 亨利·马蒂斯 | 43 |
| 7 | 伦勃朗 | 41 |
| 8个 | 安迪·沃霍尔 | 34 |
| 9 | 乔治亚·欧姬芙 | 33 |
| 10 | 米开朗基罗 | 32 |
| 11 | 彼得保罗鲁本斯 | 14 |
| 12 | 埃德加·德加 | 12 |
| 13 | 卡拉瓦乔 | 12 |
| 14 | 皮埃尔奥古斯特雷诺阿 | 12 |
| 15 | 拉斐尔 | 12 |
| 16 | 保罗·塞尚 | 12 |
| 17 | 马克·夏加尔 | 11 |
| 18 | 提香 | 11 |
| 19 | 胡安·米罗 | 11 |
| 20 | 杰克逊·波洛克 | 11 |
| 21 | 古斯塔夫克里姆特 | 10 |
| 22 | 阿尔布雷希特丢勒 | 10 |
| 23 | 爱德华·霍珀 | 10 |
| 24 | 瓦西里·康定斯基 | 10 |
| 25 | 维米尔 | 10 |
| 26 | 保罗克利 | 10 |
| 27 | 爱德华蒙克 | 9 |
| 28 | 戈雅 | 9 |
| 29 | 珍妮特鱼 | 9 |
| 30 | 爱德华·马奈 | 9 |
100 3/8 x 78 3/8 (255 x 199 cm)
Neo Rauch. Pfad. 2003
尼奥·劳赫。路径2003-
100 3/8 x 78 3/8 (255 x 199 cm)
Neo Rauch. Verrat. 2003
尼奥·劳赫。背叛2003-
图片文件像素：4600 x 3500 px
阿尔曼（阿尔曼·皮埃尔·费尔南德斯，当代艺术II-
-
(Nizza 1928–2005 New York)
Ohne Titel, 2001, signiert und nummeriert 43/100, Akkumulation von zerschnittenen Weckern, eingebettet in Polyesterharz, 40 x 30 x 4 cm
Dieses Exemplar ist Nummer 43 aus einer Edition von 100 + XXX + 20 EA + 30 HC
Das Werk wurde in den Arman Studio Archives, New York mit der Nr. APA# 8403.01.001 registriert
Die vorliegende Arbeit ist im Archivio delle Opere di Arman-Dante Vecchiato Galleria d'Arte, Padua registriert. Ein Fotozertifikat liegt vor.
100 × 120 × 1 3/4 (254 × 304.8 × 4.4 cm)
Avery Singer. Anxiety Painting. 2014
艾弗里·辛格。焦虑绘画。2014-
.1: 27 1/2 x 39 1/2 (69.9 x 100.3 cm)
.2: 24 1/4 x 33 1/4 (61.6 x 84.5 cm)
.3: 19 7/8 x 25 3/4 (50.5 x 65.4 cm)
.4: 12 3/4 x 19 1/8 (32.4 x 48.6 cm)
.5: 9 3/4 x 12 3/4 (24.8 x 32.4 cm)
.6: 9 3/4 x 12 3/4 (24.8 x 32.4 cm)
.7: 27 3/4 x 39 1/2 (70.5 x 100.3 cm)
.8: 28 x 39 3/4 (71.1 x 101 cm)
David Maljković. Scene for a New Heritage – New Possibilities Series, A. 2004
David Maljković。新遗产的场景——新的可能性系列，a.2004-
图片文件尺寸 : 4972 x 5285px
VICTOR VASARELY:Maamor III, 1969
signed \'Vasarely-\' (lower center); signed, titled, inscribed and dated \'vasarely- 0786 MAAMOR III 1969\' (on the reverse)
acrylic on canvas
39 1/2 x 39 1/2 in.
100.3 x 100.3 cm.
The authenticity of the present work has been confirmed by Pierre Vasarely, President of the Fondation Vasarely, universal legatee and the moral right holder of Victor Vasarely. This work will be included in the forthcoming Catalogue Raisonné de l\'Oeuvre Peint de Victor Vasarely, which is currently being compiled by the Fondation Vasarely, Aix-en-Provence.
维克多·瓦萨雷 1969年5月3日
图片文件尺寸 : 4741 x 4286px
KAWASE HASUI (1883-1957):Showa era (1926-1989), 1929
An oban tate-e print entitled Matsu no yukibare (Pines in Clear Weather after Snow), signed Hasui, published by Kawaguchi Jiro and Sakai Shokichi, 35/100 written in pencil in the lower margin, with a label on the verso reading Shohan seisen, hyaku mai no uchi, dai sanjugo go, Hasui (From 100 carefully selected prints of the first edition, no. 35, Hasui) and with red round stylized artist\'s seal, stamped in black ink Made in Japan and Kawaguchi
16 x 10 5/8in (40.6 x 26.9cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1929年
图片文件尺寸 : 4781 x 3859px
Robert Motherwell:
Beau Geste I; III (2 works) (Engberg Banach 480; 482.), 1989
2 lithographs on Georges Duchêne Moutarde and Arches Cover paper, respectively, both initialed in pencil and numbered 93/100 and annotated \'H.C.\' (an hors commerce proof, aside from the numbered edition of 100 and 15 artist\'s proofs), respectively, both with the blindstamp of the artist, published/printed by Editions Daniel Papierski, Paris and Waddington Graphics Ltd., London/Trestle Editions Limited, New York, both the full sheet, both framed. (2 works)
each sheet 22 x 15in (55.8 x 38.1cm)
罗伯特·马瑟韦尔 漂亮的手势I（三）
图片文件尺寸 : 3980 x 5198px
GEORGE GROSZ:Alfred Meyer, Munkepunke Dionysos. Groteske Liebesgedichte, Fritz Gurlitt, Berlin, 1921
each signed in pencil
the complete book comprising six lithographs
29.1 x 24.2cm (11 7/16 x 9 1/2in). (Folio) (6)
From the edition of 100, copy number 37/100, with the title page, justification and text in German, within the original green wrappers, bound (as issued)
乔治·格罗斯-Alfred Meyer，Munkepunke Dionysos。怪诞的爱情诗，弗里茨·古尔利特，柏林
| ID | 艺术家 | |
| 1个 | 巴勃罗毕加索 | 100 |
| 2个 | 文森特 - 梵高 | 77 |
| 3个 | 达芬奇 | 65 |
| 4个 | 克劳德·莫奈 | 56 |
| 5个 | 萨尔瓦多达利 | 47 |
| 6个 | 亨利·马蒂斯 | 43 |
| 7 | 伦勃朗 | 41 |
| 8个 | 安迪·沃霍尔 | 34 |
| 9 | 乔治亚·欧姬芙 | 33 |
| 10 | 米开朗基罗 | 32 |
| 11 | 彼得保罗鲁本斯 | 14 |
| 12 | 埃德加·德加 | 12 |
| 13 | 卡拉瓦乔 | 12 |
| 14 | 皮埃尔奥古斯特雷诺阿 | 12 |
| 15 | 拉斐尔 | 12 |
| 16 | 保罗·塞尚 | 12 |
| 17 | 马克·夏加尔 | 11 |
| 18 | 提香 | 11 |
| 19 | 胡安·米罗 | 11 |
| 20 | 杰克逊·波洛克 | 11 |
| 21 | 古斯塔夫克里姆特 | 10 |
| 22 | 阿尔布雷希特丢勒 | 10 |
| 23 | 爱德华·霍珀 | 10 |
| 24 | 瓦西里·康定斯基 | 10 |
| 25 | 维米尔 | 10 |
| 26 | 保罗克利 | 10 |
| 27 | 爱德华蒙克 | 9 |
| 28 | 戈雅 | 9 |
| 29 | 珍妮特鱼 | 9 |
| 30 | 爱德华·马奈 | 9 |
100 3/8 x 78 3/8 (255 x 199 cm)
Neo Rauch. Pfad. 2003
尼奥·劳赫。路径2003-
100 3/8 x 78 3/8 (255 x 199 cm)
Neo Rauch. Verrat. 2003
尼奥·劳赫。背叛2003-
图片文件像素：4600 x 3500 px
阿尔曼（阿尔曼·皮埃尔·费尔南德斯，当代艺术II-
-
(Nizza 1928–2005 New York)
Ohne Titel, 2001, signiert und nummeriert 43/100, Akkumulation von zerschnittenen Weckern, eingebettet in Polyesterharz, 40 x 30 x 4 cm
Dieses Exemplar ist Nummer 43 aus einer Edition von 100 + XXX + 20 EA + 30 HC
Das Werk wurde in den Arman Studio Archives, New York mit der Nr. APA# 8403.01.001 registriert
Die vorliegende Arbeit ist im Archivio delle Opere di Arman-Dante Vecchiato Galleria d'Arte, Padua registriert. Ein Fotozertifikat liegt vor.
100 × 120 × 1 3/4 (254 × 304.8 × 4.4 cm)
Avery Singer. Anxiety Painting. 2014
艾弗里·辛格。焦虑绘画。2014-