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NUREMBERG CHRONICLE.:SCHEDEL, HARTMANN. 1440-1514. Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.
Imperial folio (472 x 325 mm). 297 leaves (of 298, without final blank). 59-64 lines and headline, table and parts of the text in two columns. Types: 24:111G (text), 9:165G (headlines), c. 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs. Contemporary Nuremberg pigskin over wooden boards, stained pink, ruled and stamped in blind, upper cover lettered in German: \"Cronica von anfang der welt\" [\"Chronical of the beginning of the world\"] brass clasps and catch-plates. Some minor marginal tears and occasional light staining, a few leaves (138-150) with repair to inner margins slightly affecting woodcuts or text, leaf 281 loose, spine ends neatly repaired.
Provenance: Georg Frauenlob Landt, gift inscription to Wolfgang Häberl, dated 18 August 1599 (first numbered leaf verso); Häberl, Wolfgang (*1553) from Berchtesgaden, Pastor of the parish church of St. Martin in Thalgau, and motto dated 1595 (inscription \"Sum ex libris Wolfgangi Häberl Berchtersgadiam / Ecclesiae parochialis S. Martini in Talgeio Pastoris. / Honesti cultor uirtute content. 1599\" on title page).

FIRST EDITION IN GERMAN of the Nuremberg Chronicle, printed in the same year as the Latin edition. The German and Latin editions were planned simultaneously, with the German edition of Georg Alt\'s translation appearing five months after the Latin edition. A TALL COPY of the most extensively illustrated book of the 15th century. The 29 large double-page city views, many illustrated for the first time, are accurate in depicting distinguished features of each city. In addition, it includes many details of 15th-century daily life: carpenters with their tools, astronomers and their instruments, a chess player, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel\'s Nuremberg Chronicle epitomizes \"the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax\" (Pettegree). Reference: BMC II 437; BSB-Ink. S-197; Bod-Inc. S-110; Goff S-309; GW M40796; HC *14510; Pettegree, The Book in the Renaissance, New Haven, 2011 p. 42; Reske, The Production of Schedel\'s Nuremberg Chronicle Wiesbaden, 2000; Ellen Shaffer The Nuremberg Chronicle, Los Angeles, 1950; Wilson, The Making of the Nuremberg Chronicle Amsterdam, 1976.

纽伦堡编年史。 Liber chronicarum[德语：《克洛诺斯和故事书》]。纽伦堡：Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister，1493年12月23日。

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L\'ECLUSE, CHARLES DE. 1526-1609.:Rariorum Plantarum Historia. Antwerp: Plantin, 1601.
Folio (347 x 204 mm). Engraved title-page, over 1000 botanical woodcut illustrations in the text.
Provenance: \"Joseph Corphuz(?), 1662\" (ink note to endpaper); \"G.F., Medici, 1747\" (ink note opposite title page).

FIRST COLLECTED EDITION, including the first edition of the first work on fugni, Fungorum Historia, \"one of the first published monographs of its kind\" (Hunt). This copy conforms to the Arents copy described in Hunt; i.e., without a portrait but with the \"Privilegium\" leaf. Nissen BBI 372; Hunt 180.

锁，查尔斯，1526-1609年。 稀有植物历史。安特卫普：植物园，1601年。

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BOISSARD, JEAN-JACQUES. 1528-1602.:Bibliotheca Chalcographica. Heidelberg: Clement Ammon, 1669.
5 parts in 1 volume. 4to (203 x 155 mm). Engraved main title page, 2 engraved section title pages, and 438 engraved portrait plates. Contemporary calf, rebacked retaining original spine, modern brown cloth chemise and slipcase. Repairs to covers, scattered browning and spotting.

A compendium of engraved portraits of European scientists, theologians, and important thinkers, with plates engraved by Boissard, Theodor De Bry, and others. Originally published in 1650 with biographical summaries, the later editions (as here) excluded the biographies and added more portraits. Graesse I, 475; Cicognara 1998.

布瓦萨，杰安·雅克。1528-1602. 《查科志》书目。海德堡：克莱门特·阿蒙，1669年。

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PICART, BERNARD. 1673-1733.:The Ceremonies and Religious Customs of the Various Nations of the Known World. London: Claude Du Bosc, 1731-39.
7 volumes in 6. Folio (447 x 275 mm). Half titles, titles in red and black with engraved vignettes, engraved dedication page in volume IV, 215 (of 220) engraved plates, many double-page or folding, engraved illustrations and headers in text. Modern quarter morocco and marbled boards. A few pages re-margined at outside edges, leaf 5O2 (pp 419-420) in volume 3 torn through but complete, dampstaining, especially to last volumes, browning and spotting throughout.

FIRST EDITION IN ENGLISH, A richly illustrated landmark work on religious tolerance. \"No other work before then had ever attempted, in word and image, such a grand sweep of human religions, Religious Ceremonies of the World marked a major turning point in European attitudes toward religious beliefs and hence the sacred\" (Hunt, Jacob Mijnhardt The Book that Changed Europe: Picart and Bernard\'s Religious Ceremonies of the World p 1). Picart\'s engravings \"are indeed so finely executed, both in the drawing and engraving, that there are few plates even at this day which excel them\" (Field 1212, French edition). Sabin 4934.

皮卡特，伯纳德。1673-1733年。 已知世界各国的仪式和宗教习俗。伦敦：克劳德·杜·博斯克，1731-39年。

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Joan Miró: Le miroir de l\'homme par les bêtes, André Frénaud (Dupin 566-570), 1972
The complete set of 3 etchings and aquatints with carborundum in colors on Bristol paper, signed in pencil by the artist on part of the justification page, framed together; accompanied by 2 etchings on wove paper, signed in pencil by the poet André Frénaud on the other part of justification page, numbered 96 (from the total edition of 225), each published/printed by Adrien Maeght, Paris, with text, collaged chemise and linen-covered box. (5 works)
sizes various
overall 31 x 47 1/2in (78.8 x 120.65)

琼·米尔 人的镜子由BTes，Andr英语诺德

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STELLUTI, FRANCESCO. 1577-1652.:Trattato del legno fossile minerale. Rome: Vitale Mascardi, 1637.
Folio (312 x 210 mm). Woodcut printer\'s device and woodcut border on title page, 13 engraved plates (2 double-page). Modern quarter green morocco and marbled boards. Light foxing, some ink underlining in text.

Stelluti\'s examination of petrified wood and other fossils follows his earlier works Apiarium (1625, with Federico Cesi) and Persio tradotto in verso sciolto e dichiarato (1630), among the first published works containing illustrations of organisms as viewed through the microscope. Brunet V, 529; Nissen ZBI 3989.

弗朗西斯科·斯特鲁蒂。1577–1652. 矿物化石木材处理。罗马：维塔利·马斯卡迪，1637年。

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GREW, NEHEMJAH. 1641-1712.:The Anatomy of Plants. London: W. Rawlins, 1682.
Folio (237 x 193 mm). Imprimatur leaf, 83 engraved plates (5 double-page), woodcut headers and initials (some with later hand-coloring). 20th century half calf and marbled boards to style. One double-page plate replaced in facsimile (plate 14), a few small marginal tears, some browning and marginal staining, creasing to some leaves toward back.

First collected edition, one of the \"standard\" copies printed on foolscap (as opposed to the large paper copies). Grew, along with Malpighi in Italy, were the first to observe and publish microscopic examinations of the anatomy of plants. Henrey 162; Hunt 362; Nissen BBI 758; Wing G1945.

长大了，没有。1641-1712. 植物解剖学。伦敦：W.Rawlins，1682年。

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Alexis Akrithakis: L\'histoire d\'une valise
dix-sept dessins et une lettre de deux pages adressés à Alexander Iolas
signé et daté \'19/IV/73\' (sur la lettre)
crayons de couleur et feutres sur papier
14.5 x 20 cm (5 11/16 x 7 7/8in) (chacun).
85 x 128 cm (33 7/16 x 50 3/8in) (encadrée).
Daté en 1973

seventeen drawings and two pages of a letter addressed to Alexander Iolas
signed and dated (on the letter)
crayons and felt pen on paper

亚历克西斯·阿克里察基斯 一个箱子的故事14.5 x 20厘米。85 x 128厘米。

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ALCIATI, ANDREAE. 1492-1550.:Emblemata Iurisconsulti Clarissimi. Lugduni: Mathias Bonhomme) for Gulielmum Rouillium.
8vo (178 x 116 mm). Woodcut printer\'s device, woodcut borders to title; 128 woodcut emblems by Pierre Vase (i.e. Eskrich), each with decorative woodcut border. Morocco antique, contemporary strapwork morocco covers laid-down, new endpapers. Light stain to lower margin of leaves, small wormhole running throughout, title page re-margined, some headlines shaved, ink inscription effaced from title page.

FIRST EDITION WITH VASE/ESTRICH CUTS, AND THE FIRST TO INCLUDE THE BORDERS. Adams A-603; Brunet V, 148.

安德里亚·阿尔西亚蒂。1492–1550. 克拉拉西米教堂徽章。卢格杜尼：马蒂亚斯·邦霍姆）。

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After Sonia Delaunay:Boîte-object, 1994
4 lithographs, two in colors, on Arches paper, each stamped-signed and numbered in pencil 528/600 (there were also 30 artist\'s proofs in Roman numerals), with the printed title and original drawing date on verso, published by Artcurial Diffusions for the Société Azygos/Anticip, printed by Art Estampe Machet-Cosson,Paris, with three pages of printed quotes by the artist, a biography of the artist, and the justification page, housed in the original blue linen covered clamshell portfolio box with metallic lettering.
Titles include: Music-Hall, Gaby, Madrid, 1919; Robe-toupie, Rio, 1922; Danse, rythme sans fin, 1923; and Composition à la robe-disque, 1925
each plate 11 1/4 x 8in (28.5 x 20.3cm)
each sheet 15 3/4 x 11 7/8in (40 x 30.1cm)

Sonia Delaunay之后 框-对象