图片文件尺寸 : 4335 x 6657px

皮埃尔·奥古斯特·雷诺阿（Pierre Auguste Renoir）的《跳绳女孩》（Delphine Legrand肖像）-Pierre-Auguste Renoir

Girl with a Jump Rope (Portrait of Delphine Legrand)--Pierre-Auguste Renoir (法国, 1841-1919)

图片文件尺寸 : 3442 x 2250px

彼得·纽威尔（Peter Newell）说：“三四个人兴高采烈地跳了进来，就像愚蠢的青蛙一样。”-Peter Newell

And three or four with hearty cheer, jumped in like folly frogs--Peter Newell (美国, 1862 – 1924)

图片文件像素：5412 x 4936 px

丹尼尔·里希特，当代艺术I-

Daniel Richter * - Zeitgenössische Kunst I-

(born in Lütjenburg in 1962)
Jump from the towers, 2009, signed, dated Daniel Richter 09 on the reverse, oil on canvas, 60 x 50 cm, framed

Provenance:
Private Collection, North Rhine-Westphalia

Daniel Richter is one of 德国y\'s best-known contemporary artists. In a constant balancing act between his left-wing political origins as a squatter in Hamburg and his new lifestyle as a 德国 star painter, Richter uses iconographic representations from art history, mass media and pop culture in his works. He places these as if on a stage onto a reduced, mystical pictorial background often characterised by darkness, depicting the figures themselves in a painterly excess of light and colour.

This pictorial composition is typical of Richter and can also be found in his stage designs for the 2010 Salzburg Festival.

In Jump from the towers, it seems as if the figures are jumping out of the screen with wide-open eyes, as if in panic, in reference to the images of the 9/11 terrorist attack circulating in the media. Their bodies dissolve into streaks and splashes of colour as they move, and their colourfulness is reminiscent of the view through a thermal imaging camera. This connotation fits Richter\'s recurring theme of the total surveillance of society. The figures\' leap into the unknown triggers fascination and at the same time nervousness in the viewer.

图片文件尺寸 :

Kristin Kwan的《跳跃》-Kristin Kwan

跳跃--Kristin Kwan (美国, 20th Century)

图片文件尺寸 : 1634 x 1974px

“他打得越快，她就越要被亚瑟·拉坎姆跳得越高-Arthur Rackham

他玩得越快，她跳得越高--Arthur Rackham (英国, 1867-1939)

图片文件尺寸 : 2132 x 2790px

他从老人的腿上跳下来，在威廉·希斯·罗宾逊的地板上绕着他跳舞-William Heath Robinson

他从老人身上跳下来在地板上绕着他跳舞--William Heath Robinson (英国, 1872-1944)

图片文件尺寸 : 1808 x 2172px

“她跳得太匆忙了，以至于约翰·坦尼尔爵士用裙子的边缘把陪审团的箱子翻了-Sir John Tenniel

她跳得太匆忙了，裙子的边缘把陪审团的箱子翻了过去--Sir John Tenniel (英国, 1820-1914)

图片文件尺寸 : 4578 x 4565px

BROWN, PAUL DESMOND. 1893-1958.:Aintree Grand Nationals Past Present. New York: The Derrydale Press, 1930.
4to. Half-title, title printed in red and black, verso with limitation page, numerous illustrations and plates. Original full scarlet morocco, covers ruled in gilt with gilt horse head devices at each corner, spine in six panels, raised bands, top edge gilt. Some scuffs and soiling to covers, light chipping at outside edge of upper cover, upper joint starting, a few fingermarks.

LIMITED EDITION, LARGE PAPER COPY, number 10 of 50 copies, with an ORIGINAL PEN-AND-INK DRAWING, highlighted in gouache, of the race in the blizzard of 1901, signed by Brown, and bound in before the title. A classic work on the history of the Grand National, one of the great horse races of the sporting calendar, run every April since 1839 at Aintree, near Liverpool. The Grand National is considered to be one of the hardest steeplechase races in the world, with over 30 huge jumps, run over 4 miles and 514 yards. At least 40 horses start, and fewer than 10 generally finish — in 1928 only two horses finished. The drawing in this copy is the original of the illustration opposite p 37.

布朗，保罗·德斯蒙德。1893-1958. 安特里大国民的过去和现在。纽约：德里代尔出版社，1930年。