图片文件尺寸 : 5441 x 4209px
Sir Terry Frost R.A.:Three for Two (Kemp 219)
Screenprint in colours, 2001, on wove, signed and numbered 65/150 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, with margins, 460 x 313mm (18 1/8 x 12 1/4in)(I)
Terry Frost R.A.爵士。 三对二
图片文件尺寸 : 4589 x 5788px
Laurence Stephen Lowry R.A.:Crime Lake
Offset lithograph printed in colours, 1972, on wove, signed in pencil, from the edition of 500, printed by Max Jaffe, Vienna, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, with margins, 460 x 605mm (18 1/8 x 23 3/4in)(I)
劳伦斯·斯蒂芬·洛瑞R.A。 犯罪湖
图片文件尺寸 : 5283 x 4178px
Sam Francis:Untitled (Lembark 235; SF-257)
Three lithographs in colours, 1979, on Rives BFK wove paper, two signed and inscribed \'CTP\' in pencil, one signed and inscribed \'HC 6/7\' in pencil, two of ten unique colour trial proofs and one hors-commerce impression aside from the edition of 100, published by The Litho Shop Inc., Santa Monica, California
Images 503 x 398mm. (19 3/4 x 15 5/8in.); Sheets 560 x 460mm. (22 1/8 x 18 1/8in.) (3)
山姆·弗朗西斯 无标题3
图片文件尺寸 : 4816 x 5045px
After Marc Chagall:The Tribe of Naphtali from \'Twelve Maquettes of Stained Glass Windows for Jerusalem\' (Sorlier 21)
Lithograph printed in colours, 1964, on Arches, signed and numbered 71/150 in pencil (there was also an edition of 75 in Roman numerals), published by Mourlot, Paris, with margins, 620 x 460mm (24 1/2 x 18 1/8in)(I)
马克·夏加尔之后 《耶路撒冷十二块彩色玻璃窗》中的拿弗他利部落
图片文件尺寸 : 4759 x 4611px
Salvador Dalí:Twelve Tribes of Israel (13 works) (Field 72-6-A-M), 1972
The complete suite comprising 13 etchings and stencils in colors on Rives BFK paper, each signed in pencil and numbered 105/135 (the total edition was 460), each with the printed Salvador Dali copyright notice on the reverse, each with full margins, published by Transworld Art, New York/Fribourg, Switzerland, printed by Rigal, Paris, with blue fabric covered portfolio, with the silver embossed title printed in Hebrew on the front, lacking colophon, title and introduction. (13 works)
each image 19 1/2 x 14 5/8in (49.50 x 37.1cm)
each sheet 25 3/4 x 20in (65.4 x 50.6cm)
萨尔瓦多·达利 以色列的十二个部落
图片文件尺寸 : 4540 x 3903px
Salvador Dalí:Twelve Tribes of Israel (Field 72-6, Michler/Löpsinger 618-630), 1973
The complete portfolio, comprising 13 drypoints with pochoir on Rives BFK paper, each signed in pencil and numbered 172/195 (from the total edition of 460), published by Transworld Art Corporation, New York, printed by Ateliers Rigal, Fontenay-aux-Roses, with full margins, signed again in pencil and numbered in ink on the justification, with title, text in English and Hebrew, contained in the original blue cloth and leather-covered portfolio case.
Titles include:
Benjamin; Reuben; Simeon; Joseph; Zebulun; Gad; Issachar; Asher; Dan; Naphtali; Judah; and Levi
each approx. sheet 25 1/2 x 20in (64.8 x 50.8cm) or reverse
萨尔瓦多·达利 以色列的十二个部落
图片文件像素：4941 x 5118 px
Wifredo Lam。-
Wifredo Lam * - Moderne-
(Kuba 1902–1982 Paris)
Ohne Titel, 1974, signiert und datiert (verblaßt), rückseitig signiert, datiert, Öl auf Leinwand, 50 x 40 cm, gerahmt
Provenienz:
Galleria Il Prisma, Cuneo
Galleria d’Arte Borgogna, Mailand
Galleria d’Arte Rizziero, Teramo (rückseitig Etikett)
Galleria Cafiso, Mailand (Fotozertifikat vorhanden)
Europäische Privatsammlung
Literatur:
L. L. Lam, E. Lam, Wifredo Lam. Catalogue Raisonné of the Painted Work, Bd. II 1961–1982, S. 460, Nr. 75 102 mit Abb.
Damals, in den 1950er Jahren, reisten wir sehr wenig. Die Strecke Mailand-Paris mit dem Nachtzug galt als eine große Reise.
Für Lam, den großen Nomaden der modernen Malerei, galt das nicht. Seine unbändige Neugier zu sehen und zu lernen trieb ihn dazu, ständig von einem Kontinent zum anderen zu reisen. Es heißt, er sei immer auf der Suche nach sich selbst, seinen Ursprüngen, den Voodoo-Mythen und dem Gott Changò. Wie Matta und Camacho wurde er im Dschungel geboren, in einer Welt der Magie und der Gewalt, der Stacheln, der Klauen, der Zähne und der Hörner. Der Urwald wimmelt von Wesen, die seine Formen reproduzieren: Schilf, Bambus, Palmen, Ebenholz, Mahagoni und Kakteen, alles in einem Universum aus Stacheln und speerartigen Sträuchern, die der Mensch fällen muss, um den Dschungel zu durchqueren.
(Enrico Baj, Il nomade della giungla, in „Wifredo Lam. Cuba Italia. Un percorso“, Silvana Editoriale 2002)
图片文件尺寸 : 5441 x 4209px
Sir Terry Frost R.A.:Three for Two (Kemp 219)
Screenprint in colours, 2001, on wove, signed and numbered 65/150 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, with margins, 460 x 313mm (18 1/8 x 12 1/4in)(I)
Terry Frost R.A.爵士。 三对二
图片文件尺寸 : 4589 x 5788px
Laurence Stephen Lowry R.A.:Crime Lake
Offset lithograph printed in colours, 1972, on wove, signed in pencil, from the edition of 500, printed by Max Jaffe, Vienna, published by the Adam Collection Ltd., with the Fine Art Trade Guild blindstamp, with margins, 460 x 605mm (18 1/8 x 23 3/4in)(I)
劳伦斯·斯蒂芬·洛瑞R.A。 犯罪湖
图片文件尺寸 : 5283 x 4178px
Sam Francis:Untitled (Lembark 235; SF-257)
Three lithographs in colours, 1979, on Rives BFK wove paper, two signed and inscribed \'CTP\' in pencil, one signed and inscribed \'HC 6/7\' in pencil, two of ten unique colour trial proofs and one hors-commerce impression aside from the edition of 100, published by The Litho Shop Inc., Santa Monica, California
Images 503 x 398mm. (19 3/4 x 15 5/8in.); Sheets 560 x 460mm. (22 1/8 x 18 1/8in.) (3)
山姆·弗朗西斯 无标题3
图片文件尺寸 : 4816 x 5045px
After Marc Chagall:The Tribe of Naphtali from \'Twelve Maquettes of Stained Glass Windows for Jerusalem\' (Sorlier 21)
Lithograph printed in colours, 1964, on Arches, signed and numbered 71/150 in pencil (there was also an edition of 75 in Roman numerals), published by Mourlot, Paris, with margins, 620 x 460mm (24 1/2 x 18 1/8in)(I)
马克·夏加尔之后 《耶路撒冷十二块彩色玻璃窗》中的拿弗他利部落
图片文件尺寸 : 4759 x 4611px
Salvador Dalí:Twelve Tribes of Israel (13 works) (Field 72-6-A-M), 1972
The complete suite comprising 13 etchings and stencils in colors on Rives BFK paper, each signed in pencil and numbered 105/135 (the total edition was 460), each with the printed Salvador Dali copyright notice on the reverse, each with full margins, published by Transworld Art, New York/Fribourg, Switzerland, printed by Rigal, Paris, with blue fabric covered portfolio, with the silver embossed title printed in Hebrew on the front, lacking colophon, title and introduction. (13 works)
each image 19 1/2 x 14 5/8in (49.50 x 37.1cm)
each sheet 25 3/4 x 20in (65.4 x 50.6cm)
萨尔瓦多·达利 以色列的十二个部落
图片文件尺寸 : 4540 x 3903px
Salvador Dalí:Twelve Tribes of Israel (Field 72-6, Michler/Löpsinger 618-630), 1973
The complete portfolio, comprising 13 drypoints with pochoir on Rives BFK paper, each signed in pencil and numbered 172/195 (from the total edition of 460), published by Transworld Art Corporation, New York, printed by Ateliers Rigal, Fontenay-aux-Roses, with full margins, signed again in pencil and numbered in ink on the justification, with title, text in English and Hebrew, contained in the original blue cloth and leather-covered portfolio case.
Titles include:
Benjamin; Reuben; Simeon; Joseph; Zebulun; Gad; Issachar; Asher; Dan; Naphtali; Judah; and Levi
each approx. sheet 25 1/2 x 20in (64.8 x 50.8cm) or reverse
萨尔瓦多·达利 以色列的十二个部落
图片文件像素：4941 x 5118 px
Wifredo Lam。-
Wifredo Lam * - Moderne-
(Kuba 1902–1982 Paris)
Ohne Titel, 1974, signiert und datiert (verblaßt), rückseitig signiert, datiert, Öl auf Leinwand, 50 x 40 cm, gerahmt
Provenienz:
Galleria Il Prisma, Cuneo
Galleria d’Arte Borgogna, Mailand
Galleria d’Arte Rizziero, Teramo (rückseitig Etikett)
Galleria Cafiso, Mailand (Fotozertifikat vorhanden)
Europäische Privatsammlung
Literatur:
L. L. Lam, E. Lam, Wifredo Lam. Catalogue Raisonné of the Painted Work, Bd. II 1961–1982, S. 460, Nr. 75 102 mit Abb.
Damals, in den 1950er Jahren, reisten wir sehr wenig. Die Strecke Mailand-Paris mit dem Nachtzug galt als eine große Reise.
Für Lam, den großen Nomaden der modernen Malerei, galt das nicht. Seine unbändige Neugier zu sehen und zu lernen trieb ihn dazu, ständig von einem Kontinent zum anderen zu reisen. Es heißt, er sei immer auf der Suche nach sich selbst, seinen Ursprüngen, den Voodoo-Mythen und dem Gott Changò. Wie Matta und Camacho wurde er im Dschungel geboren, in einer Welt der Magie und der Gewalt, der Stacheln, der Klauen, der Zähne und der Hörner. Der Urwald wimmelt von Wesen, die seine Formen reproduzieren: Schilf, Bambus, Palmen, Ebenholz, Mahagoni und Kakteen, alles in einem Universum aus Stacheln und speerartigen Sträuchern, die der Mensch fällen muss, um den Dschungel zu durchqueren.
(Enrico Baj, Il nomade della giungla, in „Wifredo Lam. Cuba Italia. Un percorso“, Silvana Editoriale 2002)