Sybil Andrews:Market Day (Coppel SA 38), 1936 Linocut in colors on japon pelure, signed in pencil, titled and numbered 26/60, with margins, framed. 12 5/8 x 14 5/8in (31.5 x 36.5cm) sheet 13 1/4 x 15 3/4in (33.8 x 40cm)
Joan Miró:Bonjour Max Ernst (Dupin 936), 1976 Etching and aquatint in colors with embossing on Arches paper, signed in pencil and numbered 35/100, published by Georges Visat, Paris, with full margins. 14 1/2 x 13 1/4in (36.7 x 33.8cm) sheet 25 7/8 x 19 3/4in (65.7 x 50.1cm)
Pablo Picasso:Le viol sous la fenêtre (Violation under the window), from La suite Vollard (Bloch 130), 1930-1937 Aquatint, etching and drypoint on Montval laid paper with the Picasso watermark, signed in pencil, from the edition of 260 (there was also an edition of 50 on wide margins), published/printed by Vollard/Lacourière, Paris, with full margins, framed. 11 x 7 7/8in (27.6 x 19.7cm) sheet 17 1.4 x 13 1/8in (45 x 33.8cm)
Sybil Andrews:Market Day (Coppel SA 38), 1936 Linocut in colors on japon pelure, signed in pencil, titled and numbered 26/60, with margins, framed. 12 5/8 x 14 5/8in (31.5 x 36.5cm) sheet 13 1/4 x 15 3/4in (33.8 x 40cm)
Joan Miró:Bonjour Max Ernst (Dupin 936), 1976 Etching and aquatint in colors with embossing on Arches paper, signed in pencil and numbered 35/100, published by Georges Visat, Paris, with full margins. 14 1/2 x 13 1/4in (36.7 x 33.8cm) sheet 25 7/8 x 19 3/4in (65.7 x 50.1cm)
Pablo Picasso:Le viol sous la fenêtre (Violation under the window), from La suite Vollard (Bloch 130), 1930-1937 Aquatint, etching and drypoint on Montval laid paper with the Picasso watermark, signed in pencil, from the edition of 260 (there was also an edition of 50 on wide margins), published/printed by Vollard/Lacourière, Paris, with full margins, framed. 11 x 7 7/8in (27.6 x 19.7cm) sheet 17 1.4 x 13 1/8in (45 x 33.8cm)