图片文件尺寸 : 5473 x 5396px

Damien Hirst:4787. Highway without my wand, from \'The Currency\' (Unique)
Enamel paint, 2016, on handmade wove, signed, titled, dated and numbered \'4787.\' in pencil verso, from the series of 10,000 unique variants, with the artist\'s blindstamp, microdot, hallmark and hologram verso, housed in the original packaging, the full sheet, 216 x 298mm (8 1/2 x 11 2/4in)(SH)(unframed)

赫斯特 没有我魔杖的高速公路，出自《货币》

图片文件尺寸 : 4626 x 5259px

James Abbott McNeill Whistler:The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229)
Etching and drypoint, 1879-1880, on laid paper, Glasgow\'s final fourth state, signed with the butterfly and inscribed \'imp\' in pencil on the tab, published in 1880 by the Fine Art Society, London, with narrow to thread margins, in good condition, framed

Plate 202 x 298mm. (8 x 11 3/4in.); Sheet 206 x 300mm. (8 1/4 x 11 3/4in.)

惠斯勒 《丽娃》，第一集，威尼斯

图片文件尺寸 : 4375 x 4058px

Mary DeNeale Morgan: Summertime Up the River (Carmel Valley)
signed \'M. DeNeale Morgan\' (lower left), titled and numbered \'298\' on the artist\'s label (affixed to the reverse)
oil on Masonite
24 x 24in
framed 31 x 31in
Painted circa 1925-1930.

玛丽·德内尔·摩根 夏季河上游24 x 24英寸框架31 x 31英寸

图片文件尺寸 : 5227 x 5754px

Pablo Picasso:Sueño y mentira de Franco (Bloch 297-298, Baer 615-616), 1937
The complete suite, comprising 2 etchings with aquatint on laid Montval paper, each with the artist\'s stamped-signature (as issued), each numbered in pencil 350/850 (there is also a signed edition of 150), each with full margins, together with the poem by the artist and the original paper wrapper.
each sheet approx. 15 3/16 x 22 1/4in (38.6 x 56.5cm)

巴勃罗·毕加索 佛朗哥的梦想和谎言

图片文件尺寸 : 5220 x 5701px

Pablo Picasso:Sueño y Mentira de Franco II (Bloch 298), 1937
Etching and aquatint on Montval laid paper, with the artist\'s inkstamp signature (as issued), numbered 167/850 (there were also editions of 30 on Japon ancien paper and 150 on Chine paper), published by the artist, Paris, printed by Roger Lacourière, Paris, with full margins, framed.
12 1/2 x 16 1/2in (31.8 x 42cm)
sheet 15 1/4 x 22 1/2in (38.7 x 57.2cm)

巴勃罗·毕加索 佛朗哥二世的梦想和谎言

图片文件尺寸 : 4318 x 3832px

Pablo Picasso:Sueño y Mentira de Franco I and II (2 works) (Bloch, Vol. I,297,298), 1937
The complete set of 2 etchings with aquatint on Montval laid paper, each with the artist\'s stamped signature (as issued), each numbered 121/850 in pencil (there were also editions of 30 on Japon ancien paper and 150 on Chine paper), published by the artist, Paris, each with full margins, each framed. (2 works)
each image 12 1/2 x 16 1/2in (31.8 x 42cm)
each sheet 15 1/4 x 22 1/2in (38.7 x 57.2cm)

巴勃罗·毕加索 佛朗哥一世和二世的梦想和谎言

图片文件尺寸 : 4242 x 3809px

NUREMBERG CHRONICLE.:SCHEDEL, HARTMANN. 1440-1514. Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.
Imperial folio (472 x 325 mm). 297 leaves (of 298, without final blank). 59-64 lines and headline, table and parts of the text in two columns. Types: 24:111G (text), 9:165G (headlines), c. 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs. Contemporary Nuremberg pigskin over wooden boards, stained pink, ruled and stamped in blind, upper cover lettered in German: \"Cronica von anfang der welt\" [\"Chronical of the beginning of the world\"] brass clasps and catch-plates. Some minor marginal tears and occasional light staining, a few leaves (138-150) with repair to inner margins slightly affecting woodcuts or text, leaf 281 loose, spine ends neatly repaired.
Provenance: Georg Frauenlob Landt, gift inscription to Wolfgang Häberl, dated 18 August 1599 (first numbered leaf verso); Häberl, Wolfgang (*1553) from Berchtesgaden, Pastor of the parish church of St. Martin in Thalgau, and motto dated 1595 (inscription \"Sum ex libris Wolfgangi Häberl Berchtersgadiam / Ecclesiae parochialis S. Martini in Talgeio Pastoris. / Honesti cultor uirtute content. 1599\" on title page).

FIRST EDITION IN GERMAN of the Nuremberg Chronicle, printed in the same year as the Latin edition. The German and Latin editions were planned simultaneously, with the German edition of Georg Alt\'s translation appearing five months after the Latin edition. A TALL COPY of the most extensively illustrated book of the 15th century. The 29 large double-page city views, many illustrated for the first time, are accurate in depicting distinguished features of each city. In addition, it includes many details of 15th-century daily life: carpenters with their tools, astronomers and their instruments, a chess player, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel\'s Nuremberg Chronicle epitomizes \"the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax\" (Pettegree). Reference: BMC II 437; BSB-Ink. S-197; Bod-Inc. S-110; Goff S-309; GW M40796; HC *14510; Pettegree, The Book in the Renaissance, New Haven, 2011 p. 42; Reske, The Production of Schedel\'s Nuremberg Chronicle Wiesbaden, 2000; Ellen Shaffer The Nuremberg Chronicle, Los Angeles, 1950; Wilson, The Making of the Nuremberg Chronicle Amsterdam, 1976.

纽伦堡编年史。 Liber chronicarum[德语：《克洛诺斯和故事书》]。纽伦堡：Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister，1493年12月23日。