181. 肖托库王子两岁时的木像 镰仓时期或室町时期,14世纪 高清作品[37%]

Kamakura period  or Muromachi period , 14th century

图片文件尺寸 : 3982 x 5132px

A WOOD FIGURE OF PRINCE SHOTOKU AT AGE TWO:Kamakura period (1185-1333) or Muromachi period (1333-1573), 14th century
The figure standing in typical pose, his arms extended and his palms pressed together in prayer before his chest, his feet concealed within the ends of his red hakama, the folds of the carved cloth naturalistically modeled; of hollow interior construction with inlaid eyes
15in (38.1cm) high

肖托库王子两岁时的木像 镰仓时期或室町时期,14世纪

182. 全部 19世纪江户时期的四箱深棕色漆 高清作品[36%]

A dark brown lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 4756 x 5168px

TOJU:A dark brown lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in gold, silver, and colored hiramaki-e and takamaki-e against a polished dark brown ground depicting Hotei leaning on his sack, the reverse with a scroll, a fan and the head of a gnarled staff in shell inlay, the interior red lacquer, the rims fundame, signed Gyonen nanajusai Toju (Toju, aged 70) with a kao (cursive monogram)
3in (7.6cm) high

全部 19世纪江户时期的四箱深棕色漆

183. 康拉德州盖斯纳。1516-1565. 鸟书。苏黎世:Christoffel Froschouwer,1581年。 高清作品[31%]

Vogelbuch. Zurich: Christoffel Froschouwer, 1581.

图片文件尺寸 : 5425 x 4392px

GESNER, CONRAD. 1516-1565.:Vogelbuch. Zurich: Christoffel Froschouwer, 1581.
BOUND WITH: Schlangenbuch. Zurich: Froschouwer, 1589.
2 works in 1 volume. Folio (375 x 237 mm). Numerous woodcut illustrations of birds and snakes in text. Modern quarter morocco and marbled boards. Large area of first title page torn away and repaired with loss to text at top corner; margins somewhat trimmed, dampstaining through upper corners, browning and spotting, old ink underlining and a few notations.

Third German edition of Vogelbuch and second German edition of Schlangenbuch (which also includes a section on scorpions), volumes 3 and 5 of Gesner\'s Historia animalium. Gesner was a true renaissance man, who succumbed to the plague at the age of 49. His works were \"a great step forward and remained the most authoritative zoological book[s] between Aristotle and the publication of Ray\'s classification of fauna in 1693\" (PMM 77). Nissen IVB 350; Nissen ZB 1557 (second title); Staedtke Gessner 1516-1565, p 154;

康拉德州盖斯纳。1516-1565. 鸟书。苏黎世:Christoffel Froschouwer,1581年。

184. 丹蒂,埃格纳西奥。1536–1586. Proclus高中的范围。佛罗伦萨:Giunti,1573年。 高清作品[31%]

La sfera di Proclo Liceo. Florence: Giunti, 1573.

图片文件尺寸 : 5445 x 4408px

DANTI, EGNATIO. 1536-1586.:PROCLUS. c.412-485. La sfera di Proclo Liceo. Florence: Giunti, 1573.
2 parts in 1 volume. 4to (215 x 158 mm). Woodcut Medici arms on first title page, woodcut illustration of an astrolabe on verso of second title page, woodcut diagrams in text, woodcut initials. Later vellum, paper lettering piece on spine. Covers slighlty soiled, scattered browning, spotting and marginal staining.

FIRST EDITION of Danti\'s translation of the influential astronomical text by Proclus, the Neo-Platonic philosopher who lived and wrote in a time that was on the threshold between the ancient world and the Middle Ages. Danti taught at the University of Pisa, and was Cosmographer to the Medici court. His treatise on the use of the astrolabe, bound here after the work of Proclus, was the first book on the subject published in Italy. Adams P-2137; Brunet IV, 896; Camerini 22; Houzeau Lancaster I, 913.

丹蒂,埃格纳西奥。1536–1586. Proclus高中的范围。佛罗伦萨:Giunti,1573年。

185. 康拉德州盖斯纳。1516-1565. Tigurini医学史Animalium Liber IIII。其来自鱼类和水生动物。苏黎世:克里斯托弗·弗罗肖弗,1558年。 高清作品[29%]

Medici Tigurini Historiae Animalium Liber IIII. qui est de Piscium  Aquatilium animantium natura. Zurich: Christopher Froschover, 1558.

图片文件尺寸 : 3949 x 5699px

GESNER, CONRAD. 1516-1565.:Medici Tigurini Historiae Animalium Liber IIII. qui est de Piscium Aquatilium animantium natura. Zurich: Christopher Froschover, 1558.
Folio (392 x 245 mm). Woodcut printer\'s device on title page, numerous woodcut illustrations in text. 20th-century quarter morocco and marbled boards. Light wear to covers, creasing to margin edges through first 100 leaves, library stamps on title and numerous internal pages, browning and spotting throughout.

FIRST EDITION. Gesner was a true renaissance man, who succumbed to the plague at the age of 49. His works were \"a great step forward and remained the most authoritative zoological book[s] between Aristotle and the publication of Ray\'s classification of fauna in 1693\" (PMM). Adams C598; Nissen ZBI 1553; Westwood Satchell, p 105.

康拉德州盖斯纳。1516-1565. Tigurini医学史Animalium Liber IIII。其来自鱼类和水生动物。苏黎世:克里斯托弗·弗罗肖弗,1558年。

186. 炼金术:插图手稿。 一份纸上有插图的炼金术手稿,德文,“Ver Rechten Alchemy” 高清作品[27%]

图片文件尺寸 : 5065 x 4684px

ALCHEMY: ILLUSTRATED MANUSCRIPT.:An illustrated alchemical manuscript on paper, in German, \"Ver Rechten Alchemy,\" Germany, 15th century, 150 x 105 mm. 48 leaves, foliated 1-47, xliii in a contemporary hand, complete. Collation: [i + 1-412 + i], horizontal catchwords. 18-20 long lines, written in German cursive script, single vertical bounding lines faintly ruled in lead, written area: 100 x 75 mm. Chapter titles and single-line initials in red. 22 pages with illustrations of chemical apparatus in brown and red ink inserted into the text by the scribe. Occasional contemporary annotations in the margins and on f. 48r-v. (Occasional slight discoloration to blank margins of leaves.) Bound in a vellum wrapper: dimensions 157 x 114 mm.
Contents: ff. 1r-35v, Der rechter Alchamey. Recipe i tail reingold ii tail vera silber und iii tail kupfer purgiert ... so ist es gut; ff. 36r-48r, Das ist das puch das ysac seinem sun von Babilon sandt ... und wirt nymmer mer lebendig.

This small manuscript contains two treatises on alchemy, the first of which is liberally illustrated with depictions of chemical apparatus drawn by the scribe of the codex. The texts consist primarily of recipes for creating silver and gold from baser metals, a topic of considerable interest in the late Middle Ages and early modern period.

炼金术:插图手稿。 一份纸上有插图的炼金术手稿,德文,“Ver Rechten Alchemy”

187. 克里斯多夫·谢纳。1573-1650. 来自Admirando FacularsMaculas Varius的Rosa Ursina Sive Sun。布拉恰诺:安德烈亚斯·菲乌斯(Andreas Phaeus)在公爵出版社,1626-1630年。 高清作品[21%]

Rosa Ursina Sive Sol ex Admirando Facularum  Macularum suarum Phoenomeno Varius.  Bracciano: Andreas Phaeus at the Ducal Press, 1626-1630.

图片文件尺寸 : 4065 x 5080px

SCHEINER, CHRISTOPH. 1573-1650. :Rosa Ursina Sive Sol ex Admirando Facularum Macularum suarum Phoenomeno Varius. Bracciano: Andreas Phaeus at the Ducal Press, 1626-1630.
Folio (375 x 260 mm). Engraved title vignette, engraved portrait of Paolo Giordano Orsini, Duke of Bracciano, additional engraved title, numerous engraved illustrations throughout (many full-page), woodcut head- and tailpieces and initials. [38], 784 (with numerous errors in pagination), [38] pp., with the blanks F4, R6 4I6. Full 18th-century (?) vellum, manuscript spine title, all edges gilt. Repairs to large portion of outer lower corner of first 5 leaves (letterpress half-title, title, portrait leaf, contents and engraved title) with loss to text and images, occasional heavy browning and waterstaining, especially to prefatory and end matter, sporadic foxing, loss to top blank corner of 4G6.

FIRST EDITION of Scheiner\'s major work on sunspots. Scheiner first observed sunspots in 1611, publishing his finding pseudonymously the following year in Tres Epistolae de Maculis Solaribus. The tract initiated a dispute with Galileo over the nature of sunspots. The present work, Scheiner\'s magnum opus and the standard work on sunspots for over well over a century, opens with an extended attack on Galileo, although Scheiner had by this point accepted Galileo\'s theory that sunspots exist on the surface of the sun and are not, as he had previously argued, caused by shadows cast by satellites of the sun. The many fine engravings depict Scheiner\'s observations, a map of the moon, and the helioscope and other instruments. \"For his masterpiece, Scheiner produced the first monograph on a heavenly body, the Sun. Even today it is still an impressive volume, with scores of engravings of sunspots and the various instruments needed for solar observations\" (Jesuit Science in the Age of Galileo). Cinti 79; Honeyman 2781.

克里斯多夫·谢纳。1573-1650. 来自Admirando FacularsMaculas Varius的Rosa Ursina Sive Sun。布拉恰诺:安德烈亚斯·菲乌斯(Andreas Phaeus)在公爵出版社,1626-1630年。

188. 蒙迪尼斯(DI LUZZI,MONDINO)。1275–1326. 阿纳托米娅·蒙迪尼由梅勒斯塔特医生修正。[莱比锡:马丁·兰茨贝格,1493年。] 高清作品[19%]

Anathomia Mundini emendata per doctorem melerstat. [Leipzig: Martin Landsberg, 1493.]

图片文件尺寸 : 5043 x 4532px

MUNDINUS (DI LUZZI, MONDINO). 1275–1326.:MELLERSTADT, MARTINUS, editor. c.1455-1513. Anathomia Mundini emendata per doctorem melerstat. [Leipzig: Martin Landsberg, 1493.]
4to (200 x 140 mm). 40 leaves, 34 lines, title with full-page woodcut of an anatomical scene. Modern calf antique. Inner margin of title neatly reinforced, tiny repair to blank outer margin of last leaf, illegible old library stamp to lower margin of title page, scattered light browning, mostly marginal.

FIRST ILLUSTRATED EDITION OF THE FIRST DEDICATED ANATOMY BOOK. \"The first modern book devoted solely to anatomy ... Mundinus re-introduced human dissection, which had been neglected for 1500 years before him; he was the most noted dissector of his period, and he set forth the medieval anatomical vocabulary, deriving it mainly from Arabic\" (Garrison). Mondino de\' Luzzi, professor at Bologna, is considered to be the founder of anatomy in the Middle Ages. His treatise remained popular until the beginning of the 16th-century and appeared in multiple editions.

\"The subject of anatomy was not taught either by lectures or by dissection in the universities at the middle of the fifteenth century. An occasional \'anatomy\' was held, but the neglect of the subject is well illustrated by the absence of anatomical books. There is only one in the list, that of Mundinus . . . Mundinus was a professor at Bologna from 1306 to 1326, and was the first to teach anatomy from the subject, usually the corpse of a condemned criminal; but there is the record of a procedure in 1319 against four medical students for body-snatching. His Anatomia, written in 1316, was for two hundred years the popular text book\" (Osler).

In the introduction of the book, Mundinus says, \"proposui meis scholaribus in medicina quoddam opus componere, \'I have proposed to compose a work in medicine for my scholars.\" The work \"met a need universally felt just at that time and commended itself for its brevity, conciseness, and completeness, as well as for the fact that it taught for each separate organ the necessary anatomic technique, as. for example, in the first chapter: \'Situato itaque corpore vel homine mortuo per decollationem vel suspensionem supino\', etc., \'accordingly, laying out the body of a man dead by decapitation or hanging, etc....\" (Choulant). VERY RARE: According to American Book Prices Current no copy sold in the past 42 years. Choulant-Frank History and Bibliography of Anatomic Illustration (Chicago 1920, pp 88-93); Garrison-Morton-Norman 361 (for the 1478 edition); Goff M-874; GW M-25671 (recording only 2 copies/fragments); Hain 11633; see Osler Incunabula Medica 156; Wellcome I, 4484.

蒙迪尼斯(DI LUZZI,MONDINO)。1275–1326. 阿纳托米娅·蒙迪尼由梅勒斯塔特医生修正。[莱比锡:马丁·兰茨贝格,1493年。]

189. 搜索建议 高清作品[1%]

搜索建议:

如果未找到符合您搜索条件的记录,可能由于国外画家、画作名称音译为中文的差别,以及中文分词问题, 建议您进行如下操作: 1. 如果您用英文查询,请输入英文单词搜索,多词用空格分开。 2. 如果您输入中文查询,搜索画家名字至少2个(含2个)汉字,多词空格分割。 (如:要查找“克劳德·莫奈的睡莲”,那么输入“莫奈 睡莲”,或输入“Monet lotus”查找将更为有效)。 (如:要查找“世界的起源”,把“的”替换成空格,输入“世界 起源”查找将更为有效)。 (如查找伊丽莎白的“黑莓采摘”,因翻译原因,可能翻译为黑莓收获,输入“黑莓” 或“Blackberry”查找或更为高效)。 网站搜索模式分为模糊搜索和精确搜索,请多词且多次尝试,以便快速找到您中意的作品。 3. 请不要包含空格以外的标点符号。  网站下载频道为重新架构,旧版网站内容无法直接按编号搜索,如果您迫切想找到某位艺术家的某幅更为高清的作品,可直接联系我们 我们也正在努力完善网站,在个人能力有限的情况下相关信息尽可能求其正确。

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181. 肖托库王子两岁时的木像 镰仓时期或室町时期,14世纪 高清作品[37%]

Kamakura period  or Muromachi period , 14th century

图片文件尺寸 : 3982 x 5132px

A WOOD FIGURE OF PRINCE SHOTOKU AT AGE TWO:Kamakura period (1185-1333) or Muromachi period (1333-1573), 14th century
The figure standing in typical pose, his arms extended and his palms pressed together in prayer before his chest, his feet concealed within the ends of his red hakama, the folds of the carved cloth naturalistically modeled; of hollow interior construction with inlaid eyes
15in (38.1cm) high

肖托库王子两岁时的木像 镰仓时期或室町时期,14世纪

182. 全部 19世纪江户时期的四箱深棕色漆 高清作品[36%]

A dark brown lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 4756 x 5168px

TOJU:A dark brown lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in gold, silver, and colored hiramaki-e and takamaki-e against a polished dark brown ground depicting Hotei leaning on his sack, the reverse with a scroll, a fan and the head of a gnarled staff in shell inlay, the interior red lacquer, the rims fundame, signed Gyonen nanajusai Toju (Toju, aged 70) with a kao (cursive monogram)
3in (7.6cm) high

全部 19世纪江户时期的四箱深棕色漆

183. 康拉德州盖斯纳。1516-1565. 鸟书。苏黎世:Christoffel Froschouwer,1581年。 高清作品[31%]

Vogelbuch. Zurich: Christoffel Froschouwer, 1581.

图片文件尺寸 : 5425 x 4392px

GESNER, CONRAD. 1516-1565.:Vogelbuch. Zurich: Christoffel Froschouwer, 1581.
BOUND WITH: Schlangenbuch. Zurich: Froschouwer, 1589.
2 works in 1 volume. Folio (375 x 237 mm). Numerous woodcut illustrations of birds and snakes in text. Modern quarter morocco and marbled boards. Large area of first title page torn away and repaired with loss to text at top corner; margins somewhat trimmed, dampstaining through upper corners, browning and spotting, old ink underlining and a few notations.

Third German edition of Vogelbuch and second German edition of Schlangenbuch (which also includes a section on scorpions), volumes 3 and 5 of Gesner\'s Historia animalium. Gesner was a true renaissance man, who succumbed to the plague at the age of 49. His works were \"a great step forward and remained the most authoritative zoological book[s] between Aristotle and the publication of Ray\'s classification of fauna in 1693\" (PMM 77). Nissen IVB 350; Nissen ZB 1557 (second title); Staedtke Gessner 1516-1565, p 154;

康拉德州盖斯纳。1516-1565. 鸟书。苏黎世:Christoffel Froschouwer,1581年。

184. 丹蒂,埃格纳西奥。1536–1586. Proclus高中的范围。佛罗伦萨:Giunti,1573年。 高清作品[31%]

La sfera di Proclo Liceo. Florence: Giunti, 1573.

图片文件尺寸 : 5445 x 4408px

DANTI, EGNATIO. 1536-1586.:PROCLUS. c.412-485. La sfera di Proclo Liceo. Florence: Giunti, 1573.
2 parts in 1 volume. 4to (215 x 158 mm). Woodcut Medici arms on first title page, woodcut illustration of an astrolabe on verso of second title page, woodcut diagrams in text, woodcut initials. Later vellum, paper lettering piece on spine. Covers slighlty soiled, scattered browning, spotting and marginal staining.

FIRST EDITION of Danti\'s translation of the influential astronomical text by Proclus, the Neo-Platonic philosopher who lived and wrote in a time that was on the threshold between the ancient world and the Middle Ages. Danti taught at the University of Pisa, and was Cosmographer to the Medici court. His treatise on the use of the astrolabe, bound here after the work of Proclus, was the first book on the subject published in Italy. Adams P-2137; Brunet IV, 896; Camerini 22; Houzeau Lancaster I, 913.

丹蒂,埃格纳西奥。1536–1586. Proclus高中的范围。佛罗伦萨:Giunti,1573年。

185. 康拉德州盖斯纳。1516-1565. Tigurini医学史Animalium Liber IIII。其来自鱼类和水生动物。苏黎世:克里斯托弗·弗罗肖弗,1558年。 高清作品[29%]

Medici Tigurini Historiae Animalium Liber IIII. qui est de Piscium  Aquatilium animantium natura. Zurich: Christopher Froschover, 1558.

图片文件尺寸 : 3949 x 5699px

GESNER, CONRAD. 1516-1565.:Medici Tigurini Historiae Animalium Liber IIII. qui est de Piscium Aquatilium animantium natura. Zurich: Christopher Froschover, 1558.
Folio (392 x 245 mm). Woodcut printer\'s device on title page, numerous woodcut illustrations in text. 20th-century quarter morocco and marbled boards. Light wear to covers, creasing to margin edges through first 100 leaves, library stamps on title and numerous internal pages, browning and spotting throughout.

FIRST EDITION. Gesner was a true renaissance man, who succumbed to the plague at the age of 49. His works were \"a great step forward and remained the most authoritative zoological book[s] between Aristotle and the publication of Ray\'s classification of fauna in 1693\" (PMM). Adams C598; Nissen ZBI 1553; Westwood Satchell, p 105.

康拉德州盖斯纳。1516-1565. Tigurini医学史Animalium Liber IIII。其来自鱼类和水生动物。苏黎世:克里斯托弗·弗罗肖弗,1558年。

186. 炼金术:插图手稿。 一份纸上有插图的炼金术手稿,德文,“Ver Rechten Alchemy” 高清作品[27%]

图片文件尺寸 : 5065 x 4684px

ALCHEMY: ILLUSTRATED MANUSCRIPT.:An illustrated alchemical manuscript on paper, in German, \"Ver Rechten Alchemy,\" Germany, 15th century, 150 x 105 mm. 48 leaves, foliated 1-47, xliii in a contemporary hand, complete. Collation: [i + 1-412 + i], horizontal catchwords. 18-20 long lines, written in German cursive script, single vertical bounding lines faintly ruled in lead, written area: 100 x 75 mm. Chapter titles and single-line initials in red. 22 pages with illustrations of chemical apparatus in brown and red ink inserted into the text by the scribe. Occasional contemporary annotations in the margins and on f. 48r-v. (Occasional slight discoloration to blank margins of leaves.) Bound in a vellum wrapper: dimensions 157 x 114 mm.
Contents: ff. 1r-35v, Der rechter Alchamey. Recipe i tail reingold ii tail vera silber und iii tail kupfer purgiert ... so ist es gut; ff. 36r-48r, Das ist das puch das ysac seinem sun von Babilon sandt ... und wirt nymmer mer lebendig.

This small manuscript contains two treatises on alchemy, the first of which is liberally illustrated with depictions of chemical apparatus drawn by the scribe of the codex. The texts consist primarily of recipes for creating silver and gold from baser metals, a topic of considerable interest in the late Middle Ages and early modern period.

炼金术:插图手稿。 一份纸上有插图的炼金术手稿,德文,“Ver Rechten Alchemy”

187. 克里斯多夫·谢纳。1573-1650. 来自Admirando FacularsMaculas Varius的Rosa Ursina Sive Sun。布拉恰诺:安德烈亚斯·菲乌斯(Andreas Phaeus)在公爵出版社,1626-1630年。 高清作品[21%]

Rosa Ursina Sive Sol ex Admirando Facularum  Macularum suarum Phoenomeno Varius.  Bracciano: Andreas Phaeus at the Ducal Press, 1626-1630.

图片文件尺寸 : 4065 x 5080px

SCHEINER, CHRISTOPH. 1573-1650. :Rosa Ursina Sive Sol ex Admirando Facularum Macularum suarum Phoenomeno Varius. Bracciano: Andreas Phaeus at the Ducal Press, 1626-1630.
Folio (375 x 260 mm). Engraved title vignette, engraved portrait of Paolo Giordano Orsini, Duke of Bracciano, additional engraved title, numerous engraved illustrations throughout (many full-page), woodcut head- and tailpieces and initials. [38], 784 (with numerous errors in pagination), [38] pp., with the blanks F4, R6 4I6. Full 18th-century (?) vellum, manuscript spine title, all edges gilt. Repairs to large portion of outer lower corner of first 5 leaves (letterpress half-title, title, portrait leaf, contents and engraved title) with loss to text and images, occasional heavy browning and waterstaining, especially to prefatory and end matter, sporadic foxing, loss to top blank corner of 4G6.

FIRST EDITION of Scheiner\'s major work on sunspots. Scheiner first observed sunspots in 1611, publishing his finding pseudonymously the following year in Tres Epistolae de Maculis Solaribus. The tract initiated a dispute with Galileo over the nature of sunspots. The present work, Scheiner\'s magnum opus and the standard work on sunspots for over well over a century, opens with an extended attack on Galileo, although Scheiner had by this point accepted Galileo\'s theory that sunspots exist on the surface of the sun and are not, as he had previously argued, caused by shadows cast by satellites of the sun. The many fine engravings depict Scheiner\'s observations, a map of the moon, and the helioscope and other instruments. \"For his masterpiece, Scheiner produced the first monograph on a heavenly body, the Sun. Even today it is still an impressive volume, with scores of engravings of sunspots and the various instruments needed for solar observations\" (Jesuit Science in the Age of Galileo). Cinti 79; Honeyman 2781.

克里斯多夫·谢纳。1573-1650. 来自Admirando FacularsMaculas Varius的Rosa Ursina Sive Sun。布拉恰诺:安德烈亚斯·菲乌斯(Andreas Phaeus)在公爵出版社,1626-1630年。

188. 蒙迪尼斯(DI LUZZI,MONDINO)。1275–1326. 阿纳托米娅·蒙迪尼由梅勒斯塔特医生修正。[莱比锡:马丁·兰茨贝格,1493年。] 高清作品[19%]

Anathomia Mundini emendata per doctorem melerstat. [Leipzig: Martin Landsberg, 1493.]

图片文件尺寸 : 5043 x 4532px

MUNDINUS (DI LUZZI, MONDINO). 1275–1326.:MELLERSTADT, MARTINUS, editor. c.1455-1513. Anathomia Mundini emendata per doctorem melerstat. [Leipzig: Martin Landsberg, 1493.]
4to (200 x 140 mm). 40 leaves, 34 lines, title with full-page woodcut of an anatomical scene. Modern calf antique. Inner margin of title neatly reinforced, tiny repair to blank outer margin of last leaf, illegible old library stamp to lower margin of title page, scattered light browning, mostly marginal.

FIRST ILLUSTRATED EDITION OF THE FIRST DEDICATED ANATOMY BOOK. \"The first modern book devoted solely to anatomy ... Mundinus re-introduced human dissection, which had been neglected for 1500 years before him; he was the most noted dissector of his period, and he set forth the medieval anatomical vocabulary, deriving it mainly from Arabic\" (Garrison). Mondino de\' Luzzi, professor at Bologna, is considered to be the founder of anatomy in the Middle Ages. His treatise remained popular until the beginning of the 16th-century and appeared in multiple editions.

\"The subject of anatomy was not taught either by lectures or by dissection in the universities at the middle of the fifteenth century. An occasional \'anatomy\' was held, but the neglect of the subject is well illustrated by the absence of anatomical books. There is only one in the list, that of Mundinus . . . Mundinus was a professor at Bologna from 1306 to 1326, and was the first to teach anatomy from the subject, usually the corpse of a condemned criminal; but there is the record of a procedure in 1319 against four medical students for body-snatching. His Anatomia, written in 1316, was for two hundred years the popular text book\" (Osler).

In the introduction of the book, Mundinus says, \"proposui meis scholaribus in medicina quoddam opus componere, \'I have proposed to compose a work in medicine for my scholars.\" The work \"met a need universally felt just at that time and commended itself for its brevity, conciseness, and completeness, as well as for the fact that it taught for each separate organ the necessary anatomic technique, as. for example, in the first chapter: \'Situato itaque corpore vel homine mortuo per decollationem vel suspensionem supino\', etc., \'accordingly, laying out the body of a man dead by decapitation or hanging, etc....\" (Choulant). VERY RARE: According to American Book Prices Current no copy sold in the past 42 years. Choulant-Frank History and Bibliography of Anatomic Illustration (Chicago 1920, pp 88-93); Garrison-Morton-Norman 361 (for the 1478 edition); Goff M-874; GW M-25671 (recording only 2 copies/fragments); Hain 11633; see Osler Incunabula Medica 156; Wellcome I, 4484.

蒙迪尼斯(DI LUZZI,MONDINO)。1275–1326. 阿纳托米娅·蒙迪尼由梅勒斯塔特医生修正。[莱比锡:马丁·兰茨贝格,1493年。]

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