18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. One of the main forms of social and recreational activities in which the migrants indulged occurred in the church. 1940-41

雅各布·劳伦斯。移民沉迷于其中的主要社会和娱乐活动形式之一发生在教堂。194041-

18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. The Negro was the largest source of labor to be found after all others had been exhausted. 1940-41

雅各布·劳伦斯。黑人是在所有其他人都耗尽之后找到的最大的劳动力来源。194041-

图片文件尺寸 : 4116 x 4037px

Gustave Baumann: Winter Corral, (Chamberlain 160), 1940
Woodcut in colors, on wove paper, signed in pencil, titled, dated \'61\' and numbered \'II 95/125\', from the third (final) edition printed in 1961, with the artist\'s Hand-in-Heart inkstamp, with margins, in a replica Baumann frame.
12 7/8 x 12 7/8in
sheet 17 1/8 x 14 3/8in
framed 21 x 22in

古斯塔夫·鲍曼 温特科拉尔，1940年12 7/8 x 12 7/8英寸薄板17 1/8 x 14 3/8英寸框架21 x 22英寸

12 x 18 (30.5 x 45.7 cm)

Jacob Lawrence. The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home. 1940-41

雅各布·劳伦斯。第二次世界大战导致北方工业严重短缺，外国公民也纷纷回国。194041-

18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous. 1940-41

雅各布·劳伦斯。工业界试图在通常非常不健康的地区为工人提供食宿。劳改营数量众多。194041-

图片文件尺寸 : 4717 x 5280px

PAUL JACOULET (1902-1960):Four large vertical prints
Showa era (1926-1989), 1940-1948
The first, entitled L\'Homme accroupi. Chinois (The Squatting Man. Chinese), carved by Maeda Kentaro, printed by Fujii Shunosuke, owl seal, with edition number 18/250 on verso; the second, Le Betel \"Yap\" (The Betel Nut Boy, Yap), carved by Maeda Kentaro, printed by Uchikawa Matashiro, boat seal, with edition number 255/350 on verso; the third, LE NID \"Coree\" (The Nest. Korea), carved by Maeda Kentaro, printed by Ogawa Fusakichi, sparrow seal, with edition number 123/350 on verso; the fourth, La Soupe aux Huitres. Chinois (Oyster Stew. Chinese), carved by Maeda Kentaro, printed by Ogawa Fusakichi, peach seal, with edition number 243/350 on verso; all signed in pencil Paul Jacoulet (4)
The first, and largest, 18 7/8 x 14 1/4in (47.9 x 36.3cm)

保罗·雅克莱特（1902-1960） 昭和时代，1940-1948年，四幅大型垂直版画

18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement. 1940-41

雅各布·劳伦斯。在许多社区，黑人报纸因为其态度和对运动的鼓励而不断被阅读。194041-

18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occurred. 1940-41

雅各布·劳伦斯。尽管黑人习惯了私刑，但他发现这是他离开发生私刑的地方的好时机。194041-

12 x 18 (30.5 x 45.7 cm)

Jacob Lawrence. In every home people who had not gone North met and tried to decide if they should go North or not. 1940-41

雅各布·劳伦斯。在每个家里，没有去北方的人都会见面，并试图决定他们是否应该去北方。194041-

12 x 18 (30.5 x 45.7 cm)

Jacob Lawrence. The railroad stations were at times so over-packed with people leaving that special guards had to be called in to keep order. 1940-41

雅各布·劳伦斯。火车站有时挤满了离开的人，不得不召集专门的警卫来维持秩序。194041-