171. 安迪·沃霍尔，当代艺术I 高清作品[93%]

DO-Andy Warhol - 现代艺术 I
图片文件像素：5491 x 4804 px

安迪·沃霍尔，当代艺术I-

Andy Warhol - Zeitgenössische Kunst I-

(Pittsburgh 1928–1987 New York)
Jack Nicklaus, 1977, acrylic, silkscreen, ink on canvas, on the reverse with the stamps of The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, New York, numbered with archive number PO 41.049, numbered again on the stretcher, 25.4 x 25.4 cm, on stretcher

Provenance:
Estate of the artist
Private collection, Florence
Galerie Hafenrichter, Nurnberg
Private collection, 德国y - acquired from the above

Literature:
Catalogue Raisonné, Andy Warhol, Paintings, 1976–1978, no. 3846

This small-format work by Andy Warhol from 1977 is a portrait of one of the best golfers of the 20th century - US golfer Jack Nicklaus, also known as The Golden Bear.

From the early 1960s until the late 1980s, Nicklaus was regarded as one of the best golfers in the world. With 18 major victories under his belt, he is still the most successful player in his sport.

This portrait was created as part of Warhol’s so-called Athletes series, commissioned by his friend and art collector Richard Weisman. It includes a total of ten portraits of famous athletes of the time, such as Muhammad Ali, Chris Evert and Pelé.
It is an interesting departure from Warhol’s usual society portraits and occupies a rather idiosyncratic position in his extensive oeuvre.

Warhol had little interest in sports and its heros, and did not choose the protagonists of the series himself, leaving this task to Weisman. The latter knew many athletes personally, which made it easy to persuade them to pose for Warhol. Warhol eventually met each of the top athletes in person, and took photographs of them with his Polaroid Big Shot camera. The silkscreen portraits were subsequently created on the basis of these images. Each portrait is executed in various colors, and captures both the glamour and personality of the individual athlete.

Of the around 60 Polaroids Warhol made of Jack Nicklaus with his Big Shot camera, he selected four and processed them further into canvases.
On the basis on the photographs of Nicklaus with his golf club, Warhol ultimately created 15 original portraits of the athlete.

173. 安迪·沃霍尔，当代艺术I 高清作品[93%]

DO-Andy Warhol - 现代艺术 I
图片文件像素：5347 x 5320 px

安迪·沃霍尔，当代艺术I-

Andy Warhol - Zeitgenössische Kunst I-

(Pittsburgh 1928-1987 New York)
Queen Elizabeth II of the United Kingdom, from Reigning Queens, 1985, signed in pencil and numbered 9/40, screenprint in colours on Lenox Museum Board with the blindstamp of the printer Rupert Jasen Smith, New York, published by George C.P. Mulder, Amsterdam, 100 x 80 cm, In plexiglass case

This is no. 9 from an edition of 40 + 10 artist’s proofs

Provenance:
Martin Lawrence Limited Editions, Inc., New York (label on the reverse)
European private collection

Literature:
F. Feldman J. Schellmann, Andy Warhol Prints, A Catalogue Raisonné 1962-1987, II. 334-349, p. 138 with ill.

For the realisation of Queen Elizabeth II of the United Kingdom, a photograph taken on the occasion of the Silver Jubilee, the 25th anniversary of her reign, was used as a reference. The sitter\'s pose remains unaltered, retaining the structure and grandeur that are typical of classical portraiture. Warhol adds the commercial medium, emphasising it. His are classical depictions that praise the importance and solemnity of the subject depicted.

The same image of the queen appears in each of her four prints but they vary in colour. This one in particular has a primarily red background, and features graphic shapes printed from separate screens. Warhol began working in this style in the mid-1970s, fragmenting the image with various overlayed shapes and patches of colour.

The association of commercial medium and traditional portraiture is key, allowing Warhol to create a product that would subsequently be hailed as a work of art. Seriality, consumerism, the concept of fame and social hierarchy emanate from the superimposition of colour fields that enhance the subject\'s femininity. The pronounced make-up and bright colours denote the Pop character of mass culture, emphasising appearance and conveying a certain frivolity - unlike traditional portraits, where character and gravitas prevailed over aesthetics. Despite beginning with an impersonal approach and a mechanical reproduction of the subject, these interventions in the image gave the work a deliberately ‘artistic’ look. In many of his female portraits, such as here, the multicoloured surfaces and suggestion of make-up enhance the glamour and femininity of the subjects. With characteristic ambivalence, Warhol explained his additions to these later prints as immaterial:

‘I really would still rather do just a silkscreen of the face without all the rest, but people expect just a little bit more. That’s why I put in all the drawing.’ (Barry Blinderman, ‘Modern Myths: An Interview with Andy Warhol’, Arts, October 1981, p.145.)

This work is published in an edition of forty with ten artist’s proofs, five printer’s proofs and three hors commerce. The work is also published as a Royal Edition with diamond dust on the drawing lines, published in an edition of thirty with five artist’s proofs, two printer’s proofs and two hors commerce.

176. 《弗雷登堡皇家花园中的埃里米塔奇亭子》（The Eremitage Pavilions In The Royal Gardens At Fredensborg）作者：哈拉尔德·斯洛特·莫勒（Harald Slott-Møller） 高清作品[93%]

The Eremitage Pavilions In The Royal Gardens At Fredensborg-

图片文件尺寸 : 4260 x 3278px

《弗雷登堡皇家花园中的埃里米塔奇亭子》（The Eremitage Pavilions In The Royal Gardens At Fredensborg）作者：哈拉尔德·斯洛特·莫勒（Harald Slott-Møller）-Harald Slott-Møller

The Eremitage Pavilions In The Royal Gardens At Fredensborg--Harald Slott-Møller (丹麦, 1864-1937)

177. 彼得·保罗·鲁本斯（Peter Paul Rubens）的《圣伊丽莎白和施洗者圣约翰的神圣家庭》（The Holy Family with Saint Elizabeth and Saint John The Baptist） 高清作品[93%]

The Holy Family with Saint Elizabeth and Saint John the Baptist-

图片文件尺寸 : 3176 x 4264px

彼得·保罗·鲁本斯（Peter Paul Rubens）的《圣伊丽莎白和施洗者圣约翰的神圣家庭》（The Holy Family with Saint Elizabeth and Saint John The Baptist）-Peter Paul Rubens

The Holy Family with Saint Elizabeth and Saint John the Baptist--Peter Paul Rubens (Flemish, 1577-1640)

相关：
master of the acts the bull le barthel bruyn the elder the swan hans holbein the younger bonaventura peeters the elder
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171. 安迪·沃霍尔，当代艺术I 高清作品[93%]

DO-Andy Warhol - 现代艺术 I
图片文件像素：5491 x 4804 px

安迪·沃霍尔，当代艺术I-

Andy Warhol - Zeitgenössische Kunst I-

(Pittsburgh 1928–1987 New York)
Jack Nicklaus, 1977, acrylic, silkscreen, ink on canvas, on the reverse with the stamps of The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, New York, numbered with archive number PO 41.049, numbered again on the stretcher, 25.4 x 25.4 cm, on stretcher

Provenance:
Estate of the artist
Private collection, Florence
Galerie Hafenrichter, Nurnberg
Private collection, 德国y - acquired from the above

Literature:
Catalogue Raisonné, Andy Warhol, Paintings, 1976–1978, no. 3846

This small-format work by Andy Warhol from 1977 is a portrait of one of the best golfers of the 20th century - US golfer Jack Nicklaus, also known as The Golden Bear.

From the early 1960s until the late 1980s, Nicklaus was regarded as one of the best golfers in the world. With 18 major victories under his belt, he is still the most successful player in his sport.

This portrait was created as part of Warhol’s so-called Athletes series, commissioned by his friend and art collector Richard Weisman. It includes a total of ten portraits of famous athletes of the time, such as Muhammad Ali, Chris Evert and Pelé.
It is an interesting departure from Warhol’s usual society portraits and occupies a rather idiosyncratic position in his extensive oeuvre.

Warhol had little interest in sports and its heros, and did not choose the protagonists of the series himself, leaving this task to Weisman. The latter knew many athletes personally, which made it easy to persuade them to pose for Warhol. Warhol eventually met each of the top athletes in person, and took photographs of them with his Polaroid Big Shot camera. The silkscreen portraits were subsequently created on the basis of these images. Each portrait is executed in various colors, and captures both the glamour and personality of the individual athlete.

Of the around 60 Polaroids Warhol made of Jack Nicklaus with his Big Shot camera, he selected four and processed them further into canvases.
On the basis on the photographs of Nicklaus with his golf club, Warhol ultimately created 15 original portraits of the athlete.

173. 安迪·沃霍尔，当代艺术I 高清作品[93%]

DO-Andy Warhol - 现代艺术 I
图片文件像素：5347 x 5320 px

安迪·沃霍尔，当代艺术I-

Andy Warhol - Zeitgenössische Kunst I-

(Pittsburgh 1928-1987 New York)
Queen Elizabeth II of the United Kingdom, from Reigning Queens, 1985, signed in pencil and numbered 9/40, screenprint in colours on Lenox Museum Board with the blindstamp of the printer Rupert Jasen Smith, New York, published by George C.P. Mulder, Amsterdam, 100 x 80 cm, In plexiglass case

This is no. 9 from an edition of 40 + 10 artist’s proofs

Provenance:
Martin Lawrence Limited Editions, Inc., New York (label on the reverse)
European private collection

Literature:
F. Feldman J. Schellmann, Andy Warhol Prints, A Catalogue Raisonné 1962-1987, II. 334-349, p. 138 with ill.

For the realisation of Queen Elizabeth II of the United Kingdom, a photograph taken on the occasion of the Silver Jubilee, the 25th anniversary of her reign, was used as a reference. The sitter\'s pose remains unaltered, retaining the structure and grandeur that are typical of classical portraiture. Warhol adds the commercial medium, emphasising it. His are classical depictions that praise the importance and solemnity of the subject depicted.

The same image of the queen appears in each of her four prints but they vary in colour. This one in particular has a primarily red background, and features graphic shapes printed from separate screens. Warhol began working in this style in the mid-1970s, fragmenting the image with various overlayed shapes and patches of colour.

The association of commercial medium and traditional portraiture is key, allowing Warhol to create a product that would subsequently be hailed as a work of art. Seriality, consumerism, the concept of fame and social hierarchy emanate from the superimposition of colour fields that enhance the subject\'s femininity. The pronounced make-up and bright colours denote the Pop character of mass culture, emphasising appearance and conveying a certain frivolity - unlike traditional portraits, where character and gravitas prevailed over aesthetics. Despite beginning with an impersonal approach and a mechanical reproduction of the subject, these interventions in the image gave the work a deliberately ‘artistic’ look. In many of his female portraits, such as here, the multicoloured surfaces and suggestion of make-up enhance the glamour and femininity of the subjects. With characteristic ambivalence, Warhol explained his additions to these later prints as immaterial:

‘I really would still rather do just a silkscreen of the face without all the rest, but people expect just a little bit more. That’s why I put in all the drawing.’ (Barry Blinderman, ‘Modern Myths: An Interview with Andy Warhol’, Arts, October 1981, p.145.)

This work is published in an edition of forty with ten artist’s proofs, five printer’s proofs and three hors commerce. The work is also published as a Royal Edition with diamond dust on the drawing lines, published in an edition of thirty with five artist’s proofs, two printer’s proofs and two hors commerce.

176. 《弗雷登堡皇家花园中的埃里米塔奇亭子》（The Eremitage Pavilions In The Royal Gardens At Fredensborg）作者：哈拉尔德·斯洛特·莫勒（Harald Slott-Møller） 高清作品[93%]

The Eremitage Pavilions In The Royal Gardens At Fredensborg-

图片文件尺寸 : 4260 x 3278px

《弗雷登堡皇家花园中的埃里米塔奇亭子》（The Eremitage Pavilions In The Royal Gardens At Fredensborg）作者：哈拉尔德·斯洛特·莫勒（Harald Slott-Møller）-Harald Slott-Møller

The Eremitage Pavilions In The Royal Gardens At Fredensborg--Harald Slott-Møller (丹麦, 1864-1937)

177. 彼得·保罗·鲁本斯（Peter Paul Rubens）的《圣伊丽莎白和施洗者圣约翰的神圣家庭》（The Holy Family with Saint Elizabeth and Saint John The Baptist） 高清作品[93%]

The Holy Family with Saint Elizabeth and Saint John the Baptist-

图片文件尺寸 : 3176 x 4264px

彼得·保罗·鲁本斯（Peter Paul Rubens）的《圣伊丽莎白和施洗者圣约翰的神圣家庭》（The Holy Family with Saint Elizabeth and Saint John The Baptist）-Peter Paul Rubens

The Holy Family with Saint Elizabeth and Saint John the Baptist--Peter Paul Rubens (Flemish, 1577-1640)

相关：
master of the acts the bull le barthel bruyn the elder the swan hans holbein the younger bonaventura peeters the elder
首页 主题 艺术运动 风景