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“折断一根树枝，把它带到你的花园里就足够了。”-Maxfield Parrish

It will be sufficient to break off a branch and carry it to plant in your garden.--Maxfield Parrish (美国, 1870 - 1966)

图片文件尺寸 : 7996 x 10240px

“你们是人民是时候把国家还给公民了加入无名氏共同事业-Anonymous

You are the people; it is time to give the nation back to its citizens; join Common Cause--Anonymous

图片文件尺寸 : 2393 x 2912px

威廉·霍尔布鲁克·比尔德（William Holbrook Beard）的《雨过天晴，魔鬼鞭打妻子》-William Holbrook Beard

It Rains It Shines, The Devil Whipping His Wife--William Holbrook Beard (美国, 1824 - 1900)

图片文件尺寸 : 3470 x 4096px

爱德华·弗朗西斯·伯尼（Edward Francis Burney）的《新玩偶的插图它是我的，你可以看看》-Edward Francis Burney

Illustration for The New Doll; Its Mine, You may Look at It--Edward Francis Burney (英国, 1760-1848)

图片文件像素：6034 x 4375 px

赫尔曼·尼奇，当代艺术I-

Hermann Nitsch * - Zeitgenössische Kunst I-

(Vienna 1938–2022 Mistelbach, Lower Austria)
Splatter painting with chemise and impasto, signed, dated hermann nitsch 1995 on the reverse, oil on burlap, stretched over wooden frame along the right and left edge, fixed to wooden frame along the upper and lower front, 200 x 300 cm

Compare:
Hermann Nitsch. Das Gesamtkunstwerk des Orgien Mysterien Theaters, Verlag der Buchhandlung Walther König, 2015, pp. 606–607

Exhibited and illustrated in the catalogue:
Ekilibrio Foundation Collection, Galleria Sirio Arte, Padua, 10 October – 7 November 2020, pp. 168-169

Photo of this work signed hermann nitsch on the reverse available.

Provenance:
Aurelio Stefanini, Studio d’arte, Firenze (label on the reverse)
Private Collection, Italy

„… der in den exzess ekstatisch abgestiegene akteur befleckt und beschüttet… die bildfläche. oft noch spontaner, als es nur auf der bildfläche gelingt, trägt sich die intensität auf dem hemd zu. es wird automatisch befleckt, besudelt, beschmutzt, betappt, beschmiert, beschüttet, bespritzt… es ist, als ob der unsere abgründe eröffnende maler beim malvorgang in die nähe des blutschwitzens, des austrinkens des leidenskelches, der geisselung, der kreuzigung, der zerreissung des dionysos, der blendung des ödipus gerät. sein priesterkleid, sein opferhemd ist geprägt vom feuchten stempel der entäusserung… des hemd wird als höchster schmuck und trophäe auf ein bild gehängt, um dessen farbgefüge zu bereichern. es gibt bilder, die brauchen kein hemd, andere verlangen danach…“
Hermann Nitsch – aus der oben angeführten Literatur

“... the actor, ecstatically descended into the excess, stains and pours things onto … the surface of the image. often it’s even more spontaneous than just hitting the surface of the image, striking his shirt in its intensity, too. it’s automatically stained, sullied, dirtied, touched, smeared; it automatically has things poured onto it, sprayed onto it... it’s as if the painter, opening up our deepest depths, is almost sweating blood when he paints, almost drinking from the chalice of grief, flagellation, crucifixion, the dismemberment of dionysus, the blinding of oedipus. his priestly robes, his victim’s shirt is marked by the moistened stamp of renunciation. the shirt is hung on an image, enriching the texture of its colours, as if it were the most precious piece of jewellery, a trophy. there are some images that don’t need a shirt, but others demand it…”
Hermann Nitsch – from the literature cited above

图片文件尺寸 : 4292 x 5610px

“袖珍杂志太方便了，我会把它放在口袋里！打字太大了，我可以在月光下阅读。”-moonlight by A.W.B. Lincoln

Pocket magazine; So handy, Ill put it in my pocket! Type so large I can read it--A.W.B. Lincoln (美国, 19th/20th Century)

图片文件尺寸 : 3804 x 5084px

《这是一个戴着玫瑰花的骷髅。它主宰着一个拥有珍珠般洁白的女人的躯干》作者：奥迪隆·雷登-Odilon Redon

It Is a Skull Wreathed with Roses. It Dominates a Womans Torso of Pearly Whiteness--Odilon Redon (法国, 1840-1916)

18 x 12 (45.7 x 30.5 cm)

Jacob Lawrence. In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement. 1940-41

雅各布·劳伦斯。在许多社区，黑人报纸因为其态度和对运动的鼓励而不断被阅读。194041-

图片文件像素：5275 x 4186 px

玛莎·荣威思-

Martha Jungwirth * - Zeitgenössische Kunst I-

(born in Vienna in 1940)
Untitled (Greece), signed, dated Martha Jungwirth 2007, watercolor on handmade paper, 103 x 70 cm, framed

Provenance:
Private Collection, 德国y

“My art is like a diary, seismographic. That is my method. I completely relate to myself through it. Drawing and painting move through me, a conduit. Through my perception and gestures it becomes something else. The painting is an intelligent stain structure, it is not fixed. It is about fluidity, transparency, openness. I am not interested here in the exquisite, but the neglected, the unadorned, the uncensored.”
Martha Jungwirth, 2012

图片文件尺寸 : 2287 x 3446px

“嗨！关掉电源。我们需要它！制作一个6英寸的外壳需要5克煤。“匿名者”所说的“浪费电力”是指浪费煤炭-Anonymous

Hi! Switch off the power. We need it! It takes 5 cwts of coal to make one 6 inch shell. Wasted power means wasted coal--Anonymous