图片文件尺寸 : 4300 x 4389px

Jasper Johns: Between the Clock and the Bed (Universal Limited Art Editions 245), 1989
Lithograph in colors on John Koller HMP paper, signed in pencil, dated and numbered 13/32 (there were also 11 artist\'s proofs), with the watermark of the publisher, Friends of the Philadelphia Museum, Philadelphia, and the blindstamp of the printer, United Limited Art Editions, West Islip, New York, with full margins, framed.
19 3/4 x 34 1/8in (50 x 86.7cm)
sheet 29 1/4 x 42in (74.2 x 106.68cm)

贾斯培·琼斯 在时钟和床之间

图片文件尺寸 : 3960 x 3935px

Roy Lichtenstein:Cubist Cello (Corlett 311)
Screenprint in colours, 1997, on Somerset textured paper, signed by Dorothy Lichtenstein and numbered XIII/XV in pencil, one of 15 proofs aside from the edition of 75, co-published by The Estate of Roy Lichtenstein and Noblet Serigraphie, Inc., New York, for the benefit of the American Friends of the Tel Aviv Museum of Art, with wide margins, in overall very good condition, the colours fresh and bright, framed

Image 1037 x 774mm. (40 7/8 x 30 1/2in.); Sheet 1280 x 1002mm. (50 7/8 x 39 1/2in.)

罗伊·利希滕斯坦 立体派大提琴

图片文件尺寸 : 5102 x 5208px

SHACKLETON (ERNEST):Printed Order of Service for Shackleton\'s Memorial Service at St Paul\'s Cathedral on Thursday March 2nd 1922, 8 pages, 8vo (194 x 128mm.); with printed admission ticket, 96 x 121mm.; an envelope addressed to Commander Roderick Day, R.N.; and an autograph letter from Roderick Day to a friend, dated April 1903 (4)

沙克尔顿（欧内斯特） 1922年3月2日（星期四）在圣保罗大教堂举行的沙克尔顿纪念仪式的印刷服务订单和罗德里克·戴司令的入场券等。

图片文件尺寸 : 4138 x 5409px

VIOLET, THOMAS. 1609-1662.:A Petition against the Jewes presented to the King Majestie and the Parliament. London: Printed in the year 1661.
8vo (208 x 157 mm). Modern morocco-backed cloth boards. Last two leaves re-cornered, with the final leaf laid-down.

FIRST AND ONLY EDITION of Thomas Violet\'s petition to Charles II, just 5 years after Cromwell\'s readmission of the Jews to England. Violet, a goldsmith and spy, presented many petitions to Parliament during this time, mostly in defense of his transportation of gold and silver. \"He was probably a restless, meddling man, who failed to please his friends, while he certainly displeased his enemies\" (DNB).

托马斯，紫罗兰。1609-1662. 向国王陛下和议会提交了反对犹太人的请愿书。伦敦：1661年印刷。

图片文件像素：4914 x 5813 px

阿里吉耶罗·波提-

Alighiero Boetti * - Zeitgenössische Kunst I-

(Turin 1940–1994 Rome)
Perché la testa è amica del piede ed entrambe di lune e maree (Because the head is friend of the foot and both of moons and tides), 1988, signed and dated on the reverse, embroidery on canvas mounted on board, 29.5 x 29.5 cm, in plexiglass case

This work is accompanied by a photo certificate signed by the artist

This work is registered in the Archivio Alighiero Boetti, Rome and is accompanied by a photo certificate of authenticity

Provenance:
Galleria Ariete Arte Contemporanea, Lecco (label on the reverse)
European Private Collection (acquired from the above in 1989)

I designed some 150 words that could be arranged in a square.
Today when I come across expressions like “la forza del centro” (the force of the center), a yoga concept, I know intuitively that the number of its letters allows it to form a square.
I produced up to a hundred examples of each of these pieces. Each one is different in coloring and the special style of the woman who made it. So it is neither an original work nor a multiple.
(“Afghanistan”, Alighiero Boetti interviewed by Nicolas Bourriaud, in Documents, no. 1, October 1992)

图片文件尺寸 : 4886 x 5080px

Ilya Kabakov:\'Istoria Anni Petrovni (Beaucoup d\'amis étaient en Crimée cet été)\' de l\'album Anna Petrovna a un rêve/ \'Istoria Anni Petrovni (Many friends were in Crimea this summer)\' from the album Anna Petrovna has a dream
signé en cyrillique et daté \'73\' (en bas à droite)
crayon de couleur sur papier
44 x 28.5cm (17 5/16 x 11 1/4in).

signed in Cyrillic and dated \'73\' (lower right)
coloured pencil on paper

伊利亚·卡巴科夫 “Istoria Anni Petrovni”de l‘album Anna Petrovna a un rêve/专辑《Anna Petrovna有一个梦想

图片文件像素：5880 x 4350 px

朱塞佩·桑托马索-

Giuseppe Santomaso * - Zeitgenössische Kunst I-

(Venice 1907–1990)
Nero e giallo, 1959, signed and dated, oil on paper laid down on wood, 66.5 x 47 cm, framed

This work is registered in the Archivio Santomaso, Galleria Blu, Milan

Provenance:
Alitalia Collection
Sale Finarte, Asta della Collezione Alitalia, Rome, 8 December 2009, lot 132
Sale Farsetti, Prato, 28 November 2014, lot 405 (certificate of provenance available)
European Private Collection

Exhibited:
Rome, Santomaso, Galleria Pogliani, 28 November - 20 December 1959, mentioned in the exh. cat. (with wrong medium)

Literature:
L. Alfieri, Santomaso. Catalogue raisonné 1931–1974, Alfieri,
Venice 1975, no. 318 (with wrong medium)

The great achievements of the Alitalia airline between 1960 and 1961 also comprise the exact period in which the nucleus of the entire collection was formed. The idea of bringing works of art on board aircraft was Corrado Cagli’s, who had to garner the support of engineer Bruno Velani. He had two clear objectives: to make the flight more pleasant by stimulating the traveller\'s aesthetic sensibilities and to disseminate 意大利 artistic culture abroad. Cagli, helped by his friend and gallery owner Bruno Herlitzka, directly commissioned some of the paintings exhibited in the aircraft from the most talented young artists.

[...] Taken as a whole, the collection constitutes a rare compendium of what was happening mainly between 1954 and 1962, thus documenting a good part of the major trends in the 意大利 art world (Burri, Fontana, Gruppo degli Otto, Forma 1, etc.).
(Cfr. Finarte, Asta della Collezione Alitalia, Rome, 8 December 2009)

图片文件尺寸 : 5296 x 3981px

PAINTINGS AND PAINTERS INCLUDING WORKS BY HOGARTH.:6 titles in 13 volumes:
1. DU BREUIL, JEAN. La perspective pratique, necessaire a tous peintres. Paris: 1651. 3 volumes. Numerous engraved plates. Modern half morocco and marbled boards. Light foxing and browning. Second edition.
2. HARMS, ANTOINE FREDERIC. Tables historiques et chronologiques des plus fameux pientres anciens et modernes. Brunswick: 1742. Folio. Modern quarter morocco and cloth. Stains to title page, light browning and spotting.
3. RUSSELL, JOHN. Letters from a Young Painter Abroad to his Friends in England. London: 1750. 2 volumes. 8vo. 13 engraved plates. Rebacked contemporary mottled calf. Rubbed, corners chipped, text bock of Volume I separating, scattered spotting and browning.
4. HOGARTH, WILLIAM. [SAMUEL BUTLER]. Hudibras. London: 1775. 8vo. Engraved portrait of Butler and 14 plates after Hogarth. Contemporary calf, rebacked. Covers worn, light dampstaining to upper margins, browning and spotting.
5. FIGUIER, LOUIS. Vies des savants illustres de la renaissance. Paris: 1868. 8vo. 1 wood-engraved plate. Publisher\'s brown cloth gilt. Rubbed, tape residue on spine, heavy foxing.
6. LICHTENBERG, G.C. Erklerung der Hogarthischen Kupferstiche. Gottingen: 1808-1816. 3 volumes (of 14). 8vo. Contemporary paper wrappers, one with paper lettering piece on cover. Corners chipped, rubbed, light spotting and browning. Volumes 10 through 12 only.
7. [VARIOUS CONTRIBUTORS.] Conferences de l\'Academie royale de peinture et de sculpture [Paris: 17th century]. 12mo. Fragment. Engraved plates and illustrations by Picart and others. 18th century calf. Heavily rubbed, spine ends chipped, lacking title page and preliminaries, browning.
8. HIND, ARTHUR M. Giovanni Battista Piranesi. A Critical Study. London: 1922. 4to. Publisher\'s quarter cloth and boards, printed paper dust jacket. Dustjacket separated and heavily chipped, toning to interior.

绘画和画家，包括霍加斯的作品。 13卷6个标题：

图片文件像素：5491 x 4804 px

安迪·沃霍尔，当代艺术I-

Andy Warhol - Zeitgenössische Kunst I-

(Pittsburgh 1928–1987 New York)
Jack Nicklaus, 1977, acrylic, silkscreen, ink on canvas, on the reverse with the stamps of The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, New York, numbered with archive number PO 41.049, numbered again on the stretcher, 25.4 x 25.4 cm, on stretcher

Provenance:
Estate of the artist
Private collection, Florence
Galerie Hafenrichter, Nurnberg
Private collection, 德国y - acquired from the above

Literature:
Catalogue Raisonné, Andy Warhol, Paintings, 1976–1978, no. 3846

This small-format work by Andy Warhol from 1977 is a portrait of one of the best golfers of the 20th century - US golfer Jack Nicklaus, also known as The Golden Bear.

From the early 1960s until the late 1980s, Nicklaus was regarded as one of the best golfers in the world. With 18 major victories under his belt, he is still the most successful player in his sport.

This portrait was created as part of Warhol’s so-called Athletes series, commissioned by his friend and art collector Richard Weisman. It includes a total of ten portraits of famous athletes of the time, such as Muhammad Ali, Chris Evert and Pelé.
It is an interesting departure from Warhol’s usual society portraits and occupies a rather idiosyncratic position in his extensive oeuvre.

Warhol had little interest in sports and its heros, and did not choose the protagonists of the series himself, leaving this task to Weisman. The latter knew many athletes personally, which made it easy to persuade them to pose for Warhol. Warhol eventually met each of the top athletes in person, and took photographs of them with his Polaroid Big Shot camera. The silkscreen portraits were subsequently created on the basis of these images. Each portrait is executed in various colors, and captures both the glamour and personality of the individual athlete.

Of the around 60 Polaroids Warhol made of Jack Nicklaus with his Big Shot camera, he selected four and processed them further into canvases.
On the basis on the photographs of Nicklaus with his golf club, Warhol ultimately created 15 original portraits of the athlete.

图片文件尺寸 : 4085 x 4713px

HISTORY AND LITERATURE. :14 titles:
1. DE PERIERS, BONAVENTURE. Cymbalum mundi. Amsterdam: 1732. 12mo. Engraved frontispiece, title page in red and black with engraved vignette. 20th century morocco by Hardy-Mennil, marbled endpapers, all edges gilt. Minor spotting.
2. Admiranda rerum admirabilium encomia. Nijmegen: 1676. 12mo. Engraved extra title page, 5 engraved plates. 19th century quarter calf and marbled boards, gilt titles on spine. Extra titles trimmed into image, scattered browning and spotting.
3. SERVIEZ, JACQUES ROERGAS DE. The Lives and Amours of the Empresses, Consorts to the First Twelve Caesars of Rome. London: 1723. 8vo. Title page in red and black. 20th century half morocco and cloth, spine gilt in 6 compartments, all edges gilt. Joints cracking, a few marginal tears and chips to page corners, some ink notations, browning throughout.
4. ALBERTUS MAGNUS. Die durch Albertum Magnum entdedte Heimlichkeiten des Frauenzimmers. Frankfurt and Leipzig: 1738. 12mo. Engraved frontispiece, title page in red and black. Modern quarter library cloth over old boards. Rubbed, corners bumped, slight chipping to page edges and corners, repair to outside edge of frontispiece, margins trimmed with frontispiece trimmed into image, browning. Bookplate of Kurt Seligmann (surrealist painter) on front paste-down.
5. CERVANTES DE SAAVEDRA, MIGUEL. The Life and Exploits of the Ingenious Gentleman Don Quixote de la Mancha. London: 1742. 2 volumes. 4to. Engraved frontispiece, engraved portrait, and 67 engraved plates. Contemporary mottled calf gilt, rebacked.
1 plate in Volume I laid down, some repaired tears in margins, browning and spotting.
6. BUTLER, SAMUEL. Hudibras. Glasgow: 1747. 12mo. Portrait frontispiece, 7 engraved plates (2 folding). Contemporary quarter sheep and boards. Joints tender, rubbed, corners bumped and chipped, dampstaining to lower margin of portrait, browning.
7. BUONAROTTI, MICHELANGELO. Le rime di Michelangelo Buonarotti pittore, scultore, architetto e poeta Fiorentino.... [Rome]: 1817. 4to. 20th century quarter calf and boards, edges untrimmed. Rubbed, light soiling to title page and upper outside corners of several leaves, bookplate on front paste-down, foxing.
8. [EGAN, PIERCE.] Real Life in London, or the Rambles. London: 1821. Volume I (of 2) only. 8vo. Hand-colored engraved frontispiece, additional engraved title with hand-coloring, 18 hand-colored engraved plates. Upper cover and first 6 leaves detached, Rubbed, foxing and spotting throughout, light offsetting, one leaf (pp 59-60) torn at lower corner with loss of text.
9. VERNE, JULES. Michael Strogoff, or the Courier of the Czar. New York: 1877. 8vo. Publisher\'s pictorial cloth stamped in black and gilt. Wood engraved illustrations in text. Corners bumped, light tearing to cover cloth at spine ends, slightly loose, toning.
10. ---. The Giant Raft. New York: 1881-1882. 2 volumes (\"Eight Hundred Leagues on the Amazon\" and \"The Cryptogram\"). 8vo. Publisher\'s pictorial cloth stamped in black and gilt. Wood-engraved illustrations. Corners bumped, slightly rubbed, toning.
11. Das häusliche Glück. Leipzig: 1882. 8vo. Publisher\'s quarter cloth and printed boards. Slightly rubbed, soiling to covers, browning.
12. CAMERON, JULIA MARGARET, and H.H. HAY CAMERON. Lord Tennyson and his Friends. London: 1893. Folio. Photographic frontispiece and 25 photographic portraits, captioned tissue guards. Publisher\'s gilt-stamped cloth. Chipping to spine, sunning and soiling to covers, light browning. Limited edition, number 271 of 400.
13. BEKKER, PAUL. Beethoven. Berlin: 1912. 8vo. Publisher\'s textured boards. Rubbed, large chip to top spine end, spine somewhat loose, front hinge cracking, dampstaining to upper outside corner throughout.
14. HEINE, HEINRICH. Buch der Lieder. Berlin: n.d. 12mo. Portrait frontispiece. Publisher\'s limp boards, edges gilt, plain slipcase. Slightly rubbed, toning.

历史和文学。 14个标题：