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约瑟夫·多布罗夫斯基-摩登-

Josef Dobrowsky * - Moderne-

(Karlsbad 1889–1964 Tullnerbach)
„Die Armen im Geiste“, mit J. Dobrowsky 1922 bezeichnet, Mischtechnik mit Öl auf Tafel, Darstellungsgröße 113 x 72 cm, gerahmt

Vergleiche:
Marie-Theres Gryksa, Josef Dobrowsky, Leben und Werk. Diplomarbeit, Wien 2001, S. 105, mit Abb. 22 - Studie zu Die Armen im Geiste, um 1914, S. 106, Abb. 23 - Armen im Geiste 1914 (Sammlung Universität für angewandte Kunst Wien)

Josef Dobrowsky, Wahrnehmung und Farbe, Belvedere, Wien 2014, S. 12, Abb. 2 - Die Armen im Geiste, 1922

Provenienz:
im Kinsky, Wien, 11. Oktober 2005, Los 202.
Europäische Privatsammlung

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Karel Appel:Looking Like Green; Smiling Face; Heads Like Clouds (3 works), 1970; 1971
3 lithographs in colors on Arches paper, each signed in pencil, dated and numbered 26/100; 26/100; or 77/100, respectively, all with full margins. (3 works)
26 1/4 x 20 1/2in (66.6 x 52cm); 20 1/4 x 26 3/8in (51.4 x 67cm); 26 1/4 x 40 1/4in (66.6 x 102.2cm)
sheet 31 1/2 x 23 5/8in (80 x 60cm); 21 x 30 in (53.2 x 76.1cm); 28 x 41 1/2in (71 x 105.3cm)

卡雷尔.阿佩尔 看起来像绿色笑脸头如云

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Karl Schmidt-Rottluff:Bei den Netzen, from Zehn Holzschnitte von Schmidt-Rottluff (Schapire 165), 1919
Woodcut on laid paper, signed in pencil, an unnumbered proof from the total edition of approximately 105, published/printed by Graphisches Kabinett J. B. Neumann/printed by Imberg Lefson, Berlin, with full margins, framed.
15 3/4 x 19 1/2in (40 x 49.5cm)
sheet 20 1/8 x 24 1/4in (51.2 x 62cm)

卡尔·施密特·罗特卢夫 贝登·内岑（Bei den Netzen），出自Schmidt Rottluff的十幅木刻

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Salvador Dalí:Twelve Tribes of Israel (13 works) (Field 72-6-A-M), 1972
The complete suite comprising 13 etchings and stencils in colors on Rives BFK paper, each signed in pencil and numbered 105/135 (the total edition was 460), each with the printed Salvador Dali copyright notice on the reverse, each with full margins, published by Transworld Art, New York/Fribourg, Switzerland, printed by Rigal, Paris, with blue fabric covered portfolio, with the silver embossed title printed in Hebrew on the front, lacking colophon, title and introduction. (13 works)
each image 19 1/2 x 14 5/8in (49.50 x 37.1cm)
each sheet 25 3/4 x 20in (65.4 x 50.6cm)

萨尔瓦多·达利 以色列的十二个部落

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Salvador Dalí:La Divine Comédie, from Dante Alighieri, L\'Enfer; La Purgatoire; Le Paradis (Field pp. 189-200, Michler/Löpsinger 1039-1138), 1959-63
The complete portfolio, comprising 100 wood engravings in colors on Rives BFK paper, each signed in colored crayon (Inferno in red, Purgatory in purple, and Paradise in blue) and numbered 105/150 (aside from the total edition of 4765), lacking title, lacking text in French, lacking justification, published by Editions d\'Art les Heures Claires, Paris, with full margins, each loose (as issued), contained in three clamshell boxes and slipcases.
each sheet 13 x 10 3/8in (33 x 26.4cm)

萨尔瓦多·达利 神曲，但丁·阿利吉耶里著，地狱炼狱天堂

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After Sir Anthony van Dyck: Portrait of Prince Tommaso Francesco of Savoy-Carignano, three-quarter-length, in armour and a white lace collar, holding a baton, his hand on his helmet
oil on canvas
105.4 x 83.4cm (41 1/2 x 32 13/16in).

安东尼·范戴克爵士之后 萨伏伊-卡里尼诺的托马索·弗朗切斯科王子肖像，四分之三长，身穿盔甲，白色蕾丝领，手持警棍，手戴头盔

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ROSACCIO, GIUSEPPE. C.1530-1620.:Il Mondo e sueparti cioe Europa, Affrica, Asia, et America. Florence: Francesco Tosi, 1595.
8vo (163 x 105 mm). Woodcut printer\'s device on title, 18 woodcut maps in text. Modern calf antique. Lacking front blank, ownership inscription on title (dated 1595), repaired tear in A6, marginal staining and browning to first and last few leaves, scattered spotting throughout.

FIRST EDITION. Rosaccio was a physician and cartographer from Friuli who wrote journals of his travels and made often-reproduced woodcut and engraved maps. EDIT16 CNCE 34968; Sabin 73195.

朱塞佩，罗萨乔。C、 1530-1620年。 世界和苏丹，即欧洲、非洲、亚洲和美洲。佛罗伦萨：弗朗西斯科·托西，1595年。

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Sir Nathaniel Dance Holland, Bt.:Portrait of a gentleman, three-quarter-length, in a black coat, seated beside a column, holding a cane in his right hand and a glove in his right
oil on canvas
137 x 105.5 cm (53 15/16 x 41 9/16in).
unframed

Nathaniel Dance Holland爵士，英国。 一位绅士的肖像，四分之三长，穿着黑色大衣，坐在一根柱子旁边，右手拿着拐杖，右手戴着手套，没有框

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PHILOSOPHY.:ESTIENNE, HENRI, editor. c.1531-1598. Poesis Philosophica. [Geneva]: Henri Estienne, 1573.
Text in Greek and Latin. BOUND WITH: HESYCHIUS OF MILETUS. De his qui eruditionis fama claruere, liber. Antwerp: Christopher Plantin, 1572.
8vo (166 x 105 mm). Text in 2 parts, with separate title pages, the first part in Greek, the second in Latin (translated by Hadrianus Junius). Woodcut printer\'s devices on title pages, pages ruled in brown, including final blank. Late 18th century speckled calf gilt, all edges gilt. Upper cover detached, lacking front blank, light spotting and toning.

The first work contains fragments of the writings of the most important pre-Socratic philosophers, including Democrates, Heraclitus, Pythagoras, Empedocles, Parmenides, Xenophanes, and Cleanthes, including 18 editio princeps. Bound with it is the first edition of Hesychius\'s text from a manuscript in the library of the Hungarian humanist János Zsámboky. First work: Adams P-1682; Renouard Estienne 138:8. Second work: Adams H-512.

哲学。 诗歌哲学。亨利·埃斯蒂安，1573年。

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SAGE, DEAN. 1841-1902.:The Ristigouche and Its Salmon Fishing. With a Chapter on Angling Literature. Goshen, CT: The Angler\'s and Shooter\'s Press, 1973.
Folio. 79 facsimiles of etchings reproduced from the original 1888 edition, with an additional hand-colored frontispiece of the author\'s favorite flies. Publisher\'s maroon polished calf gilt, marbled endpapers, top edge gilt. Minimal wear.

LIMITED EDITION, number 107 of 250. Facsimile of the rare 1888 edition, of which only 105 were printed.

圣人，院长。1841-1902. Ristigouche及其三文鱼捕捞。有一章关于英国文学。戈申，CT：钓鱼者和射击者出版社，1973年。