图片文件尺寸 : 3185 x 3801px

尼尔斯·克里姆认为，当执事被尼古拉·亚伯拉罕·阿比尔加德的一头公牛惊醒时，他听到了执事的声音-a Bull by Nicolai Abraham Abildgaard

Niels Klim thinks he hears the Deacon when he is awakened--Nicolai Abraham Abildgaard (丹麦, 1743-1809)

图片文件尺寸 : 4216 x 3233px

“那个追上你的人，就是摩西。他不放过任何人，也不知道如何怜悯那些违反他的法律的人。”-George Woolliscroft Rhead

That man that overtook you, was Moses. He spareth none, neither knoweth he how to shew mercy to those that transgress his law.--George Woolliscroft Rhead (英国, 1855-1920)

图片文件尺寸 : 2504 x 3111px

“在一张窗帘拉得很宽的床上，他看到了他所见过的最可爱的景象。”埃德蒙·杜拉克-Edmund Dulac

And there, on a bed the curtains of which were drawn wide, he beheld the loveliest vision he had ever seen.--Edmund Dulac (法国, 1882 – 1953)

图片文件尺寸 : 2248 x 2980px

“-他刚握住手中的武器，就好像他们给他注入了新的活力，他像N.C.Wyeth的愤怒一样向凶手扑去-N. C. Wyeth

—and no sooner had he the arms in his hands but, as if they had put new vigor into him, he flew upon his murderers like a fury--N. C. Wyeth (美国, 1882-1945)

图片文件像素：5857 x 5772 px

Alex Katz，当代艺术I-

Alex Katz - Zeitgenössische Kunst I-

(born in Brooklyn/New York in 1927)
Maria, 1990 signed and dated, oil on board, 45.7 x 60.7 cm, framed

This work is registered in the Alex Katz archive.

Provenance:
Private Collection, Italy
European Private Collection
Acquired from the above by the present owner

In the nineteen-fifties, when most of the serious art being done was abstract, Katz outraged scores of artists and formalist critics by inventing new ways to paint the human figure. He has always had his own direction, which has not been the direction of mainstream art in any of the last seven decades. In a Katz painting, style—the way it’s painted—is the primary element. His confident, crisply articulated technique makes us see the world the way he sees it, clear and up close, with all but the most essential details pared away. (…)

His main influences were television ads, movie closeups, Japanese prints (by Utamaro, in particular), and billboards (…).

Katz had found a way to paint portraits that he described, as “brand-new terrific.” Ignoring character and mood, he offered the pure sensation of outward appearance—not who the people were, but how they appeared at a specific moment. “I can’t think of anything more exciting than the surface of things,” he later told an interviewer.
(taken from: Calvin Tompkins, Alex Katz’s Life in Art, The New Yorker, 20/8/2018)

图片文件尺寸 : 3634 x 4070px

“他来了！”作者：乌多·凯普勒-Udo Keppler

He has come to stay!--Udo Keppler (美国, 1872 – 1956)

图片文件尺寸 : 1659 x 4233px

“菲尔·梅的胸围。菲尔·梅有吗？”-Phil May

Phil Mays Bust. Has he--Phil May (英国, 1864-1903)

图片文件尺寸 : 4606 x 3027px

让·莱昂·杰罗姆的《但丁》-让·莱昂·杰罗姆

Dante (He Hath Seen Hell)--让·莱昂·杰罗姆 (法国, 1824-1904)

图片文件尺寸 : 3508 x 1982px

奥托·冯·索伦《狼的接近》-Otto von Thoren

Die Nähe des Wolfes--Otto von Thoren (奥地利, 1823 - 1889)

材质 : Acrylic

图片文件尺寸 : 4859 x 3695 px

Kazuo Shiraga-Ohne Titel, Frühe 1980.

白川和夫-无题，1980年初。