图片文件像素：4600 x 3500 px
Enrico Castellani，当代艺术I-
-
(Castelmassa, Rovigo 1930–2017 Viterbo)
Superficie Bianca, 1985, auf der Rückseite signiert, betitelt und datiert, Acryl auf Leinwand, 60 x 120 cm, gerahmt
Die vorliegende Arbeit ist im Archivio Fondazione Enrico Castellani registriert.
Ein vom Künstler signiertes Fotozertifikat liegt vor.
图片文件尺寸 : 5060 x 4875px
Gordon Snidow:Walking the Line
signed and dated \'Snidow / © 2017\' (lower right) and signed again on an artist statement (on the reverse)
oil on board
11 x 36 in.
framed 18 x 44 in.
戈登·斯尼多。 行走11 x 36英寸的线路。框架18 x 44英寸。
图片文件尺寸 : 5462 x 4991px
Various Artists:Peter Norton Christmas Art Projects, 1989-2017
A group of 27 multiples in various media, from the editions of 2500-5000, published by the Peter Norton Family Christmas Project, Santa Monica, California. (27)
Artists, titles and dates include:
Untitled (Stereoscopic Slide Viewer), Mitchell Syrop, 1989; Untitled (Four Napkins), May Sun, 1990; Untitled (Stars Don\'t Stand Still in the Sky for Anybody pin), Lawrence Weiner, 1991; Untitled (NO IT CAN ASSESS AN ACTION wall template, Fred Fehlau, 1992 (2); Untitled (Miniature Book), Luciano Perna, 1993; III (Three Wishbones in a Wood Box), Lorna Simpson, 1994; Aimai-no-bi (Ambiguous Beauty), Yasumasa Morimura, 1995; Oblique Strategies, Brian Eno/Pae White, 1996; Freedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times, Kara Walker, 1997; Untitled (Double-sided Blanket), Jim Hodges, 1998; Untitled (Peep Show), Anna Gaskell, 2001; Untitled (Dollhouse), Yinka Shonibare, 2002; Teacup, Robert Lazzarini, 2003; Untitled (Glass Bowl), Do Ho Suh, 2004; Untitled (Music Box), Christian Marclay, 2005; Untitled (Spiral, Pop-up Photo Album), Peter Coffin, 2006; Salt and Pepper Shaker, Nina Katchadourian, 2007; Cheshire Smile, Sanford Biggers, 2008; Untitled (Sequined Antler), Marc Swanson, 2009; Ikebana Kit, Escher GuneWardena Architecture, 2012; Trophy Modern, Ry Rocklen, 2013; Once Again, But Different This Time: The Canasta Edition, Kevin Sommers, 2014; Lazerian et al. Gerald the Dog, 2015; This is the End, 2017; Untitled (Holiday Card Portrait), Catherine Opie, n.d.; Currency, Brenna Youngblood, 2006 (signed in pencil, titled, dated and numbered 156/200 verso)
various sizes
各种艺术家 彼得·诺顿圣诞艺术项目
图片文件尺寸 : 4815 x 4922px
Sanford Biggers:Race Track Martyrs II, 2017
Archival pigment print in colors with screenprint in gold ink on laser-cut irregular shaped paper-canvas, signed in pencil on verso, dated and numbered PP 2/6 (a printer\'s proof, aside from the edition of 30), publisher/printer the LeRoy Neiman Center for Print Studies, Columbia University, New York, the full sheet.
sheet 27 1/2 x 23in (69.8 x 58.4cm)
比格斯 赛道烈士II
图片文件尺寸 : 2017 x 3000px
卡洛·安东尼奥·塔维拉（Carlo Antonio Tavella）的《前景中有奶牛和牧羊人的丘陵景观》-Carlo Antonio Tavella
Hilly Landscape with Cows and Shepherds in Foreground--Carlo Antonio Tavella (意大利, 1668-1738)
图片文件尺寸 : 5254 x 5248px
The Connor Brothers:Every Saint Has a Past and Every Sinner Has a Future
Giclée print in colours with screenprint varnish, 2017, on wove, signed, dated and numbered 3/95 in pencil, published by the artists, with full margins, 1198 x 747mm (47 1/8 x 29 3/8in)(SH)
康纳兄弟 每个圣人都有过去，每个罪人都有未来
图片文件尺寸 : 2017 x 4000px
胡安·格里斯（Juan Gris）的《球杆王牌和四颗钻石》（Ace of Clubs and Four of Diamonds）-Juan Gris
球杆王牌和四颗钻石--Juan Gris (西班牙, 1887-1927)
图片文件尺寸 : 2017 x 4000px
胡安·格里斯（Juan Gris）的《球杆王牌和四颗钻石》（Ace of Clubs and Four of Diamonds）-Juan Gris
Ace of Clubs and Four of Diamonds--Juan Gris (西班牙, 1887-1927)
图片文件尺寸 : 5352 x 4740px
Various Artists:Six Plates from \'Art for Tomorrow\'
Six prints in various print media, 2017, on Somerset wove, each signed and numbered 6/100 in pencil, printed by The Print Studio, Cambridge, published by Jesus College, Cambridge, each with the printer\'s blindstamp, with the justification page, lacking four plates, the full sheets, loose as issued, housed inside the black-cloth case, 520 x 675mm (20 1/2 x 26 5/8in)(SH)(and similar)(6)(Folio)
各种艺术家 《明日艺术》中的六个板块
图片文件像素：4600 x 3500 px
詹姆斯·罗森奎斯特-
-
(Grand Forks, North Dakota 1933-2017 New York City)
"A Free for all", 1976, Lithographie in Farbe mit collagierter Kordel auf Velin, signiert und datiert Rosenquist 1976 sowie betitelt, Nr. Nr. 21 von 25 nummerierten Exemplaren Hors Commerce, blattgroßer Druck ca. 66 x 51,5 cm, erschienen innerhalb des Portfolio 'Look out beyond and see: An 美国 portrait 1776-1976', gedruckt bei Derriere L'Etoile Studios und herausgegeben von Transworld Art/New York mit dem Trockenstempel, gerahmt beschrieben, (RAC)
图片文件像素：4600 x 3500 px
Enrico Castellani，当代艺术I-
-
(Castelmassa, Rovigo 1930–2017 Viterbo)
Superficie Bianca, 1985, auf der Rückseite signiert, betitelt und datiert, Acryl auf Leinwand, 60 x 120 cm, gerahmt
Die vorliegende Arbeit ist im Archivio Fondazione Enrico Castellani registriert.
Ein vom Künstler signiertes Fotozertifikat liegt vor.
图片文件尺寸 : 5060 x 4875px
Gordon Snidow:Walking the Line
signed and dated \'Snidow / © 2017\' (lower right) and signed again on an artist statement (on the reverse)
oil on board
11 x 36 in.
framed 18 x 44 in.
戈登·斯尼多。 行走11 x 36英寸的线路。框架18 x 44英寸。
图片文件尺寸 : 5462 x 4991px
Various Artists:Peter Norton Christmas Art Projects, 1989-2017
A group of 27 multiples in various media, from the editions of 2500-5000, published by the Peter Norton Family Christmas Project, Santa Monica, California. (27)
Artists, titles and dates include:
Untitled (Stereoscopic Slide Viewer), Mitchell Syrop, 1989; Untitled (Four Napkins), May Sun, 1990; Untitled (Stars Don\'t Stand Still in the Sky for Anybody pin), Lawrence Weiner, 1991; Untitled (NO IT CAN ASSESS AN ACTION wall template, Fred Fehlau, 1992 (2); Untitled (Miniature Book), Luciano Perna, 1993; III (Three Wishbones in a Wood Box), Lorna Simpson, 1994; Aimai-no-bi (Ambiguous Beauty), Yasumasa Morimura, 1995; Oblique Strategies, Brian Eno/Pae White, 1996; Freedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times, Kara Walker, 1997; Untitled (Double-sided Blanket), Jim Hodges, 1998; Untitled (Peep Show), Anna Gaskell, 2001; Untitled (Dollhouse), Yinka Shonibare, 2002; Teacup, Robert Lazzarini, 2003; Untitled (Glass Bowl), Do Ho Suh, 2004; Untitled (Music Box), Christian Marclay, 2005; Untitled (Spiral, Pop-up Photo Album), Peter Coffin, 2006; Salt and Pepper Shaker, Nina Katchadourian, 2007; Cheshire Smile, Sanford Biggers, 2008; Untitled (Sequined Antler), Marc Swanson, 2009; Ikebana Kit, Escher GuneWardena Architecture, 2012; Trophy Modern, Ry Rocklen, 2013; Once Again, But Different This Time: The Canasta Edition, Kevin Sommers, 2014; Lazerian et al. Gerald the Dog, 2015; This is the End, 2017; Untitled (Holiday Card Portrait), Catherine Opie, n.d.; Currency, Brenna Youngblood, 2006 (signed in pencil, titled, dated and numbered 156/200 verso)
various sizes
各种艺术家 彼得·诺顿圣诞艺术项目
图片文件尺寸 : 4815 x 4922px
Sanford Biggers:Race Track Martyrs II, 2017
Archival pigment print in colors with screenprint in gold ink on laser-cut irregular shaped paper-canvas, signed in pencil on verso, dated and numbered PP 2/6 (a printer\'s proof, aside from the edition of 30), publisher/printer the LeRoy Neiman Center for Print Studies, Columbia University, New York, the full sheet.
sheet 27 1/2 x 23in (69.8 x 58.4cm)
比格斯 赛道烈士II
图片文件尺寸 : 2017 x 3000px
卡洛·安东尼奥·塔维拉（Carlo Antonio Tavella）的《前景中有奶牛和牧羊人的丘陵景观》-Carlo Antonio Tavella
Hilly Landscape with Cows and Shepherds in Foreground--Carlo Antonio Tavella (意大利, 1668-1738)
图片文件尺寸 : 5254 x 5248px
The Connor Brothers:Every Saint Has a Past and Every Sinner Has a Future
Giclée print in colours with screenprint varnish, 2017, on wove, signed, dated and numbered 3/95 in pencil, published by the artists, with full margins, 1198 x 747mm (47 1/8 x 29 3/8in)(SH)
康纳兄弟 每个圣人都有过去，每个罪人都有未来
图片文件尺寸 : 2017 x 4000px
胡安·格里斯（Juan Gris）的《球杆王牌和四颗钻石》（Ace of Clubs and Four of Diamonds）-Juan Gris
球杆王牌和四颗钻石--Juan Gris (西班牙, 1887-1927)
图片文件尺寸 : 2017 x 4000px
胡安·格里斯（Juan Gris）的《球杆王牌和四颗钻石》（Ace of Clubs and Four of Diamonds）-Juan Gris
Ace of Clubs and Four of Diamonds--Juan Gris (西班牙, 1887-1927)
图片文件尺寸 : 5352 x 4740px
Various Artists:Six Plates from \'Art for Tomorrow\'
Six prints in various print media, 2017, on Somerset wove, each signed and numbered 6/100 in pencil, printed by The Print Studio, Cambridge, published by Jesus College, Cambridge, each with the printer\'s blindstamp, with the justification page, lacking four plates, the full sheets, loose as issued, housed inside the black-cloth case, 520 x 675mm (20 1/2 x 26 5/8in)(SH)(and similar)(6)(Folio)
各种艺术家 《明日艺术》中的六个板块
图片文件像素：4600 x 3500 px
詹姆斯·罗森奎斯特-
-
(Grand Forks, North Dakota 1933-2017 New York City)
"A Free for all", 1976, Lithographie in Farbe mit collagierter Kordel auf Velin, signiert und datiert Rosenquist 1976 sowie betitelt, Nr. Nr. 21 von 25 nummerierten Exemplaren Hors Commerce, blattgroßer Druck ca. 66 x 51,5 cm, erschienen innerhalb des Portfolio 'Look out beyond and see: An 美国 portrait 1776-1976', gedruckt bei Derriere L'Etoile Studios und herausgegeben von Transworld Art/New York mit dem Trockenstempel, gerahmt beschrieben, (RAC)