151. 青瓷上釉的陶瓷碗 高丽王朝,13世纪 高清作品[45%]

Goryeo dynasty , 13th century

图片文件尺寸 : 4742 x 5996px

A CELADON GLAZED STONEWARE BOWL:Goryeo dynasty (918-1392), 13th century
The deep bowl set on a low ring foot, rising up to near-vertical sides at the rim, covered in a celadon glaze showing pinkish highlights, three spur marks on the foot
8 1/2in (21.6cm) diameter

青瓷上釉的陶瓷碗 高丽王朝,13世纪

152. 基于Keith Haring 无标题,1987年 高清作品[44%]

SANS TITRE, 1987

图片文件尺寸 : 4955 x 3854px

D\'après Keith HARING:SANS TITRE, 1987
Ensemble de 10 sérigraphies et marker sur rhodoïd Illustration réalisée en partenariat avec la Fondation Keith Haring pour la réalisation d\'un dessin animé diffusé dans un épisode du TV Show \'Sésame Street\", en 1991
28 x 32 cm chaque

基于Keith Haring 无标题,1987年

153. 纳塔利娅·奥西普斯 落在NFT后面 高清作品[44%]

Left behind  NFT

图片文件尺寸 : 5019 x 5764px

NATALIA OSIPOVA:Left behind NFT
2019, live show in Mexico


Music by Sergei Rachmaninoff (1873-1943)
Choreography by Jason Kittelberger (b. 1981)

Non-Fungible Token ERC-1155
Token ID: 74703685308253092342986677628358271208721982352027485566829164006033074421761
MP4
Minted on 19 November 2021
Smart Contract Address: 0x495f947276749Ce646f68AC8c248420045cb7b5e


纳塔利娅·奥西普斯 落在NFT后面

157. 赫尔穆特·费德勒,当代艺术I 高清作品[43%]

DO-Helmut Federle  - 现代艺术 I
图片文件像素:6336 x 4556 px

赫尔穆特·费德勒,当代艺术I-

Helmut Federle * - Zeitgenössische Kunst I-

(born in Solothurn in 1944; lives and works in Vienna and Camaiore)
Null Bild Serie, 2. Phase, Tafel A, 1993, on the reverse titled, signed, dated Federle 93, acrylic on aluminum, 70 x 100 cm

Provenance:
Galerie nächst St. Stephan, Vienna
Private collection, Austria
Private collection, France

Exhibited/Literature:
Galerie nächst St. Stephan, Vienna, 1993
Kunstmuseum Bonn, 12 October 1995 – 21 January 1996, Düsseldorf 1995, p. 82/83, exhib. cat. with color illustration on p. 83

The 瑞士 artist Helmut Federle currently lives and works in Vienna. At the end of the 1950s, he began to create geometric-abstract works based on a minimalist, reduced surface design. A decade later, his work is definitively characterised by a strictly geometric formal language. His works show geometric forms and their position and balance in the pictorial plane. The artist himself does not see his work as belonging to any category, but above all as a spiritual search for meaning.

In the aluminium work of the ‘Null Bild’ Series, 2nd Phase, Panel A from 1993, the artist harks back to his paintings of the late 1970s, not least through its dimensions. Federle anchors \"upright or transverse rectangular anthracite-coloured fields to the opposite corners of the picture, with a dark grey surface acting as a foil.\" (Kunstmuseum Bonn, Bonn, 12 October 1995 - 21 January 1996, Düsseldorf 1995, p. 82). Panel A shows a reclining, resting light grey surface in the lower right corner of the picture against a charcoal grey, darker background.

\"In the Null-Bild works, the preoccupation with the Black Series is resonant, with the difference that processual events are once again concentrated on the individual image.\" (Ibid.)

158. 库博·顺曼(1757-1820) 江户时期,19世纪初 高清作品[42%]

Edo period , early 19th century

图片文件尺寸 : 4128 x 4548px

KUBO SHUNMAN (1757-1820):Edo period (1615–1868), early 19th century
A surimono shikishiban print showing objects used during the Momo no sekku (literally the Seasonal Festival of the Peach, but commonly known as Hinamatsuri, Dolls\' Day or Girls\' Day), including tachibina dolls and two lacquered cases for holding painted shells for the kai-awase game, with a poem, signed Sho sei
8 1/4 x 7 3/8in (30 x 18.7cm)

库博·顺曼(1757-1820) 江户时期,19世纪初

160. 监狱,亚历克斯·休伯特。C、 1632-1712年。 北美分为主要部分。巴黎:约1726年。 高清作品[40%]

Amerique Septentrionale Divisée en Ses Principales Parties. Paris: c.1726.

图片文件尺寸 : 5415 x 4990px

JAILLOT, ALEXIS HUBERT. C.1632-1712.:Amerique Septentrionale Divisée en Ses Principales Parties. Paris: c.1726.
Hand-colored engraved map of North America showing California as an island, 490 x 600 mm. Elaborately decorated cartouches. Soft crease down center fold. Matted and framed.

Burden Mapping of North America 700, State 2; McLaughlin 113.

监狱,亚历克斯·休伯特。C、 1632-1712年。 北美分为主要部分。巴黎:约1726年。

show油画图片- 高清show绘画作品- 代表作全集 中艺名画下载


151. 青瓷上釉的陶瓷碗 高丽王朝,13世纪 高清作品[45%]

Goryeo dynasty , 13th century

图片文件尺寸 : 4742 x 5996px

A CELADON GLAZED STONEWARE BOWL:Goryeo dynasty (918-1392), 13th century
The deep bowl set on a low ring foot, rising up to near-vertical sides at the rim, covered in a celadon glaze showing pinkish highlights, three spur marks on the foot
8 1/2in (21.6cm) diameter

青瓷上釉的陶瓷碗 高丽王朝,13世纪

152. 基于Keith Haring 无标题,1987年 高清作品[44%]

SANS TITRE, 1987

图片文件尺寸 : 4955 x 3854px

D\'après Keith HARING:SANS TITRE, 1987
Ensemble de 10 sérigraphies et marker sur rhodoïd Illustration réalisée en partenariat avec la Fondation Keith Haring pour la réalisation d\'un dessin animé diffusé dans un épisode du TV Show \'Sésame Street\", en 1991
28 x 32 cm chaque

基于Keith Haring 无标题,1987年

153. 纳塔利娅·奥西普斯 落在NFT后面 高清作品[44%]

Left behind  NFT

图片文件尺寸 : 5019 x 5764px

NATALIA OSIPOVA:Left behind NFT
2019, live show in Mexico


Music by Sergei Rachmaninoff (1873-1943)
Choreography by Jason Kittelberger (b. 1981)

Non-Fungible Token ERC-1155
Token ID: 74703685308253092342986677628358271208721982352027485566829164006033074421761
MP4
Minted on 19 November 2021
Smart Contract Address: 0x495f947276749Ce646f68AC8c248420045cb7b5e


纳塔利娅·奥西普斯 落在NFT后面

157. 赫尔穆特·费德勒,当代艺术I 高清作品[43%]

DO-Helmut Federle  - 现代艺术 I
图片文件像素:6336 x 4556 px

赫尔穆特·费德勒,当代艺术I-

Helmut Federle * - Zeitgenössische Kunst I-

(born in Solothurn in 1944; lives and works in Vienna and Camaiore)
Null Bild Serie, 2. Phase, Tafel A, 1993, on the reverse titled, signed, dated Federle 93, acrylic on aluminum, 70 x 100 cm

Provenance:
Galerie nächst St. Stephan, Vienna
Private collection, Austria
Private collection, France

Exhibited/Literature:
Galerie nächst St. Stephan, Vienna, 1993
Kunstmuseum Bonn, 12 October 1995 – 21 January 1996, Düsseldorf 1995, p. 82/83, exhib. cat. with color illustration on p. 83

The 瑞士 artist Helmut Federle currently lives and works in Vienna. At the end of the 1950s, he began to create geometric-abstract works based on a minimalist, reduced surface design. A decade later, his work is definitively characterised by a strictly geometric formal language. His works show geometric forms and their position and balance in the pictorial plane. The artist himself does not see his work as belonging to any category, but above all as a spiritual search for meaning.

In the aluminium work of the ‘Null Bild’ Series, 2nd Phase, Panel A from 1993, the artist harks back to his paintings of the late 1970s, not least through its dimensions. Federle anchors \"upright or transverse rectangular anthracite-coloured fields to the opposite corners of the picture, with a dark grey surface acting as a foil.\" (Kunstmuseum Bonn, Bonn, 12 October 1995 - 21 January 1996, Düsseldorf 1995, p. 82). Panel A shows a reclining, resting light grey surface in the lower right corner of the picture against a charcoal grey, darker background.

\"In the Null-Bild works, the preoccupation with the Black Series is resonant, with the difference that processual events are once again concentrated on the individual image.\" (Ibid.)

158. 库博·顺曼(1757-1820) 江户时期,19世纪初 高清作品[42%]

Edo period , early 19th century

图片文件尺寸 : 4128 x 4548px

KUBO SHUNMAN (1757-1820):Edo period (1615–1868), early 19th century
A surimono shikishiban print showing objects used during the Momo no sekku (literally the Seasonal Festival of the Peach, but commonly known as Hinamatsuri, Dolls\' Day or Girls\' Day), including tachibina dolls and two lacquered cases for holding painted shells for the kai-awase game, with a poem, signed Sho sei
8 1/4 x 7 3/8in (30 x 18.7cm)

库博·顺曼(1757-1820) 江户时期,19世纪初

160. 监狱,亚历克斯·休伯特。C、 1632-1712年。 北美分为主要部分。巴黎:约1726年。 高清作品[40%]

Amerique Septentrionale Divisée en Ses Principales Parties. Paris: c.1726.

图片文件尺寸 : 5415 x 4990px

JAILLOT, ALEXIS HUBERT. C.1632-1712.:Amerique Septentrionale Divisée en Ses Principales Parties. Paris: c.1726.
Hand-colored engraved map of North America showing California as an island, 490 x 600 mm. Elaborately decorated cartouches. Soft crease down center fold. Matted and framed.

Burden Mapping of North America 700, State 2; McLaughlin 113.

监狱,亚历克斯·休伯特。C、 1632-1712年。 北美分为主要部分。巴黎:约1726年。