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A SMALL STONEWARE BOWL WITH KINTSUGI (GOLD-LACQUER) REPAIRS:Edo period (1615-1868), 19th century
An Utsutsugawa ware bowl set on a high ring foot and decorated in brushed white slip over a greenish gray glaze, repaired around the rim with sections of gold nashiji lacquer
With a wood tomobako storage box
3 7/8in (9.8cm) diameter

一个有金雀（金雀）修复的小石器碗 江户时代，19世纪

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A BLACK MINO WARE CHAWAN (TEA BOWL) :Edo period (1615-1868), 18th/19th century
Of stoneware in a hanzutsu shape with thick lip and Setoguro type black crawling glaze covering the entire vessel with the exception of the foot; encircling the hip is a ring carved by a potter\'s tool
With a lacquered wood storage box and a crepe gomotsubukuro storage bag
4 3/4 x 3 1/2in (11.9 x 8.6cm)

一个黑色的米诺瓦茶碗 江户时期，18/19世纪

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“他在那里寄居着一条可怕的龙，在一个山洞里看守着阿瑟·拉卡姆（Arthur Rackham）的阿尔贝里奇戒指-Arthur Rackham

他作为一条可怕的龙在那里逗留，在一个洞穴里看守着阿尔贝里奇的戒指--Arthur Rackham (英国, 1867-1939)

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MUSASHIYA WORKSHOP (CIRCA 1900):A set of 12 small silver bowls
Meiji (1868-1912) or Taisho (1912-1926) era, circa 1900
Each cast in silver, set on a low ring foot and decorated on the exterior in low relief with chrysanthemums, cherry blossoms, bamboo, irises, or lotus, stamped on the underside in English, Musashiya and Pure Silver (12)
2 5/8in (6.6cm) diameter

MUSASHIYA工作室（约1900年） 一套12个小银碗明治或大正时代，约1900年

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A KOREAN TEA BOWL OF GOHON TYPE:Joseon dynasty (1392-1897), 17th/18th century
Of stoneware covered with biwa loquat-colored glaze with cream-colored highlights typical of Korean wares made for export to the Japanese market, the bowl thinly potted with shallow horizontal striations encircling the exterior, the foot ring unglazed with chatter marks to the interior; with wood storage box having calligraphy on lid stating Gohonde Chawan and label on reverse of lid certifying that the calligraphy was written by Matsudaira Ise no Kami Tada[]
5 1/2 x 5 3/4 x 2 3/8 (14 x 14.7 x 6.1cm)

一个朝鲜式茶碗 朝鲜王朝，17-18世纪

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KINKOZAN WORKSHOP (CIRCA 1900):A large Satsuma bowl
Meiji era (1868-1912), circa 1900
The earthenware bowl flaring out from a stepped side decorated in polychrome enamels and gilt on a crackled glaze with dense cluster of flower blossoms, the rim painted with a broad band of key frets and the foot ring with repeated dots, signed on the underside in gilt and with an impressed signature Kinkozan tsukuru
12 1/4in (31cm) diameter

KINKOZAN工作坊（约1900年） 大约1900年，明治时代有一个大型的相扑保龄球

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TWO LACQUER BOXES:Edo period (1615-1868) or Meiji era (1868-1912), 19th/early 20th century
Both boxes with domed overhanging kabusebuta covers, decorated in gold and silver hiramaki-e on a nashiji or hirame ground, the larger tebako (cosmetic box) with floral family crests and scrolling vines and flowers with inlays of shell, applied with gilt cord rings engraved with paulownia flowers, with a removable inner tray decorated in hirame on a dark brown ground; the smaller fushibako (pigment box) decorated with fruiting tachibana (mandarin) and pine trees, interiors nashiji
6in (15.2cm) high, the larger

两个漆盒 江户时代或明治时代，19世纪/20世纪初

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KOMAI OTOJIRO (ACTIVE LATE 19TH CENTURY):A fine inlaid-iron dish
Meiji era (1868-1912), circa 1875-1880
The circular lobed dish set on a ring foot and chiseled and inlaid in gold and silver with a central reserve of Bukan Zenshi raising his arm as if to strike his tiger companion, the surrounding area decorated with ten smaller roundels of landscapes and various geometric patterns, the rim with a band of fruiting grape leaves, signed in silver on the underside in a rectangular reserve Nihon Kyoto no ju Komai sei
8 1/2in (21.6cm) diameter

小井户次郎（活跃于19世纪晚期） 在镶嵌铁碟的末期，明治大约在1875-1880年

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Jim Dine: Oscar Wilde, The Picture of Dorian Gray (Galerie Mikro 47A-J), 1968
The complete artist\'s book comprising 12 lithographs in colors (one with collage and one with acetate overlay) on Arches paper, signed, annotated \'Edition B\' and numbered 14/200 in green ink on the justification page (there were also 25 artist\'s proofs), with the additional suite of four etchings in color, each signed in pencil, stamped \'Edition B\' verso and numbered 14/200 verso, with full margins, published by Petersburg Press, London, bound (as issued), housed in the original green velvet binding with title in silver, black velvet chemise and slipcase.
The additional suite including: Red Design for Satin Heart (Design for Satin Heart); Study for Rings on Dorian Gray\'s Hand; Dorian Gray at the Opium Den; Imprint from Dorian Gray\'s Stomach (16 works)
overall 18 x 12 1/2 x 1 1/4in (45.9 x 35 x 3cm)

吉姆·戴恩 奥斯卡·王尔德，《道林·格雷的照片》

丹麦艺术家作品集