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HARVEY, WILLIAM. 1578-1657.:Anatomical Exercitations, concerning the Generation of Living Creatures. London: James Young for Octavian Pulleyn, 1653.
8vo (165 x 110 mm). Engraved portrait frontispiece of Harvey by William Faithorne, errata leaf at end. Rebacked contemporary calf, titled in ink on fore-edge, modern cloth chemise and slipcase. Corners bumped, armorial bookplate to verso of title page (Clan Home), spotting throughout.

FIRST EDITION IN ENGLISH with the often lacking portrait of the author. \"Harvey considered this to be the culminating work of his life, and more significant than de Motu Cordis. ... Harvey was among the first to disbelieve the erroneous doctrine of the \'preformation\' of the foetus; he maintained that the organism derives from the ovum by the gradual building up and aggregation of its parts. The chapter on midwifery in this book is the first work on that subject to be written by an Englishman\" (Garrison-Morton-Norman 467, 1651 edition in Latin). Keynes 43; Russell 384; Wing H-1083.

哈维，威廉。1578-1657. 解剖学练习，关于生物的产生。伦敦：詹姆斯·杨（James Young）为屋大维·普莱因（Octavian Pulleyn）创作，1653年。

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Nguyen Van Binh:Bản Nậm Nà (Joy of Living)

signed and stamped with artist\'s seal
lacquer, pigment, gold foil on wood

120 by 181 cm.
47 1/4 by 71 1/4 in.

Nguyen Van Binh先生 标签

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“从前有一个贫穷的老妇人，住在亚瑟·拉坎姆的一个村庄里-Arthur Rackham

从前有一个贫穷的老妇人，住在一个村庄里--Arthur Rackham (英国, 1867-1939)

图片文件像素：5953 x 4118 px

卢西亚诺·卡斯泰利，当代艺术II-

Luciano Castelli * - Zeitgenössische Kunst II-

(born in Luzern 1951; lives and works in Paris and in Switzerland)
Black and White with self-portrait, 1995, titled, signed, dated and inscribed with revolving painting on the reverse, oil on canvas, 200 x 233.5 cm, framed

图片文件尺寸 : 1922 x 2873px

“你忘了，但她记得。漫不经心的谈话会让怀特尔失去生命-Whitear

你忘了，但她记得。漫不经心的谈话会导致生命损失--Whitear (英国, 20th Century)

图片文件尺寸 : 5019 x 5764px

NATALIA OSIPOVA:Left behind ^NFT
2019, live show in Mexico


Music by Sergei Rachmaninoff (1873-1943)
Choreography by Jason Kittelberger (b. 1981)

Non-Fungible Token ERC-1155
Token ID: 74703685308253092342986677628358271208721982352027485566829164006033074421761
MP4
Minted on 19 November 2021
Smart Contract Address: 0x495f947276749Ce646f68AC8c248420045cb7b5e

纳塔利娅·奥西普斯 落在NFT后面

图片文件像素：6336 x 4556 px

赫尔穆特·费德勒，当代艺术I-

Helmut Federle * - Zeitgenössische Kunst I-

(born in Solothurn in 1944; lives and works in Vienna and Camaiore)
Null Bild Serie, 2. Phase, Tafel A, 1993, on the reverse titled, signed, dated Federle 93, acrylic on aluminum, 70 x 100 cm

Provenance:
Galerie nächst St. Stephan, Vienna
Private collection, Austria
Private collection, France

Exhibited/Literature:
Galerie nächst St. Stephan, Vienna, 1993
Kunstmuseum Bonn, 12 October 1995 – 21 January 1996, Düsseldorf 1995, p. 82/83, exhib. cat. with color illustration on p. 83

The 瑞士 artist Helmut Federle currently lives and works in Vienna. At the end of the 1950s, he began to create geometric-abstract works based on a minimalist, reduced surface design. A decade later, his work is definitively characterised by a strictly geometric formal language. His works show geometric forms and their position and balance in the pictorial plane. The artist himself does not see his work as belonging to any category, but above all as a spiritual search for meaning.

In the aluminium work of the ‘Null Bild’ Series, 2nd Phase, Panel A from 1993, the artist harks back to his paintings of the late 1970s, not least through its dimensions. Federle anchors \"upright or transverse rectangular anthracite-coloured fields to the opposite corners of the picture, with a dark grey surface acting as a foil.\" (Kunstmuseum Bonn, Bonn, 12 October 1995 - 21 January 1996, Düsseldorf 1995, p. 82). Panel A shows a reclining, resting light grey surface in the lower right corner of the picture against a charcoal grey, darker background.

\"In the Null-Bild works, the preoccupation with the Black Series is resonant, with the difference that processual events are once again concentrated on the individual image.\" (Ibid.)

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雷蒙德·帕迪伯恩 让我们做吧我希望我能让他成为凶手我们是靠消失的生命这是你的书

图片文件像素：5713 x 4685 px

托姆布雷-

Cy Twombly * - Zeitgenössische Kunst I-

(Lexington, Virginia 1928–2011 Rome)
Untitled, 1963/1964, signed Cy Twombly, colored pencil, wax crayon on paper, 86 x 67 cm, framed

Provenance:
Galleria La Tartaruga, Rome
Galerie Karsten Greve, Cologne
Private Collection, 德国y
Kunsthaus Lempertz, 3 December 2016, lot 450 - acquired there by the present owner

Literature:
Nicola Del Roscio, Cy Twombly, drawings, catalogue raisonné, Gagosian Gallery, New York (Ed.), Munich 2011, vol. 4, no. 20

Cy Twombly occupies a unique position among US artists. Twombly lived and worked in Italy, far from the 美国 art world, and felt free to experiment. In Rome, Twombly refined his distinctive artistic language. Twombly\'s visual language is informed by classical literature, ancient history, poetry and mythology, as well as his own life experience. Since the 1950s, Twombly\'s drawings have been dominated by rhythmically repeated line progressions, swirls, dense tangles and isolated numbers. Pencil, coloured pens and ballpoint pens enabled Twombly to make this \'scriptural\' drawing, which ultimately includes the signature of the artist himself. On the white of the paper, the pictorial elements provoke by appearing as scribbles, appearing as if randomly distributed on the surface.

The untitled work offered here is a vivid example of Twombly\'s unique pictorial language. The pictorial elements merge into an abstract composition that is both delicate and dynamic. The work was created in Italy between 1963-64. Twombly lived in a 17th-century palazzo on Via di Monserrato in Rome at the time the work was created. Untitled is emblematic of the groundbreaking work Twombly produced in the 1960s, widely regarded as a critical and highly fruitful period in his long and illustrious career.

“Paint is something that I use with my hands and do all those tactile things. I really don’t like oil because you can’t get back into it, or you make a mess. It’s not my favourite thing... pencil is more my medium than wet paint.”
Cy Twombly

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约翰·罗德达姆·斯宾塞·斯坦霍普的《圣路加福音》第24章第5节“为什么要在死者中寻找生者？”-John Roddam Spencer Stanhope

圣路加福音24章5节，你们为什么要在死人中寻找活人--John Roddam Spencer Stanhope (英国, 1829 – 1908)