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Roger Hilton:Christmas Card and Envelope
signed and inscribed \'A happy Christmas/+ New year/to all good HUNTERS/of the Hollywood Arms/Roger Hilton/ Rose\' (on card verso)
gouache and charcoal on card, with accompanying charcoal and collage on envelope
card 14 x 18cm (5 1/2 x 7 1/16in); envelope 15.5 x 23cm (6 1/8 x 9 1/16in)

罗杰·希尔顿 圣诞卡和信封卡14 x 18cm信封15.5 x 23厘米

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Helen Bradley:\"And what\" said Bruce Sharman, \"is your Aunt saying to Miss Carter\"
inscribed with fly monogram (lower left); further signed, inscribed and dated \'\"and what\" said Bruce Sharman, \"is your Aunt saying to/Miss Carter (who wore Pink) ... \'Ha\', I said, \"how I/remember poor Miss Carter turning pale at the/thought of Grandpa rowing us all back across/Windermere to the station at Lake Side\"/\"Dont worry\", said Aunt Frances, \"you\'ll be quite alright\"/and Mother gave her a comforting pat, \"but what/a pity\", said Aunt Mary Aunt Charlotte\", the/mist hasnt cleared\". Grandpa Grandma had/taken us for a days outing from Blackpool/and while at Town Head, he bought a pony/called Zober for us and the year was 1907./Helen Layfield Bradley. July 26th. 1970.\' (on a label attached verso)
oil on canvas laid on board
45.7 x 61 cm. (18 x 24 in.)

海伦·布拉德利 布鲁斯·沙曼说：“你阿姨对卡特小姐说的是什么？”45.7 x 61厘米。

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LANCRE, PIERRE DE. 1553–1631.:Tableau de l\'inconstance des mauvais anges et démons. Paris: N. Buon, 1613.
8vo (225 x 165 mm). Large folding engraved plate. 19th century red morocco gilt by L. Geutant, brown morocco gilt doublures, silk endleaves, all edges gilt. Light rubbing and a few stains to covers, small tears and fraying edges to silk endleaf at front, bookplate to verso of front endleaf, edges of title page repaired with no loss of text, first page of text re-margined at fore-edge, folding plate laid down and re-margined, attempted censoring of nude figures in plate, some browning and spotting.
Provenance: Stanislas de Guaita (French poet, 1861-1897, signed notation on front flyleaf).

Second, revised edition, with the rare \"Sabbat des Sorciers\" folding plate, often lacking. Lancre, a judge from Bordeaux, was ordered by King Henri IV to put an end to witchcraft in the Basque country. Lancre, who harbored an animus for the Basque that is made evident in this work, sentenced several dozen people to be burned at the stake. Cf. Caillet II:408 (first edition); Dorbon Bibliotheca esoterica, 256:2467; USTC 6016932.

兰克雷，皮埃尔·德。1553-1631年。 邪恶天使和恶魔变幻莫测的画面。巴黎：N.Buon，1613年。

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赫尔穆特·费德勒，当代艺术I-

Helmut Federle * - Zeitgenössische Kunst I-

(born in Solothurn in 1944; lives and works in Vienna and Camaiore)
Null Bild Serie, 2. Phase, Tafel A, 1993, on the reverse titled, signed, dated Federle 93, acrylic on aluminum, 70 x 100 cm

Provenance:
Galerie nächst St. Stephan, Vienna
Private collection, Austria
Private collection, France

Exhibited/Literature:
Galerie nächst St. Stephan, Vienna, 1993
Kunstmuseum Bonn, 12 October 1995 – 21 January 1996, Düsseldorf 1995, p. 82/83, exhib. cat. with color illustration on p. 83

The 瑞士 artist Helmut Federle currently lives and works in Vienna. At the end of the 1950s, he began to create geometric-abstract works based on a minimalist, reduced surface design. A decade later, his work is definitively characterised by a strictly geometric formal language. His works show geometric forms and their position and balance in the pictorial plane. The artist himself does not see his work as belonging to any category, but above all as a spiritual search for meaning.

In the aluminium work of the ‘Null Bild’ Series, 2nd Phase, Panel A from 1993, the artist harks back to his paintings of the late 1970s, not least through its dimensions. Federle anchors \"upright or transverse rectangular anthracite-coloured fields to the opposite corners of the picture, with a dark grey surface acting as a foil.\" (Kunstmuseum Bonn, Bonn, 12 October 1995 - 21 January 1996, Düsseldorf 1995, p. 82). Panel A shows a reclining, resting light grey surface in the lower right corner of the picture against a charcoal grey, darker background.

\"In the Null-Bild works, the preoccupation with the Black Series is resonant, with the difference that processual events are once again concentrated on the individual image.\" (Ibid.)

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OVID. 43 B.C.E.-17 A.D.E.:Ovidii metamorphoseon libri XV. Venice: Aldi, 1516.
8vo (152 x 90 mm). 2 title pages with woodcut printer\'s devices (one after the index), woodcut printer\'s device on colophon. Modern quarter calf and marbled boards. Browning and some minor staining.
WITH: Les quinze livres de la métamorphose d\'Ovide interprétés en rime francaise selon la phrase latine par Francois Habert d\'Issoudun. Paris: Hierosme de Marnes, 1580. 12mo (108 x 81 mm). Woodcut printer\'s device on title page and colophon, woodcut illustratons in text. Late 18th century calf, rebacked retaining original spine, decorted in gilt with 5 raised bands, morocco gilt lettering piece, marbled endpapers, all edges gilt. Wear and chipping to covers and spine, free front endpaper loose, margins trimmed with slight losses to printed marginalia, staining and some ink underlining.

提供。公元前43年-公元前17年。 查看第十五本书的变形。威尼斯：阿尔迪，1516年。

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DELAGE, YVES. 1854-1920.:Embryogenie des eponges. [Paris: Archives de Zoologie, 1892.]
8vo (236 x 153 mm). Author\'s proof, signed, with some annotations, and original artwork for all illustrations clipped and laid down on card stock leaves, bound in at end. Modern quarter green morocco and cloth. Browning, scattered foxing throughout.

Delage, a professor of zoology at the Sorbonne, was a critic of Darwin\'s theory of natural selection. He was among the scientists of his time who argued for a form of Neo-Lamarckist theory of evolution, which ultimately was abandoned.

德莱奇，伊夫。1854-1920. 海绵胚胎发生。[巴黎：动物学档案馆，1892年。]

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Hans Hartung，当代艺术I-

Hans Hartung * - Zeitgenössische Kunst I-

(Leipzig 1904–1989 Antibes)
T 1964 - E 40, 1964, signed, dated Hartung 64, titled and inscribed and with directional arrow on the stretcher, acrylic on canvas, 81 x 130 cm, framed

This work is registered at the Foundation Hans Hartung and Anna-Eva Bergman, Antibes, and will be included in the forthcoming Catalogue Raisonné being prepared by the Foundation Hartung Bergman, Antibes (confirmation via email 3. October 2022).

Provenance:
Galerie Kallenbach, Munich
Private collection, North Rhine-Westphalia
Ketterer Kunst, Munich, 18 June 2021, lot 302 - acquired there by the present owner

Hans Hartung\'s entire oeuvre is characterised by abstract, non-objective painting. This interplay of light and shadow, structure, texture and airiness would become the formative elements of his later works. The non-figurative painting T 1964 - E 40 offered here also belongs to his catalogue of work. The canvas is primed in yellow, the upper part of the painting is dipped in a rich black. Above this is a layer of dark blue paint splashes with white accents, which the artist has worked on with a steel brush and scraper. A particular focus of the work is the complementary contrast of blue and yellow as well as the contrast between surface and stroke. The pictorial space is composed of light, shadow and their contrast.

The multitude of brushstrokes and scratches, the result of the painter\'s activity on the canvas, represent Hartung\'s style of the 1960s. The compositional scheme of the work offered here is reminiscent of the depiction of fireworks. The rockets explode in the night sky and colour it a sulphurous yellow.

“The first and most important thing is to remain free, free in each line you undertake, in your ideas and in your political action, in your moral conduct. The artist especially must remain free from all outer restraints.”
Hans Hartung

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AN INLAID SLIP-DECORATED CELADON CUP AND STAND:Goryeo dynasty (918-1392), 13th century
The cup modelled as a chrysanthemum with ten curved petals on a flared stem foot, each of the lobes inlaid in white and iron slip with a chrysanthemum spray below an incised band of scrolling foliage just below the rim, the stand with ten petals extending from the raised central cup support, each of the petals also inlaid in white and iron slip with chrysanthemum sprays, all covered with a celadon glaze pooling bright green
With an unassociated wood storage box
5in (12.7cm) high, overall; 5 3/4in (14.6cm) diameter, stand; 2 7/8in (7.3cm) high, cup

一个镶有滑动装饰的青瓷杯子和支架 高丽王朝，13世纪

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EINSTEIN\'S DOCTORATE CERTIFICATE FROM HIS \"MIRACULOUS YEAR\" OF 1905.:EINSTEIN, ALBERT. 1879-1955. Doctorate diploma awarded by the Faculty of Philosophy at the University of Zurich at its meeting on 27 July 1905, regarding the dissertation of Albert Einstein, titled: \"Eine neue Bestimmung der Molekuldimensionen\" (\"A New Determination of Molecular Dimensions\"), issued in Zurich 15 January 1906. Printed document with signatures and two seals on vellum, 698 x 523 mm. Framed.

EINSTEIN\'S DOCTORATE CERTFICATE — THE CROWNING ACHIEVEMENT OF HIS \"ANNUS MIRABILIS\" obtained for his most frequently cited paper \"A New Determination of Molecular Dimensions\" (Einstein 1905b). During 1905, Einstein wrote 5 landmark papers including his thesis, all published in the Annalen der Physik, and all considered milestones in the foundation of modern physics. They revolutionized our understanding of space, time, mass, and energy and culminated in the world most famous mathematical equation E=mc2. The papers were:

- \"On a Heuristic Viewpoint Concerning the Production and Transformation of Light.\" \"Über einen die Erzeugung und Verwandlung des Lichtes betreffenden heuristischen Gesichtspunkt.\" Annalen der Physik 17, 1905 pp. 132-148.

- \"A New Determination of Molecular Dimensions.\" \"Eine neue Bestimmung der Moleküldimensionen.\" Bern: Buchdruckreei Wyss, 1906. Also slightly revised in Annalen der Physik. 19, 1906, pp 289–305.

- \"On the Movement of Small Particles Suspended in a Stationary Liquid Required by the Molecular-Kinetic Theory of Heat.\" \"Über die von der molekularkinetischen Theorie der Wärme geforderte Bewegung von in ruhenden Flüssigkeiten suspendierten Teilchen.\" Annalen der Physik.17, 1905, pp 549–560

- \"On the Electrodynamics of Moving Bodies.\" \"Zur Elektrodynamik bewegter Körper.\" Annalen der Physik. 17, pp 901-921.

- \"Does the Inertia of a Body Depend Upon Its Energy Content?\" \"Über die von der molekularkinetischen Theorie der Wärme geforderte Bewegung von in ruhenden Flüssigkeiten suspendierten Teilchen.\" Annalen der Physik. 17, 1905, S. 549–560.

With a thesis on intermolecular forces Einstein attempted to earn a doctorate from the University of Zurich as early as 1901. He withdrew his paper shortly after he submitted it to Alfred Kleiner, Professor of Physics at the University of Zurich. His second attempted completed April 30, 1905 was more fruitful. On July 20, 1905, Einstein formally submitted another thesis to Dr. Kleiner, who enlisted the help of Heinrich Burkhardt, Professor of Mathematics at the University of Zurich, to check the calculations in Einstein\'s dissertation. Shortly after, on July 27 the philosophical faculty awarded Einstein with the doctorate, and issued the formal acknowledgement on January 15, 1906:

\"Unter der Oberhoheit der Behoerden und des Volkes des Kantons / und im Namen der / Universitaet Zuerich / hat die Mathematisch-Naturwissenschaftliche Sektion / der / Phiolosophischen Fakultaet / in Ihrer Sitzung vom 27 Juli 1905 / dem Herren / Albert Einstein / von Zuerich / auf Grund seiner Dissertation betitelt: / \"Eine Neue Bestimmung der Molekuldimensionen\" / und der Vorschriftsmaessigen Pruefungsausweis / die Rechte und Wuerden / eines Doctor der Philosophie / verliehen / und stellt zum Zeugnis dessen diese mit dem Universitaetsstempel versehene Urkunde aus / Gegegeben in Zurich / 15 Januar 1906 / Fuer den Akademischen Senat / der Rector Dr. Otto Haab / Fuer die II Sektion der Philosophischen Fakultaet / der Dekan: Prof. Dr. Rudolf Martin. With the paper seal of the \"Academia Turicensis MDCCC XXXIII\", under the signature of the dean the paper seal \"Philosophorum Turicensium Ordo\" in center.

In his dissertation Einstein \"combined the techniques of classical hydrodynamics with those of the theory of diffusion to create a new method for the determination of molecular sizes and of Avogadro\'s number, a method he applied to solute sugar molecules ... Compared to the other topics of his research at the time, his hydrodynamical method for determining molecular dimensions was a dissertation topic uniquely suited to the empirically oriented Zurich academic environment. In contrast to the Brownian-motion work, for which the experimental techniques needed to extract information from observations were not yet available, Einstein\'s hydrodynamical method for determining the dimensions of solute molecules enabled him to derive new empirical results from data in standard tables\" (Miraculous Year).

Years later Einstein remarked \"perhaps half-jokingly, that when he submitted his thesis, Professor Kleiner rejected it for being too short, so he added one more sentence and it was promptly accepted. There is no documentary evidence for this. Either way, his thesis actually became one of his most cited and practically useful papers, with applications in such diverse fields as cement mixing, dairy production, and aerosol products. And even though it did not help him get an academic job, it did make it possible for him to become known, finally, as Dr. Einstein\" (Isaacson).

Einstein\'s doctorate from the University of Zurich represents the cornerstone of his academic career that would take him from Zurich to Berlin and finally to Princeton, along the way transforming our perception of the cosmos, and the way we understand it.

Reference: Cawkell and Garfield. Assessing Einstein\'s impact on today\'s science by citation analysis. NY: 1980. P 32.
Isaacson. Einstein, His Life and Universe. New York: 2007. Pp 101-103.
Stachel, editor. The Collected Papers of Albert Einstein. Princeton: 1990. Vol 2, pp 170-182.
Stachel, editor. Einstein\'s Miraculous Year. Five Papers that Changed the Face of Physics. Princeton: 2005. Pp 31 and 37.

爱因斯坦1905年“奇迹年”的博士学位证书。 苏黎世大学哲学系在1905年7月27日的会议上颁发的博士学位证书，涉及阿尔伯特·爱因斯坦的论文，题为“Eine neue Bestimmung der Molekuldimensionen”，

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Various Artists:Five views of Turkey, including Citadelle of Troy, Mount Bulgurlu and The Caravan Bridge Smyrna
watercolour, some heightened with bodycolour
20.6 x 47cm (8 1/8 x 18 1/2in) and smaller.
Together with two figure studies by different hands.
all unframed. (7)

各种艺术家 土耳其五景，包括特洛伊城堡、布尔古鲁山和士麦那大篷车桥20.6 x 47厘米及以下。