您是不是要找：

gray

145. 大卫·鲍威尔 黑脚赫拉尔德里，熊矛和一个人的肖像各种尺寸各种框架尺寸 高清作品[56%]

Blackfoot Heraldry, The Bear Spear and Portrait of a man various sizes various framed sizes

图片文件尺寸 : 4419 x 4184px

David Powell:Blackfoot Heraldry, The Bear Spear and Portrait of a man (a group of three)
the first signed \'DAVE POWELL\' (lower left) and signed again, titled, dated and numbered \'10-22-81 / 1981\' on an artist label (on the backing paper), the second signed and dated \'DAVE POWELL / 81 ©\' (lower right) and signed again, titled and numbered \'4-10-81\' on an artist label (on the backing paper), the third signed and dated \'DAVE POWELL / 73\' (lower left)
the first and second gouache on grey board, the third pastel on grey paper
various sizes
various framed sizes

大卫·鲍威尔 黑脚赫拉尔德里，熊矛和一个人的肖像各种尺寸各种框架尺寸

148. 赫尔穆特·费德勒，当代艺术I 高清作品[56%]

DO-Helmut Federle - 现代艺术 I
图片文件像素：6336 x 4556 px

赫尔穆特·费德勒，当代艺术I-

Helmut Federle * - Zeitgenössische Kunst I-

(born in Solothurn in 1944; lives and works in Vienna and Camaiore)
Null Bild Serie, 2. Phase, Tafel A, 1993, on the reverse titled, signed, dated Federle 93, acrylic on aluminum, 70 x 100 cm

Provenance:
Galerie nächst St. Stephan, Vienna
Private collection, Austria
Private collection, France

Exhibited/Literature:
Galerie nächst St. Stephan, Vienna, 1993
Kunstmuseum Bonn, 12 October 1995 – 21 January 1996, Düsseldorf 1995, p. 82/83, exhib. cat. with color illustration on p. 83

The 瑞士 artist Helmut Federle currently lives and works in Vienna. At the end of the 1950s, he began to create geometric-abstract works based on a minimalist, reduced surface design. A decade later, his work is definitively characterised by a strictly geometric formal language. His works show geometric forms and their position and balance in the pictorial plane. The artist himself does not see his work as belonging to any category, but above all as a spiritual search for meaning.

In the aluminium work of the ‘Null Bild’ Series, 2nd Phase, Panel A from 1993, the artist harks back to his paintings of the late 1970s, not least through its dimensions. Federle anchors \"upright or transverse rectangular anthracite-coloured fields to the opposite corners of the picture, with a dark grey surface acting as a foil.\" (Kunstmuseum Bonn, Bonn, 12 October 1995 - 21 January 1996, Düsseldorf 1995, p. 82). Panel A shows a reclining, resting light grey surface in the lower right corner of the picture against a charcoal grey, darker background.

\"In the Null-Bild works, the preoccupation with the Black Series is resonant, with the difference that processual events are once again concentrated on the individual image.\" (Ibid.)

相关：
greys de grey roger 6684834_grey_wolf barnard george grey grey alex
首页 主题 艺术运动 风景
grey油画图片- 高清grey绘画作品- 代表作全集 中艺名画下载


您是不是要找：

gray

145. 大卫·鲍威尔 黑脚赫拉尔德里，熊矛和一个人的肖像各种尺寸各种框架尺寸 高清作品[56%]

Blackfoot Heraldry, The Bear Spear and Portrait of a man various sizes various framed sizes

图片文件尺寸 : 4419 x 4184px

David Powell:Blackfoot Heraldry, The Bear Spear and Portrait of a man (a group of three)
the first signed \'DAVE POWELL\' (lower left) and signed again, titled, dated and numbered \'10-22-81 / 1981\' on an artist label (on the backing paper), the second signed and dated \'DAVE POWELL / 81 ©\' (lower right) and signed again, titled and numbered \'4-10-81\' on an artist label (on the backing paper), the third signed and dated \'DAVE POWELL / 73\' (lower left)
the first and second gouache on grey board, the third pastel on grey paper
various sizes
various framed sizes

大卫·鲍威尔 黑脚赫拉尔德里，熊矛和一个人的肖像各种尺寸各种框架尺寸

148. 赫尔穆特·费德勒，当代艺术I 高清作品[56%]

DO-Helmut Federle - 现代艺术 I
图片文件像素：6336 x 4556 px

赫尔穆特·费德勒，当代艺术I-

Helmut Federle * - Zeitgenössische Kunst I-

(born in Solothurn in 1944; lives and works in Vienna and Camaiore)
Null Bild Serie, 2. Phase, Tafel A, 1993, on the reverse titled, signed, dated Federle 93, acrylic on aluminum, 70 x 100 cm

Provenance:
Galerie nächst St. Stephan, Vienna
Private collection, Austria
Private collection, France

Exhibited/Literature:
Galerie nächst St. Stephan, Vienna, 1993
Kunstmuseum Bonn, 12 October 1995 – 21 January 1996, Düsseldorf 1995, p. 82/83, exhib. cat. with color illustration on p. 83

The 瑞士 artist Helmut Federle currently lives and works in Vienna. At the end of the 1950s, he began to create geometric-abstract works based on a minimalist, reduced surface design. A decade later, his work is definitively characterised by a strictly geometric formal language. His works show geometric forms and their position and balance in the pictorial plane. The artist himself does not see his work as belonging to any category, but above all as a spiritual search for meaning.

In the aluminium work of the ‘Null Bild’ Series, 2nd Phase, Panel A from 1993, the artist harks back to his paintings of the late 1970s, not least through its dimensions. Federle anchors \"upright or transverse rectangular anthracite-coloured fields to the opposite corners of the picture, with a dark grey surface acting as a foil.\" (Kunstmuseum Bonn, Bonn, 12 October 1995 - 21 January 1996, Düsseldorf 1995, p. 82). Panel A shows a reclining, resting light grey surface in the lower right corner of the picture against a charcoal grey, darker background.

\"In the Null-Bild works, the preoccupation with the Black Series is resonant, with the difference that processual events are once again concentrated on the individual image.\" (Ibid.)

相关：
greys de grey roger 6684834_grey_wolf barnard george grey grey alex
首页 主题 艺术运动 风景