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伊利亚·埃菲莫维奇·列宾《据说是玛丽亚·格里戈里耶夫娜·格的女士肖像》（1854-1932）-Ilya Efimovich Repin

Portrait Of A Lady Said To Be Maria Grigorievna Ge (18541932)--Ilya Efimovich Repin (俄罗斯, 1844 – 1930)

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“乐队设计Rudolf Bossinade，De automobilist voor den rechterAutomobilistenrecht，c.1932-1934，F.Ockerse-F. Ockerse

Bandontwerp voor; Rudolf Bossinade, De automobilist voor den rechter; Automobilistenrecht, c. 19321934--F. Ockerse (荷兰, 20th Century)

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BENOIS, ALEXANDRE. 1870-1960.:Costume design of Monsieur Jourdain, for the Balanchine ballet of Molière\'s Le Bourgeois Gentilhomme, produced by the Ballets Russes de Monte-Carlo, 1932, watercolor, ink and graphite, 308 x 193 mm (12 1/8 x 7 1/2 inches), signed by Benois in pencil in lower left corner.

Benois founded the Mir iskusstva [World of Art] group with Sergei Diaghilev and was one of the most important designers of the Ballets Russes, second only to Léon Bakst. His best known sets and costumes were done for the original production of the Stravinsky ballet Petrouchka (1911) based on his idea. Benois emigrated to France in 1927 and continued to work for the theater in Paris, Milan, London, New York and elsewhere. Both Benois and Balanchine were associated with the Ballets Russes de Monte-Carlo, the successor to the original Ballets Russes, that formed after Diaghilev\'s death in 1932. Balanchine revived his ballet in 1979 for the New York City Opera with the assistance of Jerome Robbins and Peter Martins and Rudolph Nureyev in his first Balanchine production. Sold with 3 additional costume designs, two from an unknown artist, and one in pencil attributed to Georgii Yakulov.

亚历山大，贝努瓦。1870-1960. Jourdain先生为莫里哀（Molière）的《布尔乔亚传奇》（Le Bourgeois Gentilhome）巴兰钦芭蕾舞团的服装设计，由蒙特卡洛芭蕾舞团（Russe de Monte Carlo）于1932年制作，

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《来自德国暴力，曼达尔》阿马尔杜斯·尼尔森著-Amaldus Nielsen

Fra Gjervoldstad, Mandal--Amaldus Nielsen (挪威, 1838 – 1932)

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Rajmund Kanelba: Personnage au masque
signed \'Kanelba\' (lower right); dated \'1932\' (on verso)
oil on canvas
81 x 65cm (31 7/8 x 25 9/16in).
Painted in 1932

Rajmund Kanelba 面具上的角色

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LÉONARD TSUGUHARU FOUJITA: Nu allong
signed and dated \'Foujita, 1932\' and further signed in Japanese (lower left)
mineral paint and ink on silk laid on paper
70 x 100cm (27 9/16 x 39 3/8in).
Painted in 1932

LOnard Tsuguharu Foujita 不要分配

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Simon Mondzain: Accueil a l\'Inconnu
signed \'Mondzain\'(lower left); titled, signed and inscribed with address and dated \'1932\' ( on the reverse)
oil on canvas
250 x 170cm (98 7/16 x 66 15/16in).
Painted in 1932

西蒙·蒙德赞 Accueil a l\'Inconnu

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Paul Cadmus:Male Nude J.F.A.
inscribed, signed, inscribed again and dated \'J.F.A. Cadmus Mallorca 1932\' (lower right) and inscribed \'J.F.\' and inscribed with artist framing notes (lower left)
pencil on paper
8 1/16 x 14 1/2 in. (20.5 x 36.8 cm.)
sheet 9 5/8 x 15 1/4 in. (24.5 x 38.7 cm.)
Executed in 1932.

保罗·卡德摩斯 男裸体J.F.A。

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ALBERT GLEIZES:Composition rythmique, les bleus (dit aussi Peinture rythmique, les bleus ou Les bleus)
signed and dated \'AlbGleizes 1932\' (lower right); signed, inscribed and dated \'Albert Gleizes 15 Brd Lannes Paris 2 Les bleus No. 9 Les Bleus 1933\' (on the stretcher)
oil on canvas
54 7/16 x 37 1/2 in (138.3 x 95.3 cm)
Painted between 1932-1934

阿尔伯特·格莱斯 节奏成分，蓝色

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Everett Longley Warner: From My Window, 2 Fulton St., NY
titled and dated \'1932\' (on a label affixed to the reverse)
pastel on paper
25 1/4 x 19 1/8 in. (64.1 x 48.6 cm.)
Executed in 1932.

Everett Longley Warner 从我的窗户，2 Fulton St.，NY 25 1/4 x 19 1/8英寸。