图片文件尺寸 : 4049 x 4336px

Valentin Vorobiev:\"Astronautes\"/ \"Spacemen\"
signé en cyrillique et daté \"1972\" ; signé en cyrillique, daté \"1972\", titré et dédicacé \"à Michaele en mémoire de l\'artiste 20.05.73\" (verso)
huile sur toile
70 x 100cm (27 9/16 x 39 3/8in).
sans cadre

signed in Cyrillic and dated \"1972\"; further signed in Cyrillic, dated \"1972\", titled and dedicated \"to Michaele in memory of the artist 20.05.73\" (verso)
oil on canvas
unframed

瓦伦丁·沃罗比耶夫 “宇航员”/“太空人”无框架

图片文件像素：5930 x 4411 px

卡拉·阿卡尔迪，当代艺术I-

Carla Accardi * - Zeitgenössische Kunst I-

(Trapani 1924–2014 Rome)
Untitled, 1954, signed and dated; signed and dated again on the reverse, tempera (casein) on paper laid down on canvas, 68 x 32 cm, framed

This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome

Provenance:
Sale Nuova Brerarte, Milan, 11 December 1990, lot 71
European Private Collection (acquired from the above)

Note:
The paper was laid down on canvas directly by the artist as evident also from the signature and the date on the reverse.

Yes, 1954 was a critical year, but my first works featuring the sign, which I made on paper, were born in 1953. The meaning behind this choice, my surrender to the sign, which was basic at first and structural later, no doubt emerged from the idea artists have always had about contemporary art, about culture in their time.
Although I wasn’t studying mathematics or anthropology, Structuralism was a topical discovery all the same, something that exhisted in the Western world.
I bestowed an image on the Structuralist vision of the world; a visual image that bore all the components: events, the aggregation of signs were repeated in my paintings with phenomenic variations: but always faithful to themselves and repeatable.
Carla Accardi interviewed by Vanni Bramanti, in V. Bramanti, Conversazione con Carla Accardi, Rome 1982

图片文件尺寸 : 4182 x 3868px

BRIDGET RILEY:Pass
1981

signed and dated \'81 on the turnover edge; signed, titled and dated 1981 on the reverse; signed and titled on the stretcher bar
oil on linen

80 by 70.5 cm.
31 1/2 by 27 3/4 in.

布里吉特·莱利 1981年通过

图片文件尺寸 : 4149 x 4268px

Desmond Morris:Birthday Emotions
signed with monogram and dated \'69\' (lower left); further signed, signed with monogram, titled and dated \'BIRTHDAY EMOTIONS/Desmond Morris/JAN/69\' (on board verso)
oil on board
83 x 68.5cm (32 11/16 x 26 15/16in).

戴斯蒙德·莫里斯 生日情绪

图片文件尺寸 : 3920 x 4894px

Desmond Morris:Night Figures
signed with monogram (lower right); further twice signed with monogram, signed, titled and twice dated \'26 Jan 04/26 JAN 2004/Desmond Morris/Night Figures\' (on panel verso)
oil on panel
20.5 x 45cm (8 1/16 x 17 11/16in).

戴斯蒙德·莫里斯 夜间数字

图片文件尺寸 : 4363 x 4616px

Aldro Thompson Hibbard:Vermont Valley and Vermont Snow Scene: A Pair of Works
signed \'A.T. Hibbard\' (lower left) and signed again (lower right) and inscribed with title and signed again (on the reverse); signed \'A.T. Hibbard\' (lower left)
oil on canvasboard; oil on Masonite
8 x 10 in. (20.3 x 25.4 cm.), each

阿尔德罗·汤普森·希伯德 佛蒙特山谷和佛蒙特雪景：一对作品，8 x 10英寸，每个

图片文件尺寸 : 3922 x 4826px

Francisco Infante:\'Spirale à l\'Infini\'/ \'Infinity Spiral\', 1963
signé avec signature imprimée en cyrillique (en bas à gauche); signé, titré et daté en cyrillique (au verso) \'Idée d\'Infini/ thème \'Spirale à l\'infini\'/ variante \'Flora\'/ Décembre 1963\'
tempéra sur carte
54.8 x 76cm (21 9/16 x 29 15/16in).

signed with impressed signature in Cyrillic (lower left); signed, titled and dated in Cyrillic (on verso) \'Idea of Infinity/ theme \'Infinity Spiral\'/ variant \"Flora\"/ December 1963\'
tempera on card

弗朗西斯科·因凡特 “无限螺旋”/“无限螺旋”，1963年

图片文件尺寸 : 5305 x 3966px

Desmond Morris:The Entourage
signed with monogram and dated \'12\' (lower right); further signed, signed with monogram, titled and dated \'Desmond Morris/The ENTOURAGE/2012\' (on backboard)
watercolour, gouache and pen and ink over monotype on paper
28 x 40cm (11 x 15 3/4in).

戴斯蒙德·莫里斯 明星伙伴

图片文件尺寸 : 4326 x 5243px

Desmond Morris:The Good Student
signed with monogram and dated \'13\' (lower left); further signed, signed with monogram and titled \'Desmond Morris/THE GOOD STUDENT\' (on backboard)
gouache and pen and ink on paper
28.5 x 20cm (11 1/4 x 7 7/8in).

戴斯蒙德·莫里斯 好学生

图片文件尺寸 : 4888 x 5777px

SIX SURIMONO SHIKISHIBAN PRINTS:Edo period (1615-1868), 19th century
The first, a courtesan in a kimono decorated with a large dragon, and two poems, from the series Fuzoku onna Suikoden, hyaku-hachi ban no uchi (Fashionable Women as the 108 of the Water Margin), signed Ichiyusai Kuniyoshi ga (Utagawa Kuniyoshi, 1797–1861) and sealed; the second, the archer Miuranosuke confronting the court lady Tamamo no mae, with poems, signed Gakutei (Yashima Gakutei, 1786?–1868), with partially obscured publisher\'s seal; the third, depicting a beauty in a roundel and a peacock on a fan face, with a poem, from the series Honchoren juban tsuzuki (10 for the Honcho Circle), signed Gakutei (Yashima Gakutei, 1786?–1868) and sealed Sadaoka; the fourth, of the goddess Benzaiten playing a biwalute beneath prunus blossoms, with four poems, signed Eisen ga (Keisai Eisen, 1790-1848); the fifth, of two beauties, one preparing to put an inked brush to paper and the other holding a painting of Mount Fuji, with four poems, signed Keisai (Keisai Eisen, 1790-1848); the sixth, of two beauties playing with Japanese battledore and shuttlecock next to a blossoming prunus tree, with two poems, signed Eisho hitsu (Shunsai Eisho/Harukawa Eicho, 1784-1848) and sealed (6)
8 5/16 x 7 1/2in (21.1 x 19cm), the largest

六张＜I＞SURIMONO SHIKISHIBAN</I＞照片 江户时代，19世纪