图片文件尺寸 : 4226 x 5224px
Marc Chagall:Plate 2, from Four Tales from Arabian Nights (Mourlot 37; Cramer books 18)
Lithograph in colours, 1948, on laid paper, signed, annotated and numbered \'Pl.2 40/90\' in pencil (the total edition was 111), published by Pantheon Books, New York, with wide margins, with very pale light-staining, the colours bright and fresh, in overall good condition, framed
Image 375 x 283mm. (14 3/4 x 11 1/8in.); Sheet 431 x 325mm. (17 x 13in.)
马克·夏加尔 图版2，来自《天方夜谭》中的四个故事
图片文件尺寸 : 4213 x 4691px
Andy Warhol:Details of Renaissance Paintings (Leonardo Da Vinci, The Annunciation, 1472) (Feldman Schellmann II.323), 1984
Screenprint in colors on Arches Aquarelle (Cold pressed) paper, a color proof aside from the edition of 60 (there were also 15 artist\'s proofs), with the Warhol Authentication Board inkstamp on verso, published by Editions Schellmann Kluser, Munich/New York with the blindstamp of the printer, Rupert Jasen Smith, New York, with full margins, framed.
25 1/4 x 37in (64.1 x 93.9cm)
sheet 32 x 44in (81.2 x 111.7cm)
安迪·沃霍尔 文艺复兴时期绘画的细节
图片文件尺寸 : 3934 x 5157px
Richard Diebenkorn:Large Bright Blue, from Eight Color Etchings series (Guillemin p.111), 1980
Etching and aquatint in colors on Rives BFK paper, initialed in pencil, dated and numbered 13/35 (there were also 10 artist\'s proofs), with the blindstamp of publisher/printer Crown Point Press, Oakland, California, with full margins, framed.
23 7/8 x 14 1/8in (60.6 x 35.9cm)
sheet 39 7/8 x 26 1/8 in (101.3 x 66.4cm)
理查德·迪本科恩 大亮蓝色，来自八色蚀刻系列
图片文件尺寸 : 4590 x 5028px
Robert Motherwell:
America - La France Variations VIII (Engberg Banach 336), 1984
Lithograph and collage on Arches Cover mould-made paper; black German Etching paper, signed in pencil and numbered AP XVI/XX (an artist\'s proof, aside from the edition of 69), published/printed by Tyler Graphics Ltd., Bedford Village, New York, with full margins, framed.
43 3/4 x 15 1/2in (111.1 x 39.3cm)
sheet 50 x 21 1/2in (127 x 54.6cm)
罗伯特·马瑟韦尔 美洲-法兰西变奏曲VIII
图片文件尺寸 : 4723 x 4407px
Robert Mangold:
Semi-Circle I-IV (4 works),
The complete suite of 4 lithographs in colors on Somerset paper, each signed in pencil, titled \'I\' through \'IV\', respectively, and each numbered 47/47 (there were also 10 artist\'s proofs), published by Brooke Alexander Editions, New York, printed by Derriere L\'Etoile Studios, New York, each with full margins. (4 works)
each 19 x 38in (48.3 x 96.5cm)
each sheet 29 x 44in (73.7 x 111.8cm)
罗伯特·曼戈尔德 半圆I-IV
图片文件尺寸 : 5286 x 5363px
Andy Warhol:Details of Renaissance Paintings (Paolo Uccello, St. George and the Dragon, 1460) (Feldman Schellmann II.325), 1984
Screenprint in colors on Arches Aquarelle (Cold pressed) paper, a color proof aside from the edition of 50 (there were also 12 artist\'s proofs), with the Warhol Authentication Board inkstamp on verso, published by Editions Schellmann Kluser, Munich/New York, with the blindstamp of the printer, Rupert Jasen Smith, New York, with full margins, framed.
25 1/8 x 37 1/4in (63.8 x 94.6cm)
sheet 32 x 44in (81.3 x 111.8cm)
安迪·沃霍尔 文艺复兴时期绘画的细节
图片文件尺寸 : 5241 x 4488px
LEONOR FINI:Étude pour \'La Tempête\' (recto); Visage de la femme (verso)
signed \'Leonor Fini\' (lower right)
brush and ink and wash on paper
accompanied by La Tempête, the complete portfolio of 22 lithographs in colours, 1965, on BFK Rives wove paper, with text, title page and justification page signed by the artist and translator André du Bouchet in ink and numbered 111, from the total edition of 200, loose as issued, in original slipcase with paper wrappers
13.2 x 13.4cm (5 3/16 x 5 1/4in).
Executed circa 1963
莱昂诺成品 “风暴”研究女人的脸
图片文件尺寸 : 4018 x 5653px
Jacques Villon:Miennes, by Tristan Tzara (14 works), 1955
Deluxe portfolio comprising 7 etchings on vieux japon collée to Montval paper support, each signed and numbered 16/21 and annotated \'1ere Etat\' (the total edition was 111, only the first 21 were on Montval), also signed by the artist and author on the justification page and printed number \'16\', with an extra unsigned suite of the second (final) state, on Johannot paper, etchings loose as issued, with paper wrappers, printed by L\'Atelier de l\'Ermitage, Paris, each print with full margins. (14 works)
each 6 7/8 x 4 7/8in (17.3 x 12.1cm)
each sheet 12 7/8 x 9 7/8in (33 x 25cm)
维雍 米恩内斯，作者特里斯坦·扎拉
图片文件尺寸 : 5184 x 6020px
Christo Jeanne-Claude:Wrapped Roman Sculptures, Project for Die Glyptothek, München (Schellmann 158), 1991
Collotype and screenprint in colors on wove paper with collage of fabric, transparent polyethylene, thread, twine, and masking tape with pencil additions, signed in pencil and numbered 64/111 (there were also 30 artist\'s proofs), published by Edition Schellmann, Munich/New York, with the blindstamp of the printer Domberger, Filderstadt, the full sheet, framed.
sheet 39 3/8 x 27 1/2 x 1/4in (100 x 70 x 1.2cm)
克里斯托和珍妮·克劳德 包装罗马雕塑，慕尼黑Die Glyptoothek项目
图片文件像素：5002 x 4295 px
费尔南多·莱格尔-现代-
Fernand Léger * - Moderne-
(Argentan 1881–1955 Gif-sur-Yvette)
Composition mécanique, 1923, monogrammiert, datiert F. L. 23, Graphit auf Papier, 36,9 x 27,2 cm, gerahmt
Fotozertifikat:
Irus Hansma, 30. September 2015 mit der Nr. 111/09/2015.
Das Werk wird von Irus Hansma in das derzeit in Vorbereitung befindliche Werkverzeichnis der Arbeiten auf Papier aufgenommen.
Provenienz:
Privatsammlung, USA
Ketterer Kunst, München, 10. Dezember 2016, Los 325 - dort vom jetzigen Besitzer erworben
Léger verbrachte die unmittelbaren Nachkriegsjahre damit den mechanischen Stil zu entwickeln, den er an der Front zu erforschen begonnen hatte. Bei Légers „période mécanique“ handelt es sich um eine Werkphase, in der er vorwiegend der Maschinenwelt entlehnte Elemente zu abstrakten geometrischen Kompositionen zusammenfügte. In engster Folge ‚schraubt‘ Fernand Léger bei seinem Werk „Composition mecanique“ aus dem Jahr 1923 Teil für Teil zusammen. In der Komposition finden sich unter anderem Lochbleche, Kreise und Rechtecke. Sie greifen ineinander, ergänzen sowie durchdringen sich und kommen in scheinbar variierter Form wieder zum Vorschein. Man verliert sich in dem Geflecht der unterschiedlich nuancierten grauen Linien und Flächen, die Augen begeben sich fasziniert und geleitet auf Erkundungstour durch die vermeintlichen Höhen und Tiefen des Werkes.
Die hier angebotene Zeichnung kann als unmittelbare Vorlage für das 1924 entstandene Gemälde „Élément mécanique“ angesehen werden, dass sich heute im Musée National d\'Art Moderne, Centre Georges Pompidou, in Paris befindet.
图片文件尺寸 : 4226 x 5224px
Marc Chagall:Plate 2, from Four Tales from Arabian Nights (Mourlot 37; Cramer books 18)
Lithograph in colours, 1948, on laid paper, signed, annotated and numbered \'Pl.2 40/90\' in pencil (the total edition was 111), published by Pantheon Books, New York, with wide margins, with very pale light-staining, the colours bright and fresh, in overall good condition, framed
Image 375 x 283mm. (14 3/4 x 11 1/8in.); Sheet 431 x 325mm. (17 x 13in.)
马克·夏加尔 图版2，来自《天方夜谭》中的四个故事
图片文件尺寸 : 4213 x 4691px
Andy Warhol:Details of Renaissance Paintings (Leonardo Da Vinci, The Annunciation, 1472) (Feldman Schellmann II.323), 1984
Screenprint in colors on Arches Aquarelle (Cold pressed) paper, a color proof aside from the edition of 60 (there were also 15 artist\'s proofs), with the Warhol Authentication Board inkstamp on verso, published by Editions Schellmann Kluser, Munich/New York with the blindstamp of the printer, Rupert Jasen Smith, New York, with full margins, framed.
25 1/4 x 37in (64.1 x 93.9cm)
sheet 32 x 44in (81.2 x 111.7cm)
安迪·沃霍尔 文艺复兴时期绘画的细节
图片文件尺寸 : 3934 x 5157px
Richard Diebenkorn:Large Bright Blue, from Eight Color Etchings series (Guillemin p.111), 1980
Etching and aquatint in colors on Rives BFK paper, initialed in pencil, dated and numbered 13/35 (there were also 10 artist\'s proofs), with the blindstamp of publisher/printer Crown Point Press, Oakland, California, with full margins, framed.
23 7/8 x 14 1/8in (60.6 x 35.9cm)
sheet 39 7/8 x 26 1/8 in (101.3 x 66.4cm)
理查德·迪本科恩 大亮蓝色，来自八色蚀刻系列
图片文件尺寸 : 4590 x 5028px
Robert Motherwell:
America - La France Variations VIII (Engberg Banach 336), 1984
Lithograph and collage on Arches Cover mould-made paper; black German Etching paper, signed in pencil and numbered AP XVI/XX (an artist\'s proof, aside from the edition of 69), published/printed by Tyler Graphics Ltd., Bedford Village, New York, with full margins, framed.
43 3/4 x 15 1/2in (111.1 x 39.3cm)
sheet 50 x 21 1/2in (127 x 54.6cm)
罗伯特·马瑟韦尔 美洲-法兰西变奏曲VIII
图片文件尺寸 : 4723 x 4407px
Robert Mangold:
Semi-Circle I-IV (4 works),
The complete suite of 4 lithographs in colors on Somerset paper, each signed in pencil, titled \'I\' through \'IV\', respectively, and each numbered 47/47 (there were also 10 artist\'s proofs), published by Brooke Alexander Editions, New York, printed by Derriere L\'Etoile Studios, New York, each with full margins. (4 works)
each 19 x 38in (48.3 x 96.5cm)
each sheet 29 x 44in (73.7 x 111.8cm)
罗伯特·曼戈尔德 半圆I-IV
图片文件尺寸 : 5286 x 5363px
Andy Warhol:Details of Renaissance Paintings (Paolo Uccello, St. George and the Dragon, 1460) (Feldman Schellmann II.325), 1984
Screenprint in colors on Arches Aquarelle (Cold pressed) paper, a color proof aside from the edition of 50 (there were also 12 artist\'s proofs), with the Warhol Authentication Board inkstamp on verso, published by Editions Schellmann Kluser, Munich/New York, with the blindstamp of the printer, Rupert Jasen Smith, New York, with full margins, framed.
25 1/8 x 37 1/4in (63.8 x 94.6cm)
sheet 32 x 44in (81.3 x 111.8cm)
安迪·沃霍尔 文艺复兴时期绘画的细节
图片文件尺寸 : 5241 x 4488px
LEONOR FINI:Étude pour \'La Tempête\' (recto); Visage de la femme (verso)
signed \'Leonor Fini\' (lower right)
brush and ink and wash on paper
accompanied by La Tempête, the complete portfolio of 22 lithographs in colours, 1965, on BFK Rives wove paper, with text, title page and justification page signed by the artist and translator André du Bouchet in ink and numbered 111, from the total edition of 200, loose as issued, in original slipcase with paper wrappers
13.2 x 13.4cm (5 3/16 x 5 1/4in).
Executed circa 1963
莱昂诺成品 “风暴”研究女人的脸
图片文件尺寸 : 4018 x 5653px
Jacques Villon:Miennes, by Tristan Tzara (14 works), 1955
Deluxe portfolio comprising 7 etchings on vieux japon collée to Montval paper support, each signed and numbered 16/21 and annotated \'1ere Etat\' (the total edition was 111, only the first 21 were on Montval), also signed by the artist and author on the justification page and printed number \'16\', with an extra unsigned suite of the second (final) state, on Johannot paper, etchings loose as issued, with paper wrappers, printed by L\'Atelier de l\'Ermitage, Paris, each print with full margins. (14 works)
each 6 7/8 x 4 7/8in (17.3 x 12.1cm)
each sheet 12 7/8 x 9 7/8in (33 x 25cm)
维雍 米恩内斯，作者特里斯坦·扎拉
图片文件尺寸 : 5184 x 6020px
Christo Jeanne-Claude:Wrapped Roman Sculptures, Project for Die Glyptothek, München (Schellmann 158), 1991
Collotype and screenprint in colors on wove paper with collage of fabric, transparent polyethylene, thread, twine, and masking tape with pencil additions, signed in pencil and numbered 64/111 (there were also 30 artist\'s proofs), published by Edition Schellmann, Munich/New York, with the blindstamp of the printer Domberger, Filderstadt, the full sheet, framed.
sheet 39 3/8 x 27 1/2 x 1/4in (100 x 70 x 1.2cm)
克里斯托和珍妮·克劳德 包装罗马雕塑，慕尼黑Die Glyptoothek项目
图片文件像素：5002 x 4295 px
费尔南多·莱格尔-现代-
Fernand Léger * - Moderne-
(Argentan 1881–1955 Gif-sur-Yvette)
Composition mécanique, 1923, monogrammiert, datiert F. L. 23, Graphit auf Papier, 36,9 x 27,2 cm, gerahmt
Fotozertifikat:
Irus Hansma, 30. September 2015 mit der Nr. 111/09/2015.
Das Werk wird von Irus Hansma in das derzeit in Vorbereitung befindliche Werkverzeichnis der Arbeiten auf Papier aufgenommen.
Provenienz:
Privatsammlung, USA
Ketterer Kunst, München, 10. Dezember 2016, Los 325 - dort vom jetzigen Besitzer erworben
Léger verbrachte die unmittelbaren Nachkriegsjahre damit den mechanischen Stil zu entwickeln, den er an der Front zu erforschen begonnen hatte. Bei Légers „période mécanique“ handelt es sich um eine Werkphase, in der er vorwiegend der Maschinenwelt entlehnte Elemente zu abstrakten geometrischen Kompositionen zusammenfügte. In engster Folge ‚schraubt‘ Fernand Léger bei seinem Werk „Composition mecanique“ aus dem Jahr 1923 Teil für Teil zusammen. In der Komposition finden sich unter anderem Lochbleche, Kreise und Rechtecke. Sie greifen ineinander, ergänzen sowie durchdringen sich und kommen in scheinbar variierter Form wieder zum Vorschein. Man verliert sich in dem Geflecht der unterschiedlich nuancierten grauen Linien und Flächen, die Augen begeben sich fasziniert und geleitet auf Erkundungstour durch die vermeintlichen Höhen und Tiefen des Werkes.
Die hier angebotene Zeichnung kann als unmittelbare Vorlage für das 1924 entstandene Gemälde „Élément mécanique“ angesehen werden, dass sich heute im Musée National d\'Art Moderne, Centre Georges Pompidou, in Paris befindet.