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A WOOD SCULPTURE OF A HEAVENLY MUSICIAN:Meiji era (1868-1912), late 19th century
Decorated in polychrome pigments, ink, and gesso over wood, the figure carved from a single block, shown squating on a lotus platform holding a drum, framed by an elaborate floral nimbus, the lotus petals of the pedestal each individually carved and inserted into the core, the nimbus carved from a single sheet of wood
6 3/4in (17.1cm) high, figure only; 22 1/4in (56.5cm) high overall

天堂音乐家的木雕 明治时代，19世纪晚期

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HAYASHI KODENJI (1831-1915):A cloisonné-enamel vase
Meiji era (1868-1912), circa 1900
Of compressed ovoid form with a slightly elongated neck worked in sculpted and fine-gauge silver wire, gold wire, and colored enamels with sparrows in flight and resting on a blossoming prunus above chrysanthemums, the neck and foot with a band of geometric and floral designs, signed on the underside with the mark of Hayashi Kodenji
3 3/4in (9.5cm) high

HAYASHI代码（1831-1915） 分区-釉质瓦塞明治时代，约1900年

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A POLYCHROME-ENAMELED AND RELIEF-DECORATED \'DRAGON AND PHOENIX\' JAR AND COVER:Qianlong mark, 20th century
The generously proportioned globular body set over a low foot, the exterior with dragons and phoenix pursuing flaming pearls amidst floral scrolls, each element outlined in relief and painted in polychrome enamels against a marigold-yellow ground, the rim with an apocryphal six-character Qianlong mark in a horizontal line, the domed cover similarly decorated and topped by a double-gourd finial.
11 1/2in (29.2cm) diam.

一个多色浮雕装饰的龙凤罐和盖子 乾隆标志，20世纪

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THREE KESA (BUDDHIST PRIEST\'S ROBES):Edo period (1615-1868), 19th century
The first, four dragons, their wings outstretched, formed of metallic thread, with additional embroidery representing wind or waves, on a ground of blue with woven white peonies and arabesque, the backing of plain blue fabric; the second, of gold brocade with woven designs of dragons, phoenixes, peonies, chrysanthemums, and other geometric and floral patterns, with orange patches of phoenix roundels surrounded by dragons, the backing of light blue with woven phoenix pattern; the third, green arabesque and five-petal flower heads with gold thread highlights on a light-brown ground, the backing of plain caramel-colored fabric (3)
45 7/8 x 81 3/4in (116.5 x 207.6cm), the largest

三棵松 江户时代，19世纪

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A ZUSHI (PORTABLE SHRINE) WITH SENJU (1000-ARMED) KANNON (AVALOKITESVARA):Edo period (1615-1868), 19th century
The red-lacquer case with hinged doors opening to reveal a wood figure of Kannon standing on a lotus base before a large nimbus, her robes decorated in gold-lacquer floral and geometric designs, the interior of the doors painted with Fudo Myo-o (Acala) on the right, and Aizen Myo-o (Ragaraja) on the left, the hardware carved with scrolling vines
4 1/4in (10.8cm) high (figure only); 8 5/8in (21.9cm) high overall

一座祖师（便携式神殿）和仙居（1000臂）观音（AVALOKITESVARA） 江户时代，19世纪

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TWO LACQUER BOXES:Edo period (1615-1868) or Meiji era (1868-1912), 19th/early 20th century
Both boxes with domed overhanging kabusebuta covers, decorated in gold and silver hiramaki-e on a nashiji or hirame ground, the larger tebako (cosmetic box) with floral family crests and scrolling vines and flowers with inlays of shell, applied with gilt cord rings engraved with paulownia flowers, with a removable inner tray decorated in hirame on a dark brown ground; the smaller fushibako (pigment box) decorated with fruiting tachibana (mandarin) and pine trees, interiors nashiji
6in (15.2cm) high, the larger

两个漆盒 江户时代或明治时代，19世纪/20世纪初

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A NANBAN-STYLE BUNDAI (WRITING TABLE):Edo period (1615-1868), 19th century
The rectangular writing surface set on a raised dais pierced on all sides supported by a flaring scalloped apron on four cabriole feet, the whole decorated in gold hiramaki-e, kinpun, and mother-of-pearl inlays on a dark brown lacquer ground, the upper surface with a fanciful design of pavilions and a pagoda by the shore with rocks and chickens among camellia, pine, and wisteria, framed by two borders, one a modification of the traditional shippo motif with a four-petaled flower in the center, and the other a floral checkerboard, the raised edge with the same shippo design but on a smaller scale than the top surface, the sides and legs decorated with butterflies and birds in wisteria and stands of two types of camellia and Chinese bellflowers

14 x 23 3/4 x 7 1/4in (35.5 x 60.3 x 18.4cm)

南板风格的写字台 江户时代，19世纪

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A GOLD LACQUER PIPE-SMOKING SET:Edo period (1615-1868) or Meiji era (1868-1912), mid/late 19th century
Resting on a scalloped base with four bracket feet and fitted with two larger and two smaller drawers, the back and sides topped by a balustrade-like structure strung with silver wires, the front with two hooks supporting a slender kiseru (tobacco pipe), the inner platform fronted by a low balustrade and cut with two recesses securing on the left a tobacco container with a partially openwork lid and a scoop and on the right a miniature lidded brazier; decorated in gold, aokin, silver, and colored hiramaki-e and takamaki-e with lavish embellishments of gold kirigane against a background of densely sprinkled gold hirame flakes, depicting mountain scenes with pines, flowering trees, streams and a waterfall, the metal fittings (drawer handles, corner decorations, hooks, knop, pipe components, and box lid) all of silver or shibuichi, some chiseled with floral designs
7 5/8 x 13 5/8 x 11 5/8in (19.2 x 34.6 x 29.5cm)

金漆烟筒套装 江户时代或明治时代，19世纪中后期

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MORIHIDE (ACTIVE LATE 19TH CENTURY):A shinshinto tanto with mounts
Meiji era (1868-1912), dated 1870
Hirazukuri, iorimune forged in ko-itame hada with a suguha tempered edge with a flourish resembling Mount Fuji mirrored on both sides, with visible nie along the nioiguchi and a Jizo-style boshi, the ubu tang with one hole, sujikai file marks, signed Morihide kinzo (Respectfully made by Morihide), and dated Meiji kanoe-ushi aki (Autumn, 1870), 8 1/4in (21cm) long, with a one-piece gold-foil habaki, in a wood shirasaya storage scabbard
The 19th-century aikuchi goshira-e with a gray-lacquer ishime-ji saya decorated with linked floral lozenges raised in relief and mounted with shibuichi migaki-ji fittings, the tsuka wrapped in black silk and fitted with gilt and shakudo menuki of cherry blossoms

With Tokubetsu Hozon Token (Sword Especially Worthy of Preservation) certificate no. 1011797 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated August 26, 2019

生皮（活跃于19世纪晚期） 明治时代，1870年