Clarence Holbrook Carter:Untitled, 1971 Screenprint in colors on Scintilla paper, signed in white pencil, dated and numbered 13/75, the full sheet. sheet 30 x 22in (76.2 x 55.8cm)
David Hayes:Two Abstract Studies unsigned; one dated \'2003\' (lower right), one dated \'2004\' (lower right) gouache on paper each 22 1/4 x 30 in (56.5 x 76.2 cm) unframed
Rufino Tamayo:Dos Caras (Pereda 155), 1973 Lithograph in colors on Rives paper, signed in pencil and numbered 39/100 (there were also 10 artist\'s proofs), with the blindstamp of the printer, American Atelier, New York, the full sheet. sheet 22 x 30in (50.8 x 76.2cm)
Wilson Bigaud:Mariage à la campagne signed and titled \'Wilson Bigaud/...\' (lower right) oil on Masonite 24 x 30 in (61.0 x 76.2 cm) framed 26 3/4 x 32 3/4 in
Luis Frangella:Sleeper/Dreamer signed \'Frangella\' (lower right) and signed again, dated \'82\' and inscribed with title (on the reverse) oil on canvas 30 x 40 in. (76.2 x 101.6 cm.) Painted in 1982.
Clarence Holbrook Carter:Untitled, 1971 Screenprint in colors on Scintilla paper, signed in white pencil, dated and numbered 13/75, the full sheet. sheet 30 x 22in (76.2 x 55.8cm)
David Hayes:Two Abstract Studies unsigned; one dated \'2003\' (lower right), one dated \'2004\' (lower right) gouache on paper each 22 1/4 x 30 in (56.5 x 76.2 cm) unframed
Rufino Tamayo:Dos Caras (Pereda 155), 1973 Lithograph in colors on Rives paper, signed in pencil and numbered 39/100 (there were also 10 artist\'s proofs), with the blindstamp of the printer, American Atelier, New York, the full sheet. sheet 22 x 30in (50.8 x 76.2cm)
Wilson Bigaud:Mariage à la campagne signed and titled \'Wilson Bigaud/...\' (lower right) oil on Masonite 24 x 30 in (61.0 x 76.2 cm) framed 26 3/4 x 32 3/4 in
Luis Frangella:Sleeper/Dreamer signed \'Frangella\' (lower right) and signed again, dated \'82\' and inscribed with title (on the reverse) oil on canvas 30 x 40 in. (76.2 x 101.6 cm.) Painted in 1982.