材质 :

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Gerhard Richter-Flow P5, 2014.

格哈德·里希特-流程P52014。

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Haval:Untitled
mixed media on paper, framed
signed and dated \"2014\" on the verso, executed in 2014
50 x 32.5cm (19 11/16 x 12 13/16in).

哈弗牌汽车 无 题

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Haval:Untitled
mixed media on paper, framed
signed \"Haval\" and dated \"2014\" on the verso, executed in 2014
50 x 32cm (19 11/16 x 12 5/8in).

哈弗牌汽车 无 题

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Dawit Abebe: X Privacy 3 (2011), X Privacy 4 (2014), X Privacy 5 (2014) (3)
mixed media on paper
140 x 100cm (55 1/8 x 39 3/8in). each.

达维特·阿贝贝 X隐私3，X隐私4，X隐私5 140 X 100cm。每个。

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John Nieto: Two Hatchet Kiowa
signed \'Nieto\' (lower right), signed again, dated and titled \'© Nieto 2014\' (on the stretcher bars)
acrylic on canvas
20 x 16in
framed 21 1/2 x 17 1/2in
Painted in 2014.

约翰·涅托 两个Hatchet Kiowa 20 x 16英寸框架21 1/2 x 17 1/2英寸

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John Nieto: George Armstrong Custer
signed \'Nieto\' (lower left), signed again, dated and titled \'© Nieto 2014\' (on the stretcher bars)
oil on canvas
20 x 16in
framed 21 1/2 x 17 1/2in
Painted in 2014.

约翰·涅托 乔治·阿姆斯特朗·卡斯特20 x 16英寸框架21 1/2 x 17 1/2英寸

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彼得·哈雷，当代艺术I-

Peter Halley - Zeitgenössische Kunst I-

(born in New York 1953)
Six Prisons, 2006, signed and dated on the reverse, acrylic, fluorescent acrylic, pearlescent, metallic acrylic, and Roll-a-Tex on 6 adjoined canvases, 190.5 x 190.5 cm

We are grateful to Peter Halley Studio, New York for the kind assistance with the cataloguing of this work.

Provenance:
Galerie Forsblom, Stockholm (label on the reverse)
Private Collection, Vienna

Exhibited:
Galerie Forsblom, Helsinki, 10 November
2006 - 10 January 2007
Peter Halley – Prisons, Friedrich Schiller University,
Jena, 德国y, 10 May 2014 – 27 July 2014

Literature:
Martin S. Fischer, Barbara Happe, Steffen Siegel, et al.,
Peter Halley – Prisons, exhibition catalogue (Jena: Friedrich Schiller University, 2014), 91, ill.

“The deployment of the geometric dominates the landscape. Space is divided into discrete, isolated cells, explicitly determined as to extent and function. Cells are reached through complex networks of corridors and roadways that must be traveled at prescribed speeds and at prescribed times. The constant increase in the complexity and scale of these geometries continuously transforms the landscape…

Along with the geometrization of the landscape, there occurs the geo-metrization of thought. Specific reality is displaced by the primacy of the model. And the model is in turn imposed on the landscape, further displacing reality in a process of ever more complete circularity.”
Peter Halley, The Employment of the Geometric

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达达马诺（Eduardo Maino，当代艺术I）-

Dadamaino (Eduarda Maino) * - Zeitgenössische Kunst I-

(Milan 1930–2004)
Rilievo fluorescente, 1969, signed, titled and dated on the reverse, mixed media (colored paper strips) on black painted wood, 76 x 76 cm, in plexiglass case

This work is registered in the Archivio Dadamaino, Milan and is accompanied by a photo certificate of authenticity

Provenance:
Galleria Spazia, Bologna
European Private Collection

Exhibited:
Milan, Dadamaino, Galleria Gruppo Credito Valtellinese, Refettorio delle Stelline, 31 May - 29 June 2013, exh. cat. p. 55 with ill.
Asti, Dadamaino, Fondazione Piras, 11 October -
30 November 2014 exh. cat. p. 92 with ill.
London, The Infinite World of Dadamaino, Sotheby’s S2 Gallery, November 2014 - January 2015

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乔治·因内斯的《风景》-George Inness

Landscape--George Inness (美国, 1825-1894)

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“Monte Carlo女孩”-Anonymous

Monte Carlo girls--Anonymous