121. “西西里岛的卡罗琳娜·费迪南达·路易莎(1798-1870)。弗朗索瓦·杰拉德(François Gérard)在布洛涅河(靠近巴黎)的巴加泰尔公园里,贝里公爵查尔斯·费迪南的妻子 高清作品[81%]

Carolina Ferdinanda Louisa of Sicily (17981870). Wife of Charles Ferdinand, Duc de Berry, in the Park of Bagatelle in the Bois de Boulogne (near Paris)-

图片文件尺寸 : 2776 x 3740px

“西西里岛的卡罗琳娜·费迪南达·路易莎(1798-1870)。弗朗索瓦·杰拉德(François Gérard)在布洛涅河(靠近巴黎)的巴加泰尔公园里,贝里公爵查尔斯·费迪南的妻子-François Gérard

Carolina Ferdinanda Louisa of Sicily (17981870). Wife of Charles Ferdinand, Duc de Berry, in the Park of Bagatelle in the Bois de Boulogne (near Paris)--François Gérard (法国, 1770-1837)

122. 加尔各答、当地类型和德里杜尔巴 19世纪的相册,由一位女传教士编辑,包括加尔各答和周边地区的景色、节日战车、当地类型和群体的肖像,以及一些传教士,[约1870-1875]再加上一系列31幅用私人相机拍摄的1903年德里杜尔巴游行和集会的照片3张印度的玻璃板立体图和一张废墟的刻板印象 高清作品[78%]

Nineteenth century photograph album, compiled by a female missionary, including views of Calcutta and environs, festival chariots, portraits of local types and groups, and a few missionaries, [c.1870-1875]; together with a good series of 31 albumen print views, taken with a private camera  of the processions and gatherings of the Delhi Durbar of 1903; 3 glass plate stereoscopic views of India, and one stereotype of ruins

图片文件尺寸 : 3943 x 3925px

CALCUTTA, LOCAL TYPES, AND DELHI DURBAR:

加尔各答、当地类型和德里杜尔巴 19世纪的相册,由一位女传教士编辑,包括加尔各答和周边地区的景色、节日战车、当地类型和群体的肖像,以及一些传教士,[约1870-1875]再加上一系列31幅用私人相机拍摄的1903年德里杜尔巴游行和集会的照片3张印度的玻璃板立体图和一张废墟的刻板印象

123. 亚历山大,贝努瓦。1870-1960. Jourdain先生为莫里哀(Molière)的《布尔乔亚传奇》(Le Bourgeois Gentilhome)巴兰钦芭蕾舞团的服装设计,由蒙特卡洛芭蕾舞团(Russe de Monte Carlo)于1932年制作, 高清作品[74%]

Costume design of Monsieur Jourdain, for the Balanchine ballet of Molière\'s Le Bourgeois Gentilhomme, produced by the Ballets Russes de Monte-Carlo, 1932,

图片文件尺寸 : 5231 x 5766px

BENOIS, ALEXANDRE. 1870-1960.:Costume design of Monsieur Jourdain, for the Balanchine ballet of Molière\'s Le Bourgeois Gentilhomme, produced by the Ballets Russes de Monte-Carlo, 1932, watercolor, ink and graphite, 308 x 193 mm (12 1/8 x 7 1/2 inches), signed by Benois in pencil in lower left corner.

Benois founded the Mir iskusstva [World of Art] group with Sergei Diaghilev and was one of the most important designers of the Ballets Russes, second only to Léon Bakst. His best known sets and costumes were done for the original production of the Stravinsky ballet Petrouchka (1911) based on his idea. Benois emigrated to France in 1927 and continued to work for the theater in Paris, Milan, London, New York and elsewhere. Both Benois and Balanchine were associated with the Ballets Russes de Monte-Carlo, the successor to the original Ballets Russes, that formed after Diaghilev\'s death in 1932. Balanchine revived his ballet in 1979 for the New York City Opera with the assistance of Jerome Robbins and Peter Martins and Rudolph Nureyev in his first Balanchine production. Sold with 3 additional costume designs, two from an unknown artist, and one in pencil attributed to Georgii Yakulov.

亚历山大,贝努瓦。1870-1960. Jourdain先生为莫里哀(Molière)的《布尔乔亚传奇》(Le Bourgeois Gentilhome)巴兰钦芭蕾舞团的服装设计,由蒙特卡洛芭蕾舞团(Russe de Monte Carlo)于1932年制作,

1870油画图片- 高清1870绘画作品- 代表作全集 中艺名画下载


121. “西西里岛的卡罗琳娜·费迪南达·路易莎(1798-1870)。弗朗索瓦·杰拉德(François Gérard)在布洛涅河(靠近巴黎)的巴加泰尔公园里,贝里公爵查尔斯·费迪南的妻子 高清作品[81%]

Carolina Ferdinanda Louisa of Sicily (17981870). Wife of Charles Ferdinand, Duc de Berry, in the Park of Bagatelle in the Bois de Boulogne (near Paris)-

图片文件尺寸 : 2776 x 3740px

“西西里岛的卡罗琳娜·费迪南达·路易莎(1798-1870)。弗朗索瓦·杰拉德(François Gérard)在布洛涅河(靠近巴黎)的巴加泰尔公园里,贝里公爵查尔斯·费迪南的妻子-François Gérard

Carolina Ferdinanda Louisa of Sicily (17981870). Wife of Charles Ferdinand, Duc de Berry, in the Park of Bagatelle in the Bois de Boulogne (near Paris)--François Gérard (法国, 1770-1837)

122. 加尔各答、当地类型和德里杜尔巴 19世纪的相册,由一位女传教士编辑,包括加尔各答和周边地区的景色、节日战车、当地类型和群体的肖像,以及一些传教士,[约1870-1875]再加上一系列31幅用私人相机拍摄的1903年德里杜尔巴游行和集会的照片3张印度的玻璃板立体图和一张废墟的刻板印象 高清作品[78%]

Nineteenth century photograph album, compiled by a female missionary, including views of Calcutta and environs, festival chariots, portraits of local types and groups, and a few missionaries, [c.1870-1875]; together with a good series of 31 albumen print views, taken with a private camera  of the processions and gatherings of the Delhi Durbar of 1903; 3 glass plate stereoscopic views of India, and one stereotype of ruins

图片文件尺寸 : 3943 x 3925px

CALCUTTA, LOCAL TYPES, AND DELHI DURBAR:

加尔各答、当地类型和德里杜尔巴 19世纪的相册,由一位女传教士编辑,包括加尔各答和周边地区的景色、节日战车、当地类型和群体的肖像,以及一些传教士,[约1870-1875]再加上一系列31幅用私人相机拍摄的1903年德里杜尔巴游行和集会的照片3张印度的玻璃板立体图和一张废墟的刻板印象

123. 亚历山大,贝努瓦。1870-1960. Jourdain先生为莫里哀(Molière)的《布尔乔亚传奇》(Le Bourgeois Gentilhome)巴兰钦芭蕾舞团的服装设计,由蒙特卡洛芭蕾舞团(Russe de Monte Carlo)于1932年制作, 高清作品[74%]

Costume design of Monsieur Jourdain, for the Balanchine ballet of Molière\'s Le Bourgeois Gentilhomme, produced by the Ballets Russes de Monte-Carlo, 1932,

图片文件尺寸 : 5231 x 5766px

BENOIS, ALEXANDRE. 1870-1960.:Costume design of Monsieur Jourdain, for the Balanchine ballet of Molière\'s Le Bourgeois Gentilhomme, produced by the Ballets Russes de Monte-Carlo, 1932, watercolor, ink and graphite, 308 x 193 mm (12 1/8 x 7 1/2 inches), signed by Benois in pencil in lower left corner.

Benois founded the Mir iskusstva [World of Art] group with Sergei Diaghilev and was one of the most important designers of the Ballets Russes, second only to Léon Bakst. His best known sets and costumes were done for the original production of the Stravinsky ballet Petrouchka (1911) based on his idea. Benois emigrated to France in 1927 and continued to work for the theater in Paris, Milan, London, New York and elsewhere. Both Benois and Balanchine were associated with the Ballets Russes de Monte-Carlo, the successor to the original Ballets Russes, that formed after Diaghilev\'s death in 1932. Balanchine revived his ballet in 1979 for the New York City Opera with the assistance of Jerome Robbins and Peter Martins and Rudolph Nureyev in his first Balanchine production. Sold with 3 additional costume designs, two from an unknown artist, and one in pencil attributed to Georgii Yakulov.

亚历山大,贝努瓦。1870-1960. Jourdain先生为莫里哀(Molière)的《布尔乔亚传奇》(Le Bourgeois Gentilhome)巴兰钦芭蕾舞团的服装设计,由蒙特卡洛芭蕾舞团(Russe de Monte Carlo)于1932年制作,