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贾科莫·瓜尔迪（Giacomo Guardi）的《利多港》（Porto di Lido），左边是福特扎·圣安德里亚（Fortezza Sant’Andrea）-Giacomo Guardi

The Porto di Lido, with the Fortezza SantAndrea on the Left--Giacomo Guardi (意大利, 1764 - 1835)

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弗雷德里克·埃德温·丘奇（Frederic Edwin Church）的《罗马平西奥的安德烈亚·德莱·弗雷特（Andrea delle Fratte）附近的屋顶》-Frederic Edwin Church

Rooftops near SantAndrea delle Fratte from the Pincio, Rome--Frederic Edwin Church (美国, 1826-1900)

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洛维斯·科林斯的《安德烈亚斯·魏斯加尔伯一世》-Lovis Corinth

Andreas WeissgaerberI (Bildnis Andreas Weissgaerber)--Lovis Corinth (德国, 1858-1925)

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洛维斯·科林斯的《安德烈亚斯·魏斯加尔伯二世》-Lovis Corinth

Andreas WeissgaerberII (Bildnis Andreas Weissgaerber)--Lovis Corinth (德国, 1858-1925)

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“安德烈亚·德尔·萨托（Andrea del Sarto）描绘巴西奥·班迪内利（Baccio Bandinelli）肖像的雕刻副本和斯坦尼斯瓦夫·怀斯皮安斯基（Stanisław Wyspiański）的马萨乔（Masaccio）自画像-Andrea del Sarto and a Self-Portrait of Masaccio by Stanisław Wyspiański

Copies of Engravings Depicting a Portrait of Baccio Bandinelli--Stanisław Wyspiański (波兰, 1869-1907)

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SCHOTT, GASPAR. 1608-1666.:Technica curiosa, sive mirabilia artis, libris XII comprehensa. Nuremberg: Jobst Hertz for Johann Andreas Endter and the heirs of Wolfgang the Younger, 1664.
2 parts in 1 volume. 4to (208 x 163 mm). Engraved additional title page, letterpress title page in red and black, engraved portrait, and 60 engraved plates (17 folding). Modern quarter morocco and marbled boards. Ink ownership markings on titles, some browning and foxing, especially to early leaves.

FIRST EDITION. German physicist Gaspar Schott, who entered the Society of Jesus in 1627, was a student of Athanasius Kircher and in correspondence with many of the great scientists of his day including Robert Boyle, Otto von Guericke, and Christiaan Huygens. The present work is a huge collection of descriptions of some of his colleagues\' work along with many other curiosities including perpetual motion machines, a chronometer, hydraulics, etc. Norman 1911; Tomash Williams S60.

肖特，加斯帕。1608-1666. 艺术珍品，艺术奇景，综合十二世纪图书馆。纽伦堡：约翰·安德里亚斯·恩德特（Johann Andreas Endter）和小沃尔夫冈（Wolfgang the Younger）的继承人的乔布特·赫兹（Jobst Hertz），1664年。

图片文件尺寸 : 5441 x 4214px

HEVELIUS, JOHANNES. 1611-1687. :Selenographia: sive Lunae descriptio; atque Accurata, Tam Macularum eius, addita est, lentes expoliendi nova ratio. Danzig: Andreas Hünefeld for the author, 1647.
Folio (336 x 217 mm). Half-title, engraved additional titles by Jeremias Falck after Adolf Boÿ with portraits of Alhazen and Galileo, title printed in red and black, engraved portrait of the author by Falck after Helmich von Iwenhusen the Younger, 112 engraved plates (including 2 additional plates, RRR and the solar eclipse plate) by Hevelius, some printed recto and verso, and including 3 double-page plates, plate 21 complete with volvelle and string, 26 illustrations in text. Modern morocco, edges stained blue. Some light marginal dampstaining.

FIRST EDITION OF THE FIRST EXHAUSTIVE LUNAR ATLAS, Hevelius\'s four-year observations of the surface and phases of the moon, recorded in his greatest work, accompanied by an account of his instruments and telescopes. \"No finer book on the moon has ever been published. In scores of illustrations, drawn and engraved by the author himself, Hevelius tracked the moon through every phase of an entire lunar cycle, and then incorporated the information gained into three large moon maps... the two other maps, though less often reproduced, are much more splendid examples of lunar cartography. One shows the full moon as it actually appears through the telescope—that is, with no shadows. The other is uniformly (and artificially) shadowed to show the craters as they appear at mid-morning on the moon\" (Ashworth, The Face of the Moon Linda Hall Library p 45). Brunet III:150; BYU/Hevelius 1; Cinti 120; Houzeau Lancaster 1252.

赫维柳斯，约翰内斯。1611-1687. 月色学：或月球描述Accurata，作为他的Macularum，被添加进来，慢慢地表达了新的比例。但泽：Andreas Hünefeld，作者，1647年。

材质 :

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Andreas Roegels-Aus Andreas Roegels Nachlass. 10 Radierungen. 1920

安德烈亚斯·罗格尔斯-来自安德烈亚斯·罗格尔的庄园。10次蚀刻。1920\'

图片文件尺寸 : 4065 x 5080px

SCHEINER, CHRISTOPH. 1573-1650. :Rosa Ursina Sive Sol ex Admirando Facularum Macularum suarum Phoenomeno Varius. Bracciano: Andreas Phaeus at the Ducal Press, 1626-1630.
Folio (375 x 260 mm). Engraved title vignette, engraved portrait of Paolo Giordano Orsini, Duke of Bracciano, additional engraved title, numerous engraved illustrations throughout (many full-page), woodcut head- and tailpieces and initials. [38], 784 (with numerous errors in pagination), [38] pp., with the blanks F4, R6 4I6. Full 18th-century (?) vellum, manuscript spine title, all edges gilt. Repairs to large portion of outer lower corner of first 5 leaves (letterpress half-title, title, portrait leaf, contents and engraved title) with loss to text and images, occasional heavy browning and waterstaining, especially to prefatory and end matter, sporadic foxing, loss to top blank corner of 4G6.

FIRST EDITION of Scheiner\'s major work on sunspots. Scheiner first observed sunspots in 1611, publishing his finding pseudonymously the following year in Tres Epistolae de Maculis Solaribus. The tract initiated a dispute with Galileo over the nature of sunspots. The present work, Scheiner\'s magnum opus and the standard work on sunspots for over well over a century, opens with an extended attack on Galileo, although Scheiner had by this point accepted Galileo\'s theory that sunspots exist on the surface of the sun and are not, as he had previously argued, caused by shadows cast by satellites of the sun. The many fine engravings depict Scheiner\'s observations, a map of the moon, and the helioscope and other instruments. \"For his masterpiece, Scheiner produced the first monograph on a heavenly body, the Sun. Even today it is still an impressive volume, with scores of engravings of sunspots and the various instruments needed for solar observations\" (Jesuit Science in the Age of Galileo). Cinti 79; Honeyman 2781.

克里斯多夫·谢纳。1573-1650. 来自Admirando FacularsMaculas Varius的Rosa Ursina Sive Sun。布拉恰诺：安德烈亚斯·菲乌斯（Andreas Phaeus）在公爵出版社，1626-1630年。

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PAT ANDREA: Woman and Dog, 1994-95

signed \'Pat AndreA\' (lower left); signed again and dated \'pat andrea 1994/5\' (on the reverse); titled, inscribed and dated again \'woman and dog 1994/95 Paris\' (on the support bar)
gouache, collage and ink on board

13 3/4 x 15 1/2 in.
34.9 x 39.4 cm.

帕特·安德烈亚 女人和狗，1994-95