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HONG KONG AND CHINA - PHOTO PANORAMAS:

香港和中国-照片全景 MEE CHEUNG。”5日拍摄的香港港全景。1922年2月，海员罢工期间，[c.1902]20世纪初的中国城市全景，马尼拉和中国的50张彩色照片，相册等

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DEIRYU KUTSU (KANSHU SOJUN, 1895-1954):Procession of Mendicant Monks Leaving and Returning
Taisho (1912-1926) or Showa (1926-1989) era, first half of the 20th century
The pair of hanging scrolls in ink on paper depicting black-robed monks leaving and returning to their temple while carrying staffs and wearing straw sedge hats in their quest for alms; the calligraphy, as translated by Audrey Yoshiko Seo and Stephen Addiss, stating \"One bowl, the offerings of a thousand houses\" on the scene of leaving, and \"Walking, walking this Buddhist path,\" on that of returning; signed Deiryu and sealed Sojun, Deiryu (leaving scroll), Rinzai Shoshu (returning scroll) and Chisoku(both scrolls)
With a single wood tomobako storage box (2)
52 3/4 x 6 5/8in (134.1 x 16.7cm) each

戴瑞的邀请（1895-1954） 20世纪上半叶大正或昭和时代的出家人离开和返回的过程

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HAECKEL, ERNST, attrib.:Late nineteenth-century album of 20 watercolors and 5 pen-and-ink drawings of landscapes in Bali, Sumatra and Southeast Asia, identified in an unknown hand as the work of Ernst Haeckel, 195 x 260 (sheet size), watercolors vary, each captioned descriptively beneath and numbered 1-25 in the upper corner, 38 leaves total (13 blank), in original half-morocco album, recently rebacked, titled in gilt to upper cover \"Aquarellen im Zeichnungen.\"

A FINE, ACCOMPLISHED COLLECTION OF DRAWINGS AND WATERCOLORS IN THE STYLE OF ERNST HAECKEL, accompanied by a manuscript note in the upper margin of one drawing identifying it as Haeckel. Haeckel famously documented the region.

HAECKEL，ERNST，属性。 19世纪晚期，一本由20幅水彩画和5幅水墨画组成的画册，描绘了巴厘岛、苏门答腊岛和东南亚的风景，

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意大利学派，17世纪-

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Zwei Figuren in einem Wagen, von Drachen gezogen, rückseitig kleine Skizze zu derselben Gruppe sowie weitere Studien, Feder in Braun, auf Bütten, 20,5 x 20 cm, gebräunt, etwas fleckig, Passep., ohne Rahmen, (Sch)

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A PAIR OF MIXED WOOD YOKEBACK CHAIRS:20th century
Each with a subtly contoured toprail tenoned to a S-curved backsplat and similarly curved stiles each supporting an armrest, the rectangular seat veneered in bamboo and set within a frame over four rounded legs connected by beaded aprons and box stretchers, with a cushion.
43 1/2 x 22 x 17in (110.5 x 56 x 43.2cm) (2).

一对混木横背椅 二十世纪

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A MIXED WOOD SIDE TABLE AND FOUR YOKEBACK CHAIRS:20th century
The table with a bamboo-veneered top set within a mortise-and-tenon frame supported by humpback stretchers and tall cylindrical legs; the chairs each with a subtly modeled toprail set into a slightly curved backsplat and continuous back rails, the bamboo-veneered seat set into a frame over four square-section legs joined by aprons and stretchers, three of the chairs with an inscription on the backsplat.
The table: 30 1/2 x 64 x 28in (77.5 x 162.6 x 71.1cm)
Each chair: 40 1/8 x 20 x 15 1/4in (101.9 x 50.8 x 38.7cm)
(5).

一张混合木边桌和四把横背椅 二十世纪

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WES的世纪仲冬小说号-WES

Century midwinter fiction number--WES (美国, 19th/20th century)

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A PAIR OF GILT-DECORATED BLACK-LACQUERED CABINETS:20th century
Each of upright rectangular form, the front set with a shallow drawer above pair of doors fitted with a stylized metal lock, all supported on four short rectangular feet divided by an apron and stretchers, the top and front lacquered black and the latter adorned with gilt-painted motifs, the sides, interior, and back stained black.
34 1/2 x 23 1/2 x 15in (87.6 x 59.7 x 38.1cm) (2).

一对镀金的黑色装饰橱柜 二十世纪

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18世纪意大利学派-

Italienische Schule des 18. Jahrhunderts - Weihnachtsauktion-

Allegorie von Tag und Nacht, Feder, laviert, auf Papier, ca. 25,5 x 20 cm, am Rand restauriert, stockfleckig Ruf 400

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RYURYUKYO SHINSAI (1764?-1820):Edo period (1615-1868), late 18th/early 19th century
A surimono shikishiban print of a kimono draped over a hanging rod, a mirror stand, and various makeup utensils, with poems by Shiseido Sutana, Dondontei, and one other, signed Shinsai
8 1/8 x 7in (20.6 x 17.8cm)

新赛琉玉约（1764-1820） 江户时期，18世纪末/19世纪初