111. 一个大的可曼（佛教挂饰） 江户时期，18/19世纪 高清作品[78%]

Edo period , 18th/19th century

图片文件尺寸 : 4551 x 5680px

A LARGE KEMAN (BUDDHIST PENDANT ORNAMENT):Edo period (1615-1868), 18th/19th century
Of rounded-rectangular form in gilt metal with mineral pigment on the surface with carved in openwork of lotus blossoms and leaves arising from swirling waters, a cord knotted in the center with a central blossom floret and two pendant loops, the surface engraved with details, the hanger and bracket with scrolling vines and a nanako ground, fitted with hanging garland strands of blossoms, colored beads, and bells of various shapes, inscribed next to the cords and on the reverse with the names of the parishioners who made the offering
With a wood tomobako storage box
42 1/2 x 15 1/8in (108 x 38.4cm), including garlands

一个大的可曼（佛教挂饰） 江户时期，18/19世纪

112. 汉城 四幅作为折叠屏风的画作，19世纪，朝鲜王朝 高清作品[78%]

Four paintings mounted as a folding screenJoseon dynasty , 19th century

图片文件尺寸 : 4851 x 5844px

SEOKCHEON:Four paintings mounted as a folding screen
Joseon dynasty (1392-1897), 19th century
The four paintings each ink on silk with silk surrounds mounted on a wooden lattice and with a wood frame, depicting (right to left): a flowering lotus plant; banana leaves; an egret roosting on one leg; chrysanthemums; each sealed Seokcheon and each inscribed with a Chinese poem, that on the heron painting by the famous Chinese philosopher Zhu Xi (1130-1200): Ji die yun bing hao, yi sheng qiu meng duo (It pleases me when the clouds lie on one another, forming a screen / During my life I have had many autumn dreams)
42 x 11 1/4in (106.7 x 28.5cm), each image

汉城 四幅作为折叠屏风的画作，19世纪，朝鲜王朝

113. 源自KATSUKAWA SHUNSHO（1726-1792） 站立的美丽江户时期，18/19世纪 高清作品[78%]

Standing BeautyEdo period , 18th/19th century

图片文件尺寸 : 5281 x 4104px

AFTER KATSUKAWA SHUNSHO (1726-1792):Standing Beauty
Edo period (1615-1868), 18th/19th century
The painting of ink, colors, and gold on silk, depicting a standing beauty, her lips parted in a gentle smile exposing her ohaguro blackened teeth, her outer kimono decorated in flowers and folding fan faces, red and gold threads hanging from several parts of her kimono almost flamelike; signed Katsu Shunsho ga and an unidentified seal
With double wood tomobako storage box, the lid of the interior box inscribed in gold lacquer Shunsho hitsu tachi bijin no zu (Picture of standing beauty brushed by Shunsho)
38 3/4 x 12 5/8in (98.4 x 32cm)

源自KATSUKAWA SHUNSHO（1726-1792） 站立的美丽江户时期，18/19世纪

115. 卡诺学派 19世纪江户时代，盛开的梅树上的蓝翼喜鹊 高清作品[77%]

Azure-Winged Magpies on a Blossoming Plum Tree Edo period , 19th century

图片文件尺寸 : 4035 x 4557px

KANO SCHOOL:Azure-Winged Magpies on a Blossoming Plum Tree
Edo period (1615-1868), 19th century
A full-size six-panel folding screen painting in ink, colors, gold, and gold leaf on paper showing a pair of azure-winged magpies (onaga), one in flight and the other perched upon the gnarled and lichen-covered trunk of a flowering plum tree with early spring flowers and plants at the roots, the tree backgrounded by brushwood expressed through raised gold relief paint, the rest of the composition occupied by gold-leaf clouds and rippling water in blue mineral pigment; unsigned
60 1/2 x 142 1/4in (153.7 x 361.3cm)

卡诺学派 19世纪江户时代，盛开的梅树上的蓝翼喜鹊

116. KAJIKAWA谱系 19世纪江户时期的黑漆四箱 高清作品[77%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 5190 x 4783px

KAJIKAWA LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in gold and colored hiramaki-e, takamaki-e, and sumi-e togidashi maki-e against a black lacquer ground liberally sprinkled with hirame, depicting an oni (demon) fallen to the ground in shock as Shoki the Demon-Queller comes to life from a large hanging scroll painting, his two companions shown on the reverse fleeing in fear, the interior rich gold nashiji, signed Kajikawa saku (Made by Kajikawa) with a pot seal Ei; ojime stained bone
3in (7.6cm) high

KAJIKAWA谱系 19世纪江户时期的黑漆四箱

117. 一个精美的漆布子（文件盒） 明治时代，19世纪晚期 高清作品[77%]

Meiji era , late 19th century

图片文件尺寸 : 4371 x 4879px

A FINE LACQUER BUNKO (DOCUMENT BOX):Meiji era (1868-1912), late 19th century
Rectangular with rounded corners decorated in gold and silver takamaki-e, hiramaki-e, kinji and nashiji with embellishments of pewter, mother-of-pearl, hirame, kirikane, and inlaid gilt metal, the exterior with a continuous scene of a mooring with a thatched roof by rushing waters with reeds and mooring piles, a flock of chidori (sea birds) in flight beneath a full moon and clouds, the interior of the cover decorated with scattered shells from the kaiawase (shell-matching) game, with silver rims
With a wood tomobako storage box
16 x 12 3/4 x 5 1/4in (40.6 x 32.3 x 13.2cm)

一个精美的漆布子（文件盒） 明治时代，19世纪晚期

相关：
british 19th century 19th century 19世纪印象派的成就 17至19世纪风景画 象征主义在法国产生于19世纪什么年代 法国19世纪中期学院派画家之一
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111. 一个大的可曼（佛教挂饰） 江户时期，18/19世纪 高清作品[78%]

Edo period , 18th/19th century

图片文件尺寸 : 4551 x 5680px

A LARGE KEMAN (BUDDHIST PENDANT ORNAMENT):Edo period (1615-1868), 18th/19th century
Of rounded-rectangular form in gilt metal with mineral pigment on the surface with carved in openwork of lotus blossoms and leaves arising from swirling waters, a cord knotted in the center with a central blossom floret and two pendant loops, the surface engraved with details, the hanger and bracket with scrolling vines and a nanako ground, fitted with hanging garland strands of blossoms, colored beads, and bells of various shapes, inscribed next to the cords and on the reverse with the names of the parishioners who made the offering
With a wood tomobako storage box
42 1/2 x 15 1/8in (108 x 38.4cm), including garlands

一个大的可曼（佛教挂饰） 江户时期，18/19世纪

112. 汉城 四幅作为折叠屏风的画作，19世纪，朝鲜王朝 高清作品[78%]

Four paintings mounted as a folding screenJoseon dynasty , 19th century

图片文件尺寸 : 4851 x 5844px

SEOKCHEON:Four paintings mounted as a folding screen
Joseon dynasty (1392-1897), 19th century
The four paintings each ink on silk with silk surrounds mounted on a wooden lattice and with a wood frame, depicting (right to left): a flowering lotus plant; banana leaves; an egret roosting on one leg; chrysanthemums; each sealed Seokcheon and each inscribed with a Chinese poem, that on the heron painting by the famous Chinese philosopher Zhu Xi (1130-1200): Ji die yun bing hao, yi sheng qiu meng duo (It pleases me when the clouds lie on one another, forming a screen / During my life I have had many autumn dreams)
42 x 11 1/4in (106.7 x 28.5cm), each image

汉城 四幅作为折叠屏风的画作，19世纪，朝鲜王朝

113. 源自KATSUKAWA SHUNSHO（1726-1792） 站立的美丽江户时期，18/19世纪 高清作品[78%]

Standing BeautyEdo period , 18th/19th century

图片文件尺寸 : 5281 x 4104px

AFTER KATSUKAWA SHUNSHO (1726-1792):Standing Beauty
Edo period (1615-1868), 18th/19th century
The painting of ink, colors, and gold on silk, depicting a standing beauty, her lips parted in a gentle smile exposing her ohaguro blackened teeth, her outer kimono decorated in flowers and folding fan faces, red and gold threads hanging from several parts of her kimono almost flamelike; signed Katsu Shunsho ga and an unidentified seal
With double wood tomobako storage box, the lid of the interior box inscribed in gold lacquer Shunsho hitsu tachi bijin no zu (Picture of standing beauty brushed by Shunsho)
38 3/4 x 12 5/8in (98.4 x 32cm)

源自KATSUKAWA SHUNSHO（1726-1792） 站立的美丽江户时期，18/19世纪

115. 卡诺学派 19世纪江户时代，盛开的梅树上的蓝翼喜鹊 高清作品[77%]

Azure-Winged Magpies on a Blossoming Plum Tree Edo period , 19th century

图片文件尺寸 : 4035 x 4557px

KANO SCHOOL:Azure-Winged Magpies on a Blossoming Plum Tree
Edo period (1615-1868), 19th century
A full-size six-panel folding screen painting in ink, colors, gold, and gold leaf on paper showing a pair of azure-winged magpies (onaga), one in flight and the other perched upon the gnarled and lichen-covered trunk of a flowering plum tree with early spring flowers and plants at the roots, the tree backgrounded by brushwood expressed through raised gold relief paint, the rest of the composition occupied by gold-leaf clouds and rippling water in blue mineral pigment; unsigned
60 1/2 x 142 1/4in (153.7 x 361.3cm)

卡诺学派 19世纪江户时代，盛开的梅树上的蓝翼喜鹊

116. KAJIKAWA谱系 19世纪江户时期的黑漆四箱 高清作品[77%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 5190 x 4783px

KAJIKAWA LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in gold and colored hiramaki-e, takamaki-e, and sumi-e togidashi maki-e against a black lacquer ground liberally sprinkled with hirame, depicting an oni (demon) fallen to the ground in shock as Shoki the Demon-Queller comes to life from a large hanging scroll painting, his two companions shown on the reverse fleeing in fear, the interior rich gold nashiji, signed Kajikawa saku (Made by Kajikawa) with a pot seal Ei; ojime stained bone
3in (7.6cm) high

KAJIKAWA谱系 19世纪江户时期的黑漆四箱

117. 一个精美的漆布子（文件盒） 明治时代，19世纪晚期 高清作品[77%]

Meiji era , late 19th century

图片文件尺寸 : 4371 x 4879px

A FINE LACQUER BUNKO (DOCUMENT BOX):Meiji era (1868-1912), late 19th century
Rectangular with rounded corners decorated in gold and silver takamaki-e, hiramaki-e, kinji and nashiji with embellishments of pewter, mother-of-pearl, hirame, kirikane, and inlaid gilt metal, the exterior with a continuous scene of a mooring with a thatched roof by rushing waters with reeds and mooring piles, a flock of chidori (sea birds) in flight beneath a full moon and clouds, the interior of the cover decorated with scattered shells from the kaiawase (shell-matching) game, with silver rims
With a wood tomobako storage box
16 x 12 3/4 x 5 1/4in (40.6 x 32.3 x 13.2cm)

一个精美的漆布子（文件盒） 明治时代，19世纪晚期

相关：
british 19th century 19th century 19世纪印象派的成就 17至19世纪风景画 象征主义在法国产生于19世纪什么年代 法国19世纪中期学院派画家之一
首页 主题 艺术运动 风景