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YAMADA JOKASAI:A gold lacquer three-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold, silver and colored takamaki-e and shell against a matte gold lacquer ground, one side with a cockerel peering out from a basket of twigs and the other with a hen and chicks on a gardener\'s leaf-scoop, signed Joka with a kao (cursive monogram); agate ojime
2 1/2in (6.3cm) high

山田县 19世纪江户时代或明治时代的金漆三箱

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“弗朗西斯·本杰明·约翰斯顿小姐，华盛顿特区，7月19日，米尔斯·汤普森-Mills Thompson

Miss Frances Benjamin Johnston, Washington DC, July 19,--Mills Thompson (美国, 19th/20th Century)

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HARA YOYUSAI (1772-1845/6):A gold-lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with interior cord-runners decorated in gold, black and silver takamaki-e and red togidashi maki-e on a ground of bright kinji with a solitary crow perched in a snow-laden pine tree before the setting sun, the interiors nashiji, signed Yoyusai saku; fitted with a coral bead ojime and a wood netsuke carved as a Buddhist gong
3 1/4in (8.2cm) high

原佑斋（1772-1845/6） 19世纪江户时期的四箱金漆

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A LACQUERED WOOD FIGURE OF AMIDA BUDDHA (AMITABHA):Edo period (1615-1868), 19th century
The figure shown dressed in flowing robes open at the chest, the byakugo (urna) and the nikkeishu (jewel of wisdom) inlaid in color stones, the hands held in the raigo-in (vitarka mudra) gesture used by Amida when descending from heaven to receive the souls of the deceased, the right hand raised and the left hand lowered, both with palm facing outward, standing on a multi-tiered lotus pedestal painted in green pigment with gilt highlights
31 1/4in (79.4cm) high (figure only); 41 1/4in (104.7cm) high overall

阿米达佛（阿弥陀佛）的漆木像 江户时代，19世纪

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A LARGE ZUSHI (PORTABLE SHRINE):Edo period (1615-1868) or Meiji era (1868-1912), 19th century
The red-lacquer case decorated with a hollyhock crests in gold hiramaki-e on each of the hinged double doors and applied with elaborate foliate-etched gilt-metal fittings opening to reveal a standing figure of Amida Buddha (Amitabha) flanked by the bodhisattvas Kannon (Avalokitesvara) and Seishi (Mahasthamaprapta) in a raigo-like configuration and accompanied by a figure of Jizo (Ksitigarbha) and Fudo Myo-o (Acala), all raised on lotus pedestals and supported on an ornate, stepped plinth, an additional pair of miniature guardian figures applied to the top of the balusters
33 3/8in (85cm) high overall

大型祖师庙 19世纪江户时代或五月时代

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HOSHIN:A gold lacquer four-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold, silver, black, and red hiramaki-e and takamaki-e against a gold kinji and fine hirame ground, depicting a large stag beetle and other insects including a grasshopper, a mantis, and a dragonfly, signed Hoshin; fitted with a glass bead ojime
3 1/4in (8.2cm) high

霍辛[印度西南部城市] 19世纪江户时代或明治时代的金漆四箱

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KOMA KORYU LINEAGE:A black lacquer five-case inro
Edo period (1615-1868), 19th century
Of oval profile with applied cord-runners, decorated in gold, silver, colored hiramaki-e, takamaki-e, and togidashi-e against a gold hirame-dusted black lacquer ground, depicting Kantan no makura (The Kantan Pillow): Rosei, a poor young man briefly asleep at an inn, dreams of riding to the Chinese capital in a shining litter; Rosei\'s fan of translucent shell, a flowering tree above, grasses below, signed Koma Koryu saku (Made by Koma Koryu); hardstone ojime
3 3/4in (9.8cm) high

朝鲜血统 19世纪江户时期的黑漆五箱

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KOMA YASUTADA LINEAGE:A rogin lacquer three-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in gold, silver, and colored hiramaki-e, takamaki-e, and togidashi maki-e against a rogin (shibuichi-nuri) ground, depicting two Chinese boys playing by a tsuitate screen with a grained wood frame and bearing an ink landscape with sailboats and mountains, signed Koma Yasutada saku (Made by Koma Yasutada); ojime stone; netsuke wood, carved as a crouching figure
2 5/8in (6.6cm) high

KOMA YASUTADA血统 19世纪江户时期的罗金漆三箱

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巴勃罗·布朗斯坦 19世纪初重新装修的大厅

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KOAMI LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold and colored takamaki-e against a rich roiro black lacquer ground and decorated with Okame peering out from a circular window, one hand held to her face, looking at two oni fleeing from beans thrown at them in the mamemaki (bean scattering) ritual on the day before the beginning of spring, the interior gold nashiji, signed Koami with a kao (cursive monogram); ojime glass, with wood storage box
3 3/8in (8.5cm) high

社区谱系 19世纪江户时期的黑漆四箱