68 1/2 x 57 1/4 (174 x 145.4 cm)

Fernand Léger. The Three Musicians. 1944 (after a drawing of 1924-25; dated on painting 1924-44)

费尔南德·莱格尔。三位音乐家。1944年（在192425年的绘画之后在192444年的绘画上注明日期）-

图片文件尺寸 : 5239 x 5964px

Thomas Luny:Portrait of the East Indiaman Neptune in two positions off the Downs
indistinctly signed and dated \'Luny 17--\' (lower left)
oil on canvas
82.7 x 145cm (32 9/16 x 57 1/16in).

湯瑪斯·魯尼 东印度曼海王星的肖像，位于唐斯山脉的两个位置

图片文件尺寸 : 4353 x 3875px

Thomas Luny: Portrait of the East Indiaman Neptune in two positions off the Downs
indistinctly signed and dated \'Luny 17--\' (lower left)
oil on canvas
82.7 x 145cm (32 9/16 x 57 1/16in).

湯瑪斯·魯尼 东印度曼海王星的肖像，位于唐斯山脉的两个位置

图片文件尺寸 : 4545 x 5904px

Circle of Sir Martin Archer Shee:Portrait of a boy, traditionally identified as William Plomer with his dog
oil on canvas
145.2 x 111.8cm (57 3/16 x 44in).

马丁·阿切尔爵士的圈子 一个男孩的肖像，传统上是威廉·普洛默和他的狗

图片文件尺寸 : 5082 x 4036px

A Shipbuilder\'s Model of the Four-Masted Barque \'Mowhan\', :built by W Pickersgill Sons Ltd of Sunderland for P Iredale Porter of Liverpool, model mader W.Spain Sons of Sunderland, the grey and white painted wooden hull with four masts, standing and running rigging and deck details including skylights, ventilators, life boats on davits, belaying rails and pins, companionways, binnacle compass and capstan, in glazed mahogany case with overhead electric lighting,
the model 57in (145cm) long
42in x 66in x 22in (107cm x 168cm x 56cm) cased

四桅杆酒吧“Mowhan”的造船商模型， 无 题

图片文件尺寸 : 4633 x 4550px

Salvador Dalí:Vénus aux fourrures (Field 68-6, Michler/Löpsinger 357-372), 1969
The incomplete portfolio, comprising 16 of 20 drypoint etchings with roulette and hand-coloring on Japon nacré paper with \'Dalí\' embossing, each signed in pencil and numbered 47/145 (the total edition was 604), published by Éditions Argillet, Paris, with full margins, loose (as issued), lacking 3 vignettes and La Femme cover sheet (M./L. 373-376), contained in ivory silk portfolio with ties and gold metallic screenprinted cover.
portfolio 15 3/4 x 12 x 3/4in (40 x 30.5 x 2cm)

萨尔瓦多·达利 金星到毛皮

图片文件尺寸 : 4648 x 4645px

Salvador Dalí:La vache sacrée (Sacred Cow), from Les Hippies (Field 69-13-9; Michler-Löpsinger 383), 1969-1970
Etching extensively hand-colored on japon nacré paper, signed in pencil and numbered XXXIX/C (aside from the edition of 145 on Arches, the total edition was 245), with the blindstamp of the artist, published by Pierre Argillet, Paris, printed by Graphic Europa Anstalt, Switzerland, with full margins.
15 7/8x 12 5/8in (40 x 32cm)
sheet 26 1/8 x 19 7/8in (66.9 x 50.2cm)

萨尔瓦多·达利 来自嬉皮士的圣牛

图片文件尺寸 : 5102 x 5642px

Salvador Dalí:Hamlet Portfolio (10 works) (F. 73-2-A-J), 1973-4
The complete portfolio, comprising 10 etchings and aquatint in colors with hand-coloring on Arches paper, each signed in pencil and numbered 53/145, loose (as issued), with full margins, with title, text and justification, published/printed by Les Heures Claires/Manuel Robbe, Paris, contained in the paper folders with text on Rives BFK paper, all contained in the original red cloth-covered boards and slipcase. (10 works)
each plate 15 1/8 x 11 1/4in (38.5 x 28.5cm)
each sheet 22 1/4 x 15 7/8in (56.5 x 40.3cm)

萨尔瓦多·达利 哈姆雷特投资组合

图片文件像素：5398 x 5309 px

本杰明·兹维·沙恩-

Benjamin Zwi Shahn - Moderne-

(Kaunas, Litauen 1898–1969 New York)
Maurer, 1940-42, abgenommenes Fresko, 68 x 65 cm, gerahmt

Provenienz:
Europäische Privatsammlung (von der Ehefrau des Künstlers erhalten)

Ausgestellt:
Ravenna, Da Renoir a De Stael: Roberto Longhi e il moderno, Loggetta Lombardesca, 23. Februar - 30. Juni 2003, Ausst.-Kat. S. 368-369 mit Abb.

Literatur:
R. Longhi, La Biennale di Venezia. Grossi premi, grosse sorprese, in „L’Europeo“, 4. Juli 1954
R. Longhi, Scritti sull\'Otto e Novecento, Sansoni, Florenz 1984, S. 143-145

Notiz:
Das Werk ist Teil einer Gruppe von vorbereitenden Skizzen für die Fresken in der Haupthalle des Social Security Building in Washington.

图片文件像素：4930 x 5872 px

本杰明·兹维·沙恩-

Benjamin Zwi Shahn - Moderne-

(Kaunas, Litauen 1898–1969 New York)
Gärtner, 1940–42, abgenommenes Fresko, 72 x 61 cm, gerahmt

Provenienz:
Europäische Privatsammlung (von der Ehefrau des Künstlers erhalten)

Ausgestellt:
Ravenna, Da Renoir a De Stael: Roberto Longhi e il moderno, Loggetta Lombardesca, 23. Februar - 30. Juni 2003, Ausst.-Kat. S. 368-369 mit Abb.

Literatur:
R. Longhi, La Biennale di Venezia. Grossi premi, grosse sorprese, in „L’Europeo“, 4. Juli 1954
R. Longhi, Scritti sull\'Otto e Novecento, Sansoni, Florenz 1984, S. 143-145

Notiz:
Das Werk ist Teil einer Gruppe von vorbereitenden Skizzen für die Fresken in der Haupthalle des Social Security Building in Washington.