图片文件尺寸 : 3689 x 2977px

詹姆斯·西摩（James Seymour）的《运动中的赛马场，由训练新郎驾驭》-a Training-Groom. by James Seymour

Racehorse at Exercise, Ridden--James Seymour (英国, 1697-1752)

图片文件尺寸 : 3246 x 2453px

“潘科博：达里奥·德·雷戈约斯（Darío de Regoyos）路过的火车”-Darío de Regoyos

潘科博：超车--Darío de Regoyos (西班牙, 1857-1913)

图片文件尺寸 : 4096 x 3030px

詹姆斯·波拉德（James Pollard）的《伦敦皇家邮报》（The Louth London Royal Mail）-Train from Peterborough East, Northamptonshire by James Pollard

The LouthLondon Royal Mail Travelling--James Pollard (英国, 1792-1867)

图片文件尺寸 : 2442 x 3745px

“新墨西哥州和亚利桑那州的摇滚乐。历史和神秘之地。乘坐威尔玛家族的火车旅行-train by The Willmarths

新墨西哥州和亚利桑那州。历史和神秘之地。旅行--The Willmarths (美国, 20th Century)

图片文件尺寸 : 3979 x 5107px

SALVADOR DALÍ: Song of Songs of Solomon (M./L. 468-479; F. 71-17), 1971, the complete portfolio, comprising 12 etchings in colours with stencil and gold dust, each signed in pencil, numbered on the colophon 248/250, on Arches paper (there were also 6 copies on parchment and 44 copies on Japon, both in Roman Numerals, and 20 hors commerce designated A-T), with the blindstamp of the publisher Leon Amiel, New York, printed by Jacques David, Paris, with full margins, folded and loose (as issued), original blue cloth-covered boards and slipcase with cast lead medallion stamped by Hôtel des Monnaies, Avignon, title in green on the leather spine, each etching mounted for framing.
Titles include: King Solomon; The Kiss; The Shepherd; The King\'s Train; The Dovelike Eyes of the Bride; The Bridegroom Leaps upon the Mountains; The Beloved Looks Forth Like a Roe; The Beloved is as Fair as a Company of Horses; Thou art Fair, My Love, and Thy Breasts; The Beloved Feeds Among the Lilies; The Fruits of the Valley; Return, O Shulamite, each 29.8 x 24.8cm (11 3/4 x 9 3/4in). (sheets 65.4 x 50.2cm)
(12 works)

萨尔瓦多·达尔 无 题

图片文件像素：4956 x 4842 px

安杰洛·萨韦利-

Angelo Savelli * - Zeitgenössische Kunst I-

(Pizzo Calabro 1911–1995 Dello/Brescia)
Untitled, 1973, signed and dated on the reverse, acrylic on canvas on tulle, 163 x 136 cm, framed

This work is registered in the Archivio Angelo Savelli curated by Luigi Sansone and is accompanied by a photo certificate of authenticity

Provenance:
Kodama Collection, Osaka (label on the reverse)
European Private Collection

Angelo Savelli. The master of white
Angelo Savelli. The master of white, Marca, Catanzaro, until 30 March 2013
Calabrese by birth, Roman by training and 美国 by maturity, Savelli continues to be an isolated case within post-war art.

Savelli’s season of transition from figuration to abstraction is, under the banner of light, a sort of dynamic of the sign that weaves nervous filaments in an entirely emotional space.

Then, at the turn of the 1950s, came the choice to work exclusively in white. This was nothing to do with the Monochrome Malerei and the Manzonian achromia of the same years. Savelli thinks differently, of a purified idea of structure, of the point at which the formal mechanism manifests itself to the essential degree, before any attribution.

Savelli works primarily on the spatial dimension. He gives life to real places that breathe a formal mysticism that becomes a transcendental mood: one could say he works through paradox, giving an appropriate and unrelated physical consistency to the abstractness of geometry.

His work is above all silent. It is the poetic condition that Savelli chooses, and never relinquishes in decades of lucid, sweetly estranged research.