图片文件尺寸 : 5160 x 5106px
Lee Krasner:Free Space, 1975
Screenprint in colors with collage on wove paper, signed in pencil and numbered XXXIX/L (from the deluxe edition, there was also a regular edition of 175), with the inkstamp verso of the publisher, Transworld Art, New York, the full sheet, framed.
19 1/2 x 26in (49.5 x 66cm)
sheet 19 1/2 x 26in (49.5 x 66cm)
李·克拉斯纳 可用空间
图片文件尺寸 : 4170 x 5952px
Frederick Lee Bridell:
The break of day, Chiemsee, Bavaria
signed and dated \'F.L Bridell. 1856\' (lower centre)
oil on canvas
71.1 x 95.2cm (28 x 37 1/2in).
弗雷德里克·李·布莱德尔 一天的破晓，巴伐利亚州基姆塞
图片文件尺寸 : 4376 x 4859px
Lee Krasner:Untitled, from Peace Portfolio I, 1970
Lithograph in color on Arches paper, signed in pencil and inscribed \'for Jacques Mourlot\' (an unnumbered proof from the edition of 175), published by the Academic and Professional Action Committee for a Responsive Congress, New York, the full sheet.
sheet 21 x 26in (53.3 x 66cm)
李·克拉斯纳 无标题，来自和平投资组合I
图片文件尺寸 : 4227 x 5162px
Mary Lee Bendolph:
Lonnie Holley\'s Freedom, 2005
Softground etching and aquatint in colors on Somerset paper, signed in pencil, titled, dated and numbered AP8 (an artist\'s proof, aside from the edition of 50), with the blindstamp of the publisher Paulson Bott Press, Berkeley, California, with full margins.
31 1/2 x 35 1/2in (80 x 90.1cm)
sheet 40 3/4 x 43 1/2in (103.5 x 110.4cm)
玛丽·李·本多尔夫 朗尼·霍利的自由
图片文件尺寸 : 4402 x 4425px
William Lees Judson:Horses on the Landscape
signed \'W.L. JUDSON\' (lower right) and titled on a gallery label (on the reverse)
oil on canvas
18 x 30 in.
framed 24 x 36 in.
威廉·雷德·贾德森 风景上的马18 x 30英寸。框架24 x 36英寸。
图片文件尺寸 : 4169 x 5322px
Bernice Lee:Mexican Washerwomen
signed \'Burr Singer\' (lower right) and titled (on the stretcher bar)
oil on canvas
59 1/2 x 47 1/2 in.
framed 49 x 61 in.
李永怡 墨西哥洗衣女工59 1/2 x 47 1/2英寸。框架49 x 61英寸。
图片文件尺寸 : 4486 x 3931px
Bernice Lee:Pueblo Corn Dance
signed \'Burr Singer\' (lower left)
oil on Masonite
sight 26 1/2 x 38 1/2 in.
framed 39 x 48 in.
李永怡 普韦布洛玉米舞瞄准镜26 1/2 x 38 1/2英寸。框架39 x 48英寸。
图片文件尺寸 : 5274 x 5455px
Lee Bontecou:Untitled, from The New York Collection for Stockholm, 1973
Lithograph in colors on wove paper, signed in white crayon and numbered \'AP. 7-25\' (an artist\'s proof, aside from the edition of 300), published by Experiments in Art and Technology, Inc., New York, with the inkstamps of the artist and printer Styria Studio, Inc., New York, the full sheet, with original paper folio.
sheet 9 x 12in (22.9 x 30.5cm)
莉·邦特科 无标题，来自斯德哥尔摩的纽约收藏
图片文件尺寸 : 4574 x 3969px
BACON, FRANCIS. 1561-1626.:3 titles:
1. Of the Advancement and Proficience of Learning.... Oxford: Leonard Lichfield for Robert Young and Edward Forrest, 1640. Folio (282 x 181 mm). Portrait frontispiece, engraved allegorical title page. 19th century half sheep and marbled boards, rebacked retaining original spine and covers. Rubbed, portrait frontispiece supplied from another source and re-margined to fit, ink ownership inscriptions, last leaf of front matter loose, large stain to N1, some marginalia, light browning and spotting. FIRST COMPLETE EDITION IN ENGLISH, second issue with colophon dated 1640. Enlarged and expanded from the 1605 Latin edition, with a memorial frontispiece portrait of Bacon. Gibson 141b; STC 1167.3.
2. Sylva Sylvarum; or, A Naturall Historie. London: John Haviland, for William Lee, 1635. 2 parts in 1 volume. Folio (277 x 180 mm). Portrait frontispiece, engraved allegorical extra title page. 20th century quarter vellum and marbled boards. Portrait and engraved extra title laid down, ink ownership inscriptions, lacking final blank, spotting, light dampstaining. Fourth edition, with The New Atlantis appended at the back, with separate pagination. Gibson 174; Wing B327.
3. Novum organu scientiarum, editio secundo. Amsterdam: Joannis Ravestein, 1660. Woodcut title page. BOUND WITH: Opuscula varia posthuma, philosphica, civilia, et theologia. Amsterdam: Joannis Ravestein, 1663. Later vellum, inked titles on spine. Edges slightly trimmed, minor spotting. Gibson 106.
培根，弗朗西斯。1561-1626. 3个标题：
图片文件尺寸 : 4640 x 4271px
Helen Bradley:
Uncle Tom\'s Funeral Procession
signed \'HELEN BRADLEY\' and with fly insignia (lower right); further signed, inscribed and dated \'\"Theyre off\" called John Sam\'els wife Florrie, who was/standing on a chair peeping through the Blind, but Martha/Higgingbottom who was also peeping was away counting/the neighbours who were following the Hearse. \"We cant/feed all that lot\" said aunt Mary, who was away/stealing the ham. Mother wasnt thinking about the food/but great uncle Toms sideboard. \"I wonder who he\'s left it/too\" she said, but aunt Annie (who was only an aunt by/marriage) said, \"Jane, youve enough furniture, I could do/ with that sideboard\". Just then Sarah\'s voice came from/upstairs, \"Everybody\'s making for the front gardens and/I can hear a bull bellowing\", So mother, aunt Mary,/and aunt Frances rushed upstairs to see what was happening/sure enough, Joe Wroe the Butcher was so busy watching/great uncle Toms funeral that he forgot to fasten his bulls in,/so out they came and away they ran. Two were soon caught but/one ran down into Lees, and the thought of it deterred several people/ who were coming to the house for the funeral tea which made it/easier for mother and the aunts. Alas we didnt get the sideboard/and the year was 1909./Helen Layfield Bradley 1973.\' (on a label attached to backboard)
oil on canvas laid on board
60.3 x 151.5 cm. (23 3/4 x 59 5/8 in.)
海伦·布拉德利 汤姆叔叔的葬礼流程60.3 x 151.5 cm。
图片文件尺寸 : 5160 x 5106px
Lee Krasner:Free Space, 1975
Screenprint in colors with collage on wove paper, signed in pencil and numbered XXXIX/L (from the deluxe edition, there was also a regular edition of 175), with the inkstamp verso of the publisher, Transworld Art, New York, the full sheet, framed.
19 1/2 x 26in (49.5 x 66cm)
sheet 19 1/2 x 26in (49.5 x 66cm)
李·克拉斯纳 可用空间
图片文件尺寸 : 4170 x 5952px
Frederick Lee Bridell:
The break of day, Chiemsee, Bavaria
signed and dated \'F.L Bridell. 1856\' (lower centre)
oil on canvas
71.1 x 95.2cm (28 x 37 1/2in).
弗雷德里克·李·布莱德尔 一天的破晓，巴伐利亚州基姆塞
图片文件尺寸 : 4376 x 4859px
Lee Krasner:Untitled, from Peace Portfolio I, 1970
Lithograph in color on Arches paper, signed in pencil and inscribed \'for Jacques Mourlot\' (an unnumbered proof from the edition of 175), published by the Academic and Professional Action Committee for a Responsive Congress, New York, the full sheet.
sheet 21 x 26in (53.3 x 66cm)
李·克拉斯纳 无标题，来自和平投资组合I
图片文件尺寸 : 4227 x 5162px
Mary Lee Bendolph:
Lonnie Holley\'s Freedom, 2005
Softground etching and aquatint in colors on Somerset paper, signed in pencil, titled, dated and numbered AP8 (an artist\'s proof, aside from the edition of 50), with the blindstamp of the publisher Paulson Bott Press, Berkeley, California, with full margins.
31 1/2 x 35 1/2in (80 x 90.1cm)
sheet 40 3/4 x 43 1/2in (103.5 x 110.4cm)
玛丽·李·本多尔夫 朗尼·霍利的自由
图片文件尺寸 : 4402 x 4425px
William Lees Judson:Horses on the Landscape
signed \'W.L. JUDSON\' (lower right) and titled on a gallery label (on the reverse)
oil on canvas
18 x 30 in.
framed 24 x 36 in.
威廉·雷德·贾德森 风景上的马18 x 30英寸。框架24 x 36英寸。
图片文件尺寸 : 4169 x 5322px
Bernice Lee:Mexican Washerwomen
signed \'Burr Singer\' (lower right) and titled (on the stretcher bar)
oil on canvas
59 1/2 x 47 1/2 in.
framed 49 x 61 in.
李永怡 墨西哥洗衣女工59 1/2 x 47 1/2英寸。框架49 x 61英寸。
图片文件尺寸 : 4486 x 3931px
Bernice Lee:Pueblo Corn Dance
signed \'Burr Singer\' (lower left)
oil on Masonite
sight 26 1/2 x 38 1/2 in.
framed 39 x 48 in.
李永怡 普韦布洛玉米舞瞄准镜26 1/2 x 38 1/2英寸。框架39 x 48英寸。
图片文件尺寸 : 5274 x 5455px
Lee Bontecou:Untitled, from The New York Collection for Stockholm, 1973
Lithograph in colors on wove paper, signed in white crayon and numbered \'AP. 7-25\' (an artist\'s proof, aside from the edition of 300), published by Experiments in Art and Technology, Inc., New York, with the inkstamps of the artist and printer Styria Studio, Inc., New York, the full sheet, with original paper folio.
sheet 9 x 12in (22.9 x 30.5cm)
莉·邦特科 无标题，来自斯德哥尔摩的纽约收藏
图片文件尺寸 : 4574 x 3969px
BACON, FRANCIS. 1561-1626.:3 titles:
1. Of the Advancement and Proficience of Learning.... Oxford: Leonard Lichfield for Robert Young and Edward Forrest, 1640. Folio (282 x 181 mm). Portrait frontispiece, engraved allegorical title page. 19th century half sheep and marbled boards, rebacked retaining original spine and covers. Rubbed, portrait frontispiece supplied from another source and re-margined to fit, ink ownership inscriptions, last leaf of front matter loose, large stain to N1, some marginalia, light browning and spotting. FIRST COMPLETE EDITION IN ENGLISH, second issue with colophon dated 1640. Enlarged and expanded from the 1605 Latin edition, with a memorial frontispiece portrait of Bacon. Gibson 141b; STC 1167.3.
2. Sylva Sylvarum; or, A Naturall Historie. London: John Haviland, for William Lee, 1635. 2 parts in 1 volume. Folio (277 x 180 mm). Portrait frontispiece, engraved allegorical extra title page. 20th century quarter vellum and marbled boards. Portrait and engraved extra title laid down, ink ownership inscriptions, lacking final blank, spotting, light dampstaining. Fourth edition, with The New Atlantis appended at the back, with separate pagination. Gibson 174; Wing B327.
3. Novum organu scientiarum, editio secundo. Amsterdam: Joannis Ravestein, 1660. Woodcut title page. BOUND WITH: Opuscula varia posthuma, philosphica, civilia, et theologia. Amsterdam: Joannis Ravestein, 1663. Later vellum, inked titles on spine. Edges slightly trimmed, minor spotting. Gibson 106.
培根，弗朗西斯。1561-1626. 3个标题：
图片文件尺寸 : 4640 x 4271px
Helen Bradley:
Uncle Tom\'s Funeral Procession
signed \'HELEN BRADLEY\' and with fly insignia (lower right); further signed, inscribed and dated \'\"Theyre off\" called John Sam\'els wife Florrie, who was/standing on a chair peeping through the Blind, but Martha/Higgingbottom who was also peeping was away counting/the neighbours who were following the Hearse. \"We cant/feed all that lot\" said aunt Mary, who was away/stealing the ham. Mother wasnt thinking about the food/but great uncle Toms sideboard. \"I wonder who he\'s left it/too\" she said, but aunt Annie (who was only an aunt by/marriage) said, \"Jane, youve enough furniture, I could do/ with that sideboard\". Just then Sarah\'s voice came from/upstairs, \"Everybody\'s making for the front gardens and/I can hear a bull bellowing\", So mother, aunt Mary,/and aunt Frances rushed upstairs to see what was happening/sure enough, Joe Wroe the Butcher was so busy watching/great uncle Toms funeral that he forgot to fasten his bulls in,/so out they came and away they ran. Two were soon caught but/one ran down into Lees, and the thought of it deterred several people/ who were coming to the house for the funeral tea which made it/easier for mother and the aunts. Alas we didnt get the sideboard/and the year was 1909./Helen Layfield Bradley 1973.\' (on a label attached to backboard)
oil on canvas laid on board
60.3 x 151.5 cm. (23 3/4 x 59 5/8 in.)
海伦·布拉德利 汤姆叔叔的葬礼流程60.3 x 151.5 cm。