图片文件尺寸 : 3350 x 2363px

克里斯托弗·威廉·埃克斯伯格（Christopoffer Wilhelm Eckersberg）的《在晴朗的夏日午后，在微风中航行的船只》-Christoffer Wilhelm Eckersberg

在一个晴朗的夏天，船只在微风中航行s下午--Christoffer Wilhelm Eckersberg (丹麦, 1783 – 1853)

图片文件尺寸 : 4128 x 5880px

A WHITE PORCELAIN EWER:Joseon dynasty (1392-1897), 16th/17th century
The pear-form body with a serpentine spout, supported by a splayed foot and applied with a loop handle, the dome cover with a jewel-form finial, covered in a clear glaze with a slight blue tinge and a fine crackle
With a wood tomobako storage box
10 1/4in (26cm) high, with cover

一只白瓷母羊 朝鲜王朝，16-17世纪

图片文件尺寸 : 4967 x 5536px

Hernan Bas: 4 etchings (4 works), 2013
4 softground etchings and aquatint in colors on Somerset paper, each signed, dated, a numbered proof set (aside from the edition of 20), with the blindstamp of the publisher Paulson Bott Press, Berkeley, California, each with full margins.
Titles Include: The Rosy Tenant; The Renaissance Man; The Difference Was Clear To Everyone but Him (Dumbstruck); The Previous Tenant (4 works)
each image 14 x 11in (35.5 x 27.9cm)
each sheet 21 x 17in (53.3 x 43.1cm)

赫南·巴斯 4次蚀刻

图片文件尺寸 : 5203 x 5797px

Roy Lichtenstein:Sandwich and Soda, from the X + X (Ten Works by Ten Painters) (Corlett 35), 1964
Screenprint in colors on clear plastic, unsigned as issued, from the edition of 500, published by the Wadsworth Atheneum, Hartford, Connecticut, printed by Sirocco Screenprints, North Haven, Connecticut, with full margins, framed.
19 x 23in (48.3 x 58.4cm)
sheet 20 x 24in (50.8 x 61cm)

罗伊·利希滕斯坦 三明治和苏打，来自X+X

图片文件尺寸 : 4674 x 5669px

Roy Lichtenstein: Sandwich and Soda, from the X + X (Ten Works by Ten Painters) portfolio (Corlett 35), 1964
Screenprint in colors on clear plastic, unsigned as issued, from the edition of 500, published by the Wadsworth Atheneum, Hartford, Connecticut, printed by Sirocco Screenprints, North Haven, Connecticut, with full margins.
19 x 23in (48.3 x 58.4cm)
sheet 20 x 24in (50.8 x 61cm)

罗伊·利希滕斯坦 三明治和苏打水，来自X+X组合

图片文件尺寸 : 4741 x 4286px

KAWASE HASUI (1883-1957):Showa era (1926-1989), 1929
An oban tate-e print entitled Matsu no yukibare (Pines in Clear Weather after Snow), signed Hasui, published by Kawaguchi Jiro and Sakai Shokichi, 35/100 written in pencil in the lower margin, with a label on the verso reading Shohan seisen, hyaku mai no uchi, dai sanjugo go, Hasui (From 100 carefully selected prints of the first edition, no. 35, Hasui) and with red round stylized artist\'s seal, stamped in black ink Made in Japan and Kawaguchi
16 x 10 5/8in (40.6 x 26.9cm)

卡瓦斯·哈苏（1883-1957） 昭和时代，1929年

图片文件尺寸 : 3901 x 5735px

English School:HMS Prometheus off Newfoundland
dated \'FAC AUGUST 1818\' (lower right) and inscribed \'HIS MAJESTY\'S SHIP PROMETHEUS 22 GUNS in the act of clearing a large island of Ice, on which she was nearly/wrecked in a thick fog, at daybreak of the morning of the 12 of May 1814, whilst cruizing on the coast of/NEWFOUNDLAND\' (below the image)
watercolour
sheet 34.6 x 46cm (13 5/8 x 18 1/8in).

英语学校 纽芬兰岛普罗米修斯号（HMS Prometheus）船板34.6 x 46厘米。

图片文件尺寸 : 4138 x 5178px

ATTRIBUTED TO TANAKA HYOAMI (1881-1972):A lacquer kashiki (sweet dish)
Showa era (1926-1989), 20th century
Of irregular circular form with raised rim, made from lacquer mixed with polishing-stone powder and sawdust and finished with a layer of silver filings, unsigned
With a clear-lacquered tomobako storage box inscribed on the cover Gin yasuriko-fun torigashibon (Serving tray for sweets with surface finished in silver filings), signed on the underside of the cover Nushi Hyoami (Lacquerer Hyoami) with seal Hyoami, and with tomogire (original silk wrapper) stamped Honkataji nushi maki-e Tanaka Hyoami (Made in honkataji technique [see footnote], lacquerer and maki-e artist Hyoami)
10 3/8in (26.5cm) diameter

归因于田中孝美（1881-1972） 昭和时代的漆，20世纪

图片文件尺寸 : 4446 x 4869px

VANINI, GIULIO CAESARE. 1585-1619.:Amphitheatrum aeternae providentiae divino-magicum. Lyons: widow of Antoine de Harsy, 1615.
8vo (172 x 107 mm). Woodcut vignette on title page and at end of index, errata on verso of final leaf. Recased in contemporary vellum. Covers soiled and slightly wrinkled, with some repairs; dampstaining, ink notations to front paste-down, browning and spotting.

FIRST EDITION of this rare work by outspoken free-thinker Vanini, denouncing atheism perhaps to re-ingratiate himself with the church. However, his second book made his radical ideas clear, and he was eventually arrested, tortured, and burned at the stake. Peignot Livres condamnés, II, 174; Thorndike VI, 568-573.

瓦尼尼，朱利奥·凯撒。1585–1619. 永恒的神圣魔法供应。莱昂斯：安托万·德·哈西的遗孀，1615年。

图片文件尺寸 : 5350 x 4620px

Helen Bradley:\"And what\" said Bruce Sharman, \"is your Aunt saying to Miss Carter\"
inscribed with fly monogram (lower left); further signed, inscribed and dated \'\"and what\" said Bruce Sharman, \"is your Aunt saying to/Miss Carter (who wore Pink) ... \'Ha\', I said, \"how I/remember poor Miss Carter turning pale at the/thought of Grandpa rowing us all back across/Windermere to the station at Lake Side\"/\"Dont worry\", said Aunt Frances, \"you\'ll be quite alright\"/and Mother gave her a comforting pat, \"but what/a pity\", said Aunt Mary Aunt Charlotte\", the/mist hasnt cleared\". Grandpa Grandma had/taken us for a days outing from Blackpool/and while at Town Head, he bought a pony/called Zober for us and the year was 1907./Helen Layfield Bradley. July 26th. 1970.\' (on a label attached verso)
oil on canvas laid on board
45.7 x 61 cm. (18 x 24 in.)

海伦·布拉德利 布鲁斯·沙曼说：“你阿姨对卡特小姐说的是什么？”45.7 x 61厘米。