图片文件尺寸 : 4929 x 5007px
ANONYMOUS:Sipjangsaeng-do (Ten Signs of Long Life)
Early 20th century
An eight-panel screen painted in ink and colors on paper with silk surrounds and a lacquered-wood frame depicting fruiting peach trees, pine trees, red heart-shaped fungi, cranes, spotted deer, and bushy-tailed tortoises, all before mist-shrouded mountains and a bold red sun
36 7/8 x 80 3/4in (93.6 x 205.1cm)
匿名的，匿名的 20世纪初的Sipjangsaeng do
图片文件尺寸 : 4519 x 4670px
Marc Chagall:La Poésie (Mourlot 898, Cramer bk. 100), 1976
The complete portfolio, comprising 1 lithograph in colors on Arches paper, signed in pencil and stamp numbered 87 on the justification, from the edition of 110 (there were also 40 copies in Roman numerals), published/printed by Art et Poésie/Mourlot, Paris, with text, contained in the original wove paper folio with black printing on the front, all contained in original beige cloth-covered slipcase with gold printed title on the front.
overall 19 1/4 x 15 3/4 x 1 1/2in (48.9 x 40 x 40cm)
马克·夏加尔 诗歌
图片文件尺寸 : 3911 x 4569px
John Giorno:Welcoming the Flowers (18 works), 2007
The complete set of 18 screenprints in colors, some with metallic ink, on 2-ply museum board, each signed in pencil, dated and numbered PP 2/4 (each a printer\'s proof, aside from the edition of 70), each with the blindstamp and inkstamp verso of the publisher/printer, Durham Press, Durham, Pennsylvania, all contained in original custom wooden box with screened title on cover and archival interior, with title page and text poem panel, as issued, each the full sheet. (18 works)
each sheet 16 1/2 x 16 1/2in (41.91 x 41.91cm)
约翰·戴 欢迎鲜花
图片文件尺寸 : 4467 x 3894px
Terry Winters:Album portfolio (9 works), 1988
The complete set of 9 etchings on Hahnemüle paper, lacking the title, justification pages and the original portfolio box, each signed in pencil with initials and numbered 41/50 (there were also 10 artist\'s proofs), each with the inkstamp (verso) of the publisher Editions Ilene Kurtz, New York, each with the blindstamp of the printer, Aldo Crommelynck, Paris, each with full margins and all framed. (9 works)
each image 20 1/2 x 16in (52.1 x 40.6cm)
each sheet 28 1/2 x 21in (72.4 x 53.3cm)
特里·温特斯 专辑组合
图片文件像素：5146 x 5618 px
Hubert Scheibl，当代艺术I-
Hubert Scheibl * - Zeitgenössische Kunst I-
(born in Gmunden in 1952)
Untitled, signed, dated Hubert Scheibl 1988/89, oil on canvas, 250 x 350 cm, stretched over wooden frame
Provenance:
Private Collection, Vienna
Scheibls Landschaften so sie überhaupt welche sind, stammen nicht von heute, sie künden vom Urknall, sind ein Stück Entstehungsgeschichte. Sie erwecken eine Ahnung von einer Zeit, in der sich die vier Elemente noch erbitterte Kämpfe lieferten.
Wolfgang Drechsler
aus: Hacken im Eis, Kunsthalle Bern, 1986
Scheibl\'s landscapes, if they are landscapes at all, are not of today; they tell of the big bang, they are a piece of the story of creation. They evoke the sense of a time when the four elements were still fighting fierce battles.
Wolfgang Drechsler
From: Hacken im Eis, Kunsthalle Bern, 1986
图片文件尺寸 : 5180 x 5068px
A GOLD LACQUER PIPE-SMOKING SET:Edo period (1615-1868) or Meiji era (1868-1912), mid/late 19th century
Resting on a scalloped base with four bracket feet and fitted with two larger and two smaller drawers, the back and sides topped by a balustrade-like structure strung with silver wires, the front with two hooks supporting a slender kiseru (tobacco pipe), the inner platform fronted by a low balustrade and cut with two recesses securing on the left a tobacco container with a partially openwork lid and a scoop and on the right a miniature lidded brazier; decorated in gold, aokin, silver, and colored hiramaki-e and takamaki-e with lavish embellishments of gold kirigane against a background of densely sprinkled gold hirame flakes, depicting mountain scenes with pines, flowering trees, streams and a waterfall, the metal fittings (drawer handles, corner decorations, hooks, knop, pipe components, and box lid) all of silver or shibuichi, some chiseled with floral designs
7 5/8 x 13 5/8 x 11 5/8in (19.2 x 34.6 x 29.5cm)
金漆烟筒套装 江户时代或明治时代，19世纪中后期
图片文件尺寸 : 5256 x 5080px
Maung Su Yatanabon:A set of four portrait studies including two Chinese elders and two Kachin elders
each signed \'Yatanabon/MgSu\' (lower right), and variously inscribed in pencil with the details of the sitters and location (lower left)
watercolour heightened with white and traces of pencil
each 32 x 25.1cm (12 5/8 x 9 7/8in). (4)
all mounted but unframed
Maung Su Yatanbon先生 一套四幅肖像画，包括两位中国长者和两位克钦长者，每幅32 x 25.1cm，均装裱但未装裱
图片文件尺寸 : 5028 x 4284px
A NANBAN-STYLE BUNDAI (WRITING TABLE):Edo period (1615-1868), 19th century
The rectangular writing surface set on a raised dais pierced on all sides supported by a flaring scalloped apron on four cabriole feet, the whole decorated in gold hiramaki-e, kinpun, and mother-of-pearl inlays on a dark brown lacquer ground, the upper surface with a fanciful design of pavilions and a pagoda by the shore with rocks and chickens among camellia, pine, and wisteria, framed by two borders, one a modification of the traditional shippo motif with a four-petaled flower in the center, and the other a floral checkerboard, the raised edge with the same shippo design but on a smaller scale than the top surface, the sides and legs decorated with butterflies and birds in wisteria and stands of two types of camellia and Chinese bellflowers
14 x 23 3/4 x 7 1/4in (35.5 x 60.3 x 18.4cm)
南板风格的写字台 江户时代，19世纪
图片文件尺寸 : 4308 x 5053px
GINO BOCCASILE (1901-1952):PAGLIERI
lithographic poster in colours, 1949, cond. A, printed by Zanini Cellerino, Alessandria
and; the censored 1950 version and a used, uncensored version, for the Hotel Excelsior, of the same size. all 3 are framed. (3)
40 x 27ins. (100 x 70cm.)
吉诺·博卡西尔（1901-1952） 帕格利里语
图片文件尺寸 : 3940 x 4076px
A LARGE ZUSHI (PORTABLE SHRINE):Edo period (1615-1868) or Meiji era (1868-1912), 19th century
The red-lacquer case decorated with a hollyhock crests in gold hiramaki-e on each of the hinged double doors and applied with elaborate foliate-etched gilt-metal fittings opening to reveal a standing figure of Amida Buddha (Amitabha) flanked by the bodhisattvas Kannon (Avalokitesvara) and Seishi (Mahasthamaprapta) in a raigo-like configuration and accompanied by a figure of Jizo (Ksitigarbha) and Fudo Myo-o (Acala), all raised on lotus pedestals and supported on an ornate, stepped plinth, an additional pair of miniature guardian figures applied to the top of the balusters
33 3/8in (85cm) high overall
大型祖师庙 19世纪江户时代或五月时代
图片文件尺寸 : 4929 x 5007px
ANONYMOUS:Sipjangsaeng-do (Ten Signs of Long Life)
Early 20th century
An eight-panel screen painted in ink and colors on paper with silk surrounds and a lacquered-wood frame depicting fruiting peach trees, pine trees, red heart-shaped fungi, cranes, spotted deer, and bushy-tailed tortoises, all before mist-shrouded mountains and a bold red sun
36 7/8 x 80 3/4in (93.6 x 205.1cm)
匿名的，匿名的 20世纪初的Sipjangsaeng do
图片文件尺寸 : 4519 x 4670px
Marc Chagall:La Poésie (Mourlot 898, Cramer bk. 100), 1976
The complete portfolio, comprising 1 lithograph in colors on Arches paper, signed in pencil and stamp numbered 87 on the justification, from the edition of 110 (there were also 40 copies in Roman numerals), published/printed by Art et Poésie/Mourlot, Paris, with text, contained in the original wove paper folio with black printing on the front, all contained in original beige cloth-covered slipcase with gold printed title on the front.
overall 19 1/4 x 15 3/4 x 1 1/2in (48.9 x 40 x 40cm)
马克·夏加尔 诗歌
图片文件尺寸 : 3911 x 4569px
John Giorno:Welcoming the Flowers (18 works), 2007
The complete set of 18 screenprints in colors, some with metallic ink, on 2-ply museum board, each signed in pencil, dated and numbered PP 2/4 (each a printer\'s proof, aside from the edition of 70), each with the blindstamp and inkstamp verso of the publisher/printer, Durham Press, Durham, Pennsylvania, all contained in original custom wooden box with screened title on cover and archival interior, with title page and text poem panel, as issued, each the full sheet. (18 works)
each sheet 16 1/2 x 16 1/2in (41.91 x 41.91cm)
约翰·戴 欢迎鲜花
图片文件尺寸 : 4467 x 3894px
Terry Winters:Album portfolio (9 works), 1988
The complete set of 9 etchings on Hahnemüle paper, lacking the title, justification pages and the original portfolio box, each signed in pencil with initials and numbered 41/50 (there were also 10 artist\'s proofs), each with the inkstamp (verso) of the publisher Editions Ilene Kurtz, New York, each with the blindstamp of the printer, Aldo Crommelynck, Paris, each with full margins and all framed. (9 works)
each image 20 1/2 x 16in (52.1 x 40.6cm)
each sheet 28 1/2 x 21in (72.4 x 53.3cm)
特里·温特斯 专辑组合
图片文件像素：5146 x 5618 px
Hubert Scheibl，当代艺术I-
Hubert Scheibl * - Zeitgenössische Kunst I-
(born in Gmunden in 1952)
Untitled, signed, dated Hubert Scheibl 1988/89, oil on canvas, 250 x 350 cm, stretched over wooden frame
Provenance:
Private Collection, Vienna
Scheibls Landschaften so sie überhaupt welche sind, stammen nicht von heute, sie künden vom Urknall, sind ein Stück Entstehungsgeschichte. Sie erwecken eine Ahnung von einer Zeit, in der sich die vier Elemente noch erbitterte Kämpfe lieferten.
Wolfgang Drechsler
aus: Hacken im Eis, Kunsthalle Bern, 1986
Scheibl\'s landscapes, if they are landscapes at all, are not of today; they tell of the big bang, they are a piece of the story of creation. They evoke the sense of a time when the four elements were still fighting fierce battles.
Wolfgang Drechsler
From: Hacken im Eis, Kunsthalle Bern, 1986
图片文件尺寸 : 5180 x 5068px
A GOLD LACQUER PIPE-SMOKING SET:Edo period (1615-1868) or Meiji era (1868-1912), mid/late 19th century
Resting on a scalloped base with four bracket feet and fitted with two larger and two smaller drawers, the back and sides topped by a balustrade-like structure strung with silver wires, the front with two hooks supporting a slender kiseru (tobacco pipe), the inner platform fronted by a low balustrade and cut with two recesses securing on the left a tobacco container with a partially openwork lid and a scoop and on the right a miniature lidded brazier; decorated in gold, aokin, silver, and colored hiramaki-e and takamaki-e with lavish embellishments of gold kirigane against a background of densely sprinkled gold hirame flakes, depicting mountain scenes with pines, flowering trees, streams and a waterfall, the metal fittings (drawer handles, corner decorations, hooks, knop, pipe components, and box lid) all of silver or shibuichi, some chiseled with floral designs
7 5/8 x 13 5/8 x 11 5/8in (19.2 x 34.6 x 29.5cm)
金漆烟筒套装 江户时代或明治时代，19世纪中后期
图片文件尺寸 : 5256 x 5080px
Maung Su Yatanabon:A set of four portrait studies including two Chinese elders and two Kachin elders
each signed \'Yatanabon/MgSu\' (lower right), and variously inscribed in pencil with the details of the sitters and location (lower left)
watercolour heightened with white and traces of pencil
each 32 x 25.1cm (12 5/8 x 9 7/8in). (4)
all mounted but unframed
Maung Su Yatanbon先生 一套四幅肖像画，包括两位中国长者和两位克钦长者，每幅32 x 25.1cm，均装裱但未装裱
图片文件尺寸 : 5028 x 4284px
A NANBAN-STYLE BUNDAI (WRITING TABLE):Edo period (1615-1868), 19th century
The rectangular writing surface set on a raised dais pierced on all sides supported by a flaring scalloped apron on four cabriole feet, the whole decorated in gold hiramaki-e, kinpun, and mother-of-pearl inlays on a dark brown lacquer ground, the upper surface with a fanciful design of pavilions and a pagoda by the shore with rocks and chickens among camellia, pine, and wisteria, framed by two borders, one a modification of the traditional shippo motif with a four-petaled flower in the center, and the other a floral checkerboard, the raised edge with the same shippo design but on a smaller scale than the top surface, the sides and legs decorated with butterflies and birds in wisteria and stands of two types of camellia and Chinese bellflowers
14 x 23 3/4 x 7 1/4in (35.5 x 60.3 x 18.4cm)
南板风格的写字台 江户时代，19世纪
图片文件尺寸 : 4308 x 5053px
GINO BOCCASILE (1901-1952):PAGLIERI
lithographic poster in colours, 1949, cond. A, printed by Zanini Cellerino, Alessandria
and; the censored 1950 version and a used, uncensored version, for the Hotel Excelsior, of the same size. all 3 are framed. (3)
40 x 27ins. (100 x 70cm.)
吉诺·博卡西尔（1901-1952） 帕格利里语
图片文件尺寸 : 3940 x 4076px
A LARGE ZUSHI (PORTABLE SHRINE):Edo period (1615-1868) or Meiji era (1868-1912), 19th century
The red-lacquer case decorated with a hollyhock crests in gold hiramaki-e on each of the hinged double doors and applied with elaborate foliate-etched gilt-metal fittings opening to reveal a standing figure of Amida Buddha (Amitabha) flanked by the bodhisattvas Kannon (Avalokitesvara) and Seishi (Mahasthamaprapta) in a raigo-like configuration and accompanied by a figure of Jizo (Ksitigarbha) and Fudo Myo-o (Acala), all raised on lotus pedestals and supported on an ornate, stepped plinth, an additional pair of miniature guardian figures applied to the top of the balusters
33 3/8in (85cm) high overall
大型祖师庙 19世纪江户时代或五月时代