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VEGETIUS RENATUS, FLAVIUS. FL. LATE 14TH CENTURY.:De re Militari libri quatuor.... Paris: Chrestien Wechel, 1535.
Folio (310 x 208 mm). Printer\'s mark on title and colophon, 122 full-page woodcut illustrations, including standing portrait of Vegetius on verso of title (and repeated twice), and 1 woodcut diagram in the text. Contemporary vellum, inked titles on spine. Soiling to covers, dampstaining to top margins, some old ink marginalia, scattered spotting and browning.

Revised Wechel edition with illustrations by the French humanist Guillaume Budé (1467-1540). This famous collection of works on Roman military systems and methods is one of two known works by Vegetius, a 4th century Roman bureaucrat. The text also includes the \"Strategematum\" of Sextus Julius Frontinus (30-104 A.D.), Roman magistrate and governor of Britain from 74-78; \"De Instruendis,\" a work on tactics by Aelianus (Greek, 2nd century A.D.); and the \"De Vocabulis rei Militaris\" of Julius Modestus, a Roman grammarian in the time of Augustus. Adams V332; Mortimer French, 487.

蔬菜雷纳图斯（VEGETIUS RENATUS）、黄曲霉（flavious）。14世纪晚期。 巴黎：克雷斯蒂安·韦切尔，1535年。

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KIYOKATA KABURAKI (1878-1972) AND WATANABE KATEI (1864-1926):Four volumes of Uzumaki (Whirlpool) with kuchi-e frontispiece illustrations
Taisho era (1912-1926), 1913-14
Each volume of the novel written by Katei containing a woodblock printed tri-fold print featuring a design with a character or characters from the story, each print signed Kiyokata and sealed Kiyokata; the 1st volume being of the 15th printing, published December 11, 1913; the 2nd volume being of the 8th printing, published December 12, 1913; the 3rd volume being of the 1st printing, published December 31, 1913; the 4th volume being of the 1st printing, published February 25, 1914; all published by Ryubunkan of Tokyo, each with a slipcase with the exception of the 1st volume (4)
8 3/4 x 6 1/4in (22.3 x 15.9cm), each volume independent of slip case
13 x 8 1/2in (33 x 21.6cm), the largest of the illustrations

菊田春树（1878-1972）和渡边加太（1864-1926） 大正时代，1913-14年，四卷带kuchi-e正面插图的Uzumaki

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BUONANNI, FILIPPO. 1638-1725.:Observationes circa Viventia, quae in rebus non Viventibus reperiuntur. Cum Micrographia curiosa. Rome: Dominicus Antonius Hercules, 1691.
8vo (215 x 157 mm). 69 plates (4 folding). Modern quarter morocco and marbled boards. Margins slightly trimmed, repaired tear to upper outside corner of title page, repair to margin of of n2, a few marginal annotations in ink, scattered browning and spotting.

FIRST EDITION. Bounanni, a Jesuit scholar and pupil of Athanasius Kircher, published this work based on his observations through a three-lens microscope of his own construction. His conclusions supported spontaneous generation of living matter, in contrast to those of his contemporary, Francesco Redi. An identical 2nd edition was published in 1699. Garrison-Morton-Norman 264; Krivatsy 1935; Nissen ZBI 752; Norman 374; Wellcome II, 198.

再见，菲利普。1638–1725. 关于Viventia的观察，这在Viventibus的案例中没有发现。用奇怪的显微照片。罗马：多米尼克斯·安东尼乌斯·赫拉克勒斯，1691年。

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MÜLLER, OTTO FRIEDRICH. 1730-1784.:Zoologia Danica seu Animalium Daniae et Norvegiae rariorum ac minus notorum descriptiones et historia. Copenhagen: Typis N. Mulleri (Vol IV by N. Christensen), 1788-1806.
4 volumes in two. 4to (375 x 226 mm). 120 engraved hand-colored plates. Morocco-backed, marbled-paper boards, 2nd volume, containing just volume 4 (1806) slightly smaller.
Provenance: Von Redern, Berlin (armorial bookplate, and stamp to title, in volume 1).

FIRST COMPLETE FOLIO EDITIONS OF ZOOLOGIA DANICA. Otto Muller began the comprehensive Zoologia Danica in 1779, intending it as a complete look at the fauna similar to his Flora Danica, completed with G.C. Oeder. He published two octavo volumes with the title Zoologiae Danicae prodromus before his death. The project was expanded to folio and two additional volumes added between 1788 and 1806. Although the work never fulfilled his vision, it does contain pictures and descriptions of a number of new species of mollusks and zoophytes. See Knight, English Cyclopedia, p 381. Anker 348; Nissen ZBI 2932.

莫莉，其他朋友。1730-1784. 丹麦动物学是丹麦和挪威最罕见的动物之一，其描述和历史也不那么引人注目。哥本哈根：N.Mulleri型，1788-1806年。

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赫尔穆特·费德勒，当代艺术I-

Helmut Federle * - Zeitgenössische Kunst I-

(born in Solothurn in 1944; lives and works in Vienna and Camaiore)
Null Bild Serie, 2. Phase, Tafel A, 1993, on the reverse titled, signed, dated Federle 93, acrylic on aluminum, 70 x 100 cm

Provenance:
Galerie nächst St. Stephan, Vienna
Private collection, Austria
Private collection, France

Exhibited/Literature:
Galerie nächst St. Stephan, Vienna, 1993
Kunstmuseum Bonn, 12 October 1995 – 21 January 1996, Düsseldorf 1995, p. 82/83, exhib. cat. with color illustration on p. 83

The 瑞士 artist Helmut Federle currently lives and works in Vienna. At the end of the 1950s, he began to create geometric-abstract works based on a minimalist, reduced surface design. A decade later, his work is definitively characterised by a strictly geometric formal language. His works show geometric forms and their position and balance in the pictorial plane. The artist himself does not see his work as belonging to any category, but above all as a spiritual search for meaning.

In the aluminium work of the ‘Null Bild’ Series, 2nd Phase, Panel A from 1993, the artist harks back to his paintings of the late 1970s, not least through its dimensions. Federle anchors \"upright or transverse rectangular anthracite-coloured fields to the opposite corners of the picture, with a dark grey surface acting as a foil.\" (Kunstmuseum Bonn, Bonn, 12 October 1995 - 21 January 1996, Düsseldorf 1995, p. 82). Panel A shows a reclining, resting light grey surface in the lower right corner of the picture against a charcoal grey, darker background.

\"In the Null-Bild works, the preoccupation with the Black Series is resonant, with the difference that processual events are once again concentrated on the individual image.\" (Ibid.)