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“20世纪女作曲家弦乐四重奏，1980年3月8日，纽约市，路易斯·格里菲斯-women composers, March 8, 1980, New York City by Lois Griffith

Twentieth Century string quartets--Lois Griffith (美国, 20th century)

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TOSHITOYO (ACTIVE 19TH CENTURY) AND SARATANI TOMIZO (BORN 1949):A gold lacquer four-case inro and matching ojime
Edo period (1615-1868) or Meiji era (1868-1912), and Showa era (1926-1989), 20th century
The inro with a kinji ground decorated in gold and and slight-colored hiramaki-e with a bamboo grove, some of the leafy stems waving as if stirred by a gentle breeze, the interior plain black lacquer, signed in gold lacquer Toshitoyo with a kao, fitted with a gold lacquer tubular ojime lacquered in green hiramaki-e with bamboo, signed Tomi
3 1/4in (8.2cm) high

TOSHITOYO（活跃于19世纪）和SARATANI TOMIZO（1949年出生） 金漆四格，与明治时代和昭和时代相匹配，20世纪

材质 : Oil on canvas

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Bruno Krauskopf-Stillleben mit Südseemaske, Wohl um 1950.

布鲁诺·克劳斯科夫-戴着南海面具的静物，大概在20世纪50年代左右。

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ANONYMOUS:Sipjangsaeng-do (Ten Signs of Long Life)
Early 20th century
An eight-panel screen painted in ink and colors on paper with silk surrounds and a lacquered-wood frame depicting fruiting peach trees, pine trees, red heart-shaped fungi, cranes, spotted deer, and bushy-tailed tortoises, all before mist-shrouded mountains and a bold red sun
36 7/8 x 80 3/4in (93.6 x 205.1cm)

匿名的，匿名的 20世纪初的Sipjangsaeng do

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A SHIBUICHI INCENSE BURNER:Meiji era (1868-1912), early 20th century
The six-lobed body resting on three feet, the lid in the form of a blossom surmounted by a bird finial, the sides of the body chiseled and with gold and silver inlay depicting a continuous landscape of Mount Fuji, a lake, sailboats, rustic dwellings, pine trees, islands, a torii (shrine arch), birds, and a jetty, the shoulder with chrysanthemum crests, the lid applied with magnolia, cherry, chrysanthemum and other plants
4in (10.1cm) high

石壁池香炉 明治时代，20世纪初

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WU CHANGSHUO (1844-1927); CHEN JISHENG (20TH CENTURY) :Peony and Rock; Poems in Running Script
Ink and colour on paper; ink on paper, folding fan
Titled and signed Laofou, with one seal of the artist. The reverse signed Chen Jisheng, with two seals of the artist
Dated bingyin year (1926)
19.5 x 55cm (7⅝ x 21⅝in)

吴昌硕（1844-1927）陈吉生（20世纪） 牡丹与岩石行书诗

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YOSHIDA HIROSHI (1876-1950):River Gorge in Autumn
Meiji (1868-1912), Taisho (1912-1926) or Showa (1926-1989) era, early/mid 20th century
A painting in oil on canvas of a river rushing down a gorge flanked by trees ablaze in the autumn colors of yellow, orange, and red; signed H Yoshida
17 3/4 x 13in (45.1 x 33cm)

吉田广史（1876-1950） 20世纪初/中期明治、大正或昭和时代秋天的河谷

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El Anatsui:Uli, circa early 1980s
carved and incised wooden panels
96 x 287 x 2.5cm (37 13/16 x 113 x1in).
(in 11 pieces)

Anatsui 乌利，约20世纪80年代初，96 x 287 x 2.5厘米。

材质 : Watercolor

图片文件尺寸 : 4859 x 3695 px

Willy Robert Huth-15 Bll. Fischer, Strandszenen, Landschaften, meist Amrum. Dabei Kugelschreiberskizze., 19641970er.

威利·罗伯特·胡特-150亿。渔民，海滩风景，风景，大多是阿姆鲁姆。圆珠笔草图。20世纪60年代。

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IIZUKA HOSAI II (1872–1934) OR IIZUKA ROKANSAI (1890–1958):A bamboo flower basket
Showa era (1926-1989), late 1920s/early 1930s
Of madake (timber bamboo) with applications of dust and lacquer, worked in diagonal free-style and bundled plaiting and wrapping, signed on a cross bar on the base Hosai Sanjin (Hosai the Recluse); with an otoshi (water container) formed from a stem of bamboo and cut with vertical striations
11 1/2in (29.2cm) high

IIZUKA HOSAI II（1872–1934）或IIZUKA ROKANSAI（1890–1958） 竹篮昭和时代，20世纪20年代末/30年代初