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JUKAKUSAI HISATAKA:A gold lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold, aokin, and colored takamaki-e against a bright gold kinji ground, one side with a cockerel perched on a kanko drum by a flowering plum tree, the other side with a hen and three chicks under flowering branches, signed Jukakusai Hisataka and Issai Hisataka with a kao (cursive monogram); glass ojime; wood storage box
3 5/8in (8.5cm) high

久久保久 19世纪江户时期的四箱金漆

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TOJU:A dark brown lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in gold, silver, and colored hiramaki-e and takamaki-e against a polished dark brown ground depicting Hotei leaning on his sack, the reverse with a scroll, a fan and the head of a gnarled staff in shell inlay, the interior red lacquer, the rims fundame, signed Gyonen nanajusai Toju (Toju, aged 70) with a kao (cursive monogram)
3in (7.6cm) high

全部 19世纪江户时期的四箱深棕色漆

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AN INLAID BRONZE INCENSE BURNER :Meiji era (1868-1912), late 19th century
Cast in bronze and chiseled on the surface and decorated in copper, gilt and silver-gilt, the cylindrical vessel set on six beast-mask feet and decorated on the body with tenjin (apsara) in flight among clouds in bold relief bordered by a band of stylized phoenix alternating with leafy vines, and dragon and cloud roundels below, the vessel applied with dragon handles, the domed cover decorated with a lappet band encircling a stylized bats in clouds on a ground of archaistic Chinese animal forms and applied with a large coiling dragon, the interior with a copper liner
16 1/2in (41.9cm) high

镶嵌的青铜香炉 明治时代，19世纪晚期

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YAMADA JOKASAI:A gold lacquer three-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold, silver and colored takamaki-e and shell against a matte gold lacquer ground, one side with a cockerel peering out from a basket of twigs and the other with a hen and chicks on a gardener\'s leaf-scoop, signed Joka with a kao (cursive monogram); agate ojime
2 1/2in (6.3cm) high

山田县 19世纪江户时代或明治时代的金漆三箱

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1918年5月19日和20日，A.Guindet-A. Guindet

Grande kermesse des fleurs 19 et 20 mai 1918--A. Guindet (法国, 19th Century)

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HARA YOYUSAI (1772-1845/6):A gold-lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with interior cord-runners decorated in gold, black and silver takamaki-e and red togidashi maki-e on a ground of bright kinji with a solitary crow perched in a snow-laden pine tree before the setting sun, the interiors nashiji, signed Yoyusai saku; fitted with a coral bead ojime and a wood netsuke carved as a Buddhist gong
3 1/4in (8.2cm) high

原佑斋（1772-1845/6） 19世纪江户时期的四箱金漆

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A LACQUERED WOOD FIGURE OF AMIDA BUDDHA (AMITABHA):Edo period (1615-1868), 19th century
The figure shown dressed in flowing robes open at the chest, the byakugo (urna) and the nikkeishu (jewel of wisdom) inlaid in color stones, the hands held in the raigo-in (vitarka mudra) gesture used by Amida when descending from heaven to receive the souls of the deceased, the right hand raised and the left hand lowered, both with palm facing outward, standing on a multi-tiered lotus pedestal painted in green pigment with gilt highlights
31 1/4in (79.4cm) high (figure only); 41 1/4in (104.7cm) high overall

阿米达佛（阿弥陀佛）的漆木像 江户时代，19世纪

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TOSHITOYO (ACTIVE 19TH CENTURY) AND SARATANI TOMIZO (BORN 1949):A gold lacquer four-case inro and matching ojime
Edo period (1615-1868) or Meiji era (1868-1912), and Showa era (1926-1989), 20th century
The inro with a kinji ground decorated in gold and and slight-colored hiramaki-e with a bamboo grove, some of the leafy stems waving as if stirred by a gentle breeze, the interior plain black lacquer, signed in gold lacquer Toshitoyo with a kao, fitted with a gold lacquer tubular ojime lacquered in green hiramaki-e with bamboo, signed Tomi
3 1/4in (8.2cm) high

TOSHITOYO（活跃于19世纪）和SARATANI TOMIZO（1949年出生） 金漆四格，与明治时代和昭和时代相匹配，20世纪

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A LARGE ZUSHI (PORTABLE SHRINE):Edo period (1615-1868) or Meiji era (1868-1912), 19th century
The red-lacquer case decorated with a hollyhock crests in gold hiramaki-e on each of the hinged double doors and applied with elaborate foliate-etched gilt-metal fittings opening to reveal a standing figure of Amida Buddha (Amitabha) flanked by the bodhisattvas Kannon (Avalokitesvara) and Seishi (Mahasthamaprapta) in a raigo-like configuration and accompanied by a figure of Jizo (Ksitigarbha) and Fudo Myo-o (Acala), all raised on lotus pedestals and supported on an ornate, stepped plinth, an additional pair of miniature guardian figures applied to the top of the balusters
33 3/8in (85cm) high overall

大型祖师庙 19世纪江户时代或五月时代

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HOSHIN:A gold lacquer four-case inro
Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold, silver, black, and red hiramaki-e and takamaki-e against a gold kinji and fine hirame ground, depicting a large stag beetle and other insects including a grasshopper, a mantis, and a dragonfly, signed Hoshin; fitted with a glass bead ojime
3 1/4in (8.2cm) high

霍辛[印度西南部城市] 19世纪江户时代或明治时代的金漆四箱