93. 费多尔·格里戈里耶维奇·索伦采夫《彼得罗姆·伊扎列维丘·阿列克谢乌·彼得罗维丘·查舍奇卡、波扎洛万纳伊·埃佩拉托姆》 高清作品[88%]

Chashechka, pozhalovannaia imperatorom Petrom I tsarevichu Alekseiu Petrovichu-

图片文件尺寸 : 4360 x 6235px

费多尔·格里戈里耶维奇·索伦采夫《彼得罗姆·伊扎列维丘·阿列克谢乌·彼得罗维丘·查舍奇卡、波扎洛万纳伊·埃佩拉托姆》-Fedor Grigoryevich Solntsev

Chashechka, pozhalovannaia imperatorom Petrom I tsarevichu Alekseiu Petrovichu--Fedor Grigoryevich Solntsev (俄罗斯, 1801 – 1892)

95. 安迪·沃霍尔 斯威士兰女王恩托姆比·特瓦拉 高清作品[88%]

Queen Ntombi Twala of Swaziland, from Reigning Queens

图片文件尺寸 : 4997 x 5016px

Andy Warhol:Queen Ntombi Twala of Swaziland, from Reigning Queens (Feldman Schellmann IIB), 1985
Screenprint in colors on Lenox Museum board, a unique proof aside from the edition of 40 (there were also 10 artist\'s proofs), with the Warhol Authentication Board inkstamp on verso, published by George C.P. Mulder, Amsterdam, with the blindstamp of the printer, Rupert Jasen Smith, the full sheet, framed.
39 5/8 x 31 1/2in (100.6 x 80.1cm)
sheet 40 1/8 x 32 1/8in (101.9 x 81.5cm)

安迪·沃霍尔 斯威士兰女王恩托姆比·特瓦拉

96. 费多尔·格里戈里耶维奇·索伦采夫的《波蒂里、迪斯科和lzhitsa安东尼娅·里姆利亚尼娜、亚什莫维娅、乌克拉申尼·佐洛托姆一世》 高清作品[87%]

Potiry, diskos i lzhitsa Antoniia Rimlianina, iashmovyia, ukrashennie zolotom I dragotsennymi kamniami-

图片文件尺寸 : 4144 x 6139px

费多尔·格里戈里耶维奇·索伦采夫的《波蒂里、迪斯科和lzhitsa安东尼娅·里姆利亚尼娜、亚什莫维娅、乌克拉申尼·佐洛托姆一世》-Fedor Grigoryevich Solntsev

Potiry, diskos i lzhitsa Antoniia Rimlianina, iashmovyia, ukrashennie zolotom I dragotsennymi kamniami--Fedor Grigoryevich Solntsev (俄罗斯, 1801 – 1892)

97. “从水上看威尼斯,前景是一艘木筏”,作者是卡雷尔·尼古拉斯·斯托姆(Carel Nicolas Storm of’s Gravesande) 高清作品[86%]

Gezicht op Venetië vanaf het water, met op de voorgrond in het water een houten vlot-

图片文件尺寸 : 6896 x 3738px

“从水上看威尼斯,前景是一艘木筏”,作者是卡雷尔·尼古拉斯·斯托姆(Carel Nicolas Storm of’s Gravesande)-Carel Nicolaas Storm van s-Gravesande

Gezicht op Venetië vanaf het water, met op de voorgrond in het water een houten vlot--Carel Nicolaas Storm van 's-Gravesande (荷兰, 1841 - 1924)

98. 安东尼奥·斯托姆为纪念安娜·玛丽亚·路易莎·德·美第奇、帕拉廷选帝侯和托斯卡纳大公科西莫三世的女儿而举行的舞会 高清作品[86%]

A ball in honour of Anna Maria Luisa de’ Medici, Electress Palatine and daughter of the Grand Duke Cosimo III of Tuscany-

图片文件尺寸 : 3833 x 2362px

安东尼奥·斯托姆为纪念安娜·玛丽亚·路易莎·德·美第奇、帕拉廷选帝侯和托斯卡纳大公科西莫三世的女儿而举行的舞会-Antonio Stom

A ball in honour of Anna Maria Luisa de’ Medici, Electress Palatine and daughter of the Grand Duke Cosimo III of Tuscany--Antonio Stom (意大利, 1672 - 1734)

99. 托姆布雷 高清作品[74%]

DO-Cy Twombly  - 现代艺术 I
图片文件像素:5713 x 4685 px

托姆布雷-

Cy Twombly * - Zeitgenössische Kunst I-

(Lexington, Virginia 1928–2011 Rome)
Untitled, 1963/1964, signed Cy Twombly, colored pencil, wax crayon on paper, 86 x 67 cm, framed

Provenance:
Galleria La Tartaruga, Rome
Galerie Karsten Greve, Cologne
Private Collection, 德国y
Kunsthaus Lempertz, 3 December 2016, lot 450 - acquired there by the present owner

Literature:
Nicola Del Roscio, Cy Twombly, drawings, catalogue raisonné, Gagosian Gallery, New York (Ed.), Munich 2011, vol. 4, no. 20

Cy Twombly occupies a unique position among US artists. Twombly lived and worked in Italy, far from the 美国 art world, and felt free to experiment. In Rome, Twombly refined his distinctive artistic language. Twombly\'s visual language is informed by classical literature, ancient history, poetry and mythology, as well as his own life experience. Since the 1950s, Twombly\'s drawings have been dominated by rhythmically repeated line progressions, swirls, dense tangles and isolated numbers. Pencil, coloured pens and ballpoint pens enabled Twombly to make this \'scriptural\' drawing, which ultimately includes the signature of the artist himself. On the white of the paper, the pictorial elements provoke by appearing as scribbles, appearing as if randomly distributed on the surface.

The untitled work offered here is a vivid example of Twombly\'s unique pictorial language. The pictorial elements merge into an abstract composition that is both delicate and dynamic. The work was created in Italy between 1963-64. Twombly lived in a 17th-century palazzo on Via di Monserrato in Rome at the time the work was created. Untitled is emblematic of the groundbreaking work Twombly produced in the 1960s, widely regarded as a critical and highly fruitful period in his long and illustrious career.

“Paint is something that I use with my hands and do all those tactile things. I really don’t like oil because you can’t get back into it, or you make a mess. It’s not my favourite thing... pencil is more my medium than wet paint.”
Cy Twombly

托姆油画图片- 高清托姆绘画作品- 代表作全集 中艺名画下载


93. 费多尔·格里戈里耶维奇·索伦采夫《彼得罗姆·伊扎列维丘·阿列克谢乌·彼得罗维丘·查舍奇卡、波扎洛万纳伊·埃佩拉托姆》 高清作品[88%]

Chashechka, pozhalovannaia imperatorom Petrom I tsarevichu Alekseiu Petrovichu-

图片文件尺寸 : 4360 x 6235px

费多尔·格里戈里耶维奇·索伦采夫《彼得罗姆·伊扎列维丘·阿列克谢乌·彼得罗维丘·查舍奇卡、波扎洛万纳伊·埃佩拉托姆》-Fedor Grigoryevich Solntsev

Chashechka, pozhalovannaia imperatorom Petrom I tsarevichu Alekseiu Petrovichu--Fedor Grigoryevich Solntsev (俄罗斯, 1801 – 1892)

95. 安迪·沃霍尔 斯威士兰女王恩托姆比·特瓦拉 高清作品[88%]

Queen Ntombi Twala of Swaziland, from Reigning Queens

图片文件尺寸 : 4997 x 5016px

Andy Warhol:Queen Ntombi Twala of Swaziland, from Reigning Queens (Feldman Schellmann IIB), 1985
Screenprint in colors on Lenox Museum board, a unique proof aside from the edition of 40 (there were also 10 artist\'s proofs), with the Warhol Authentication Board inkstamp on verso, published by George C.P. Mulder, Amsterdam, with the blindstamp of the printer, Rupert Jasen Smith, the full sheet, framed.
39 5/8 x 31 1/2in (100.6 x 80.1cm)
sheet 40 1/8 x 32 1/8in (101.9 x 81.5cm)

安迪·沃霍尔 斯威士兰女王恩托姆比·特瓦拉

96. 费多尔·格里戈里耶维奇·索伦采夫的《波蒂里、迪斯科和lzhitsa安东尼娅·里姆利亚尼娜、亚什莫维娅、乌克拉申尼·佐洛托姆一世》 高清作品[87%]

Potiry, diskos i lzhitsa Antoniia Rimlianina, iashmovyia, ukrashennie zolotom I dragotsennymi kamniami-

图片文件尺寸 : 4144 x 6139px

费多尔·格里戈里耶维奇·索伦采夫的《波蒂里、迪斯科和lzhitsa安东尼娅·里姆利亚尼娜、亚什莫维娅、乌克拉申尼·佐洛托姆一世》-Fedor Grigoryevich Solntsev

Potiry, diskos i lzhitsa Antoniia Rimlianina, iashmovyia, ukrashennie zolotom I dragotsennymi kamniami--Fedor Grigoryevich Solntsev (俄罗斯, 1801 – 1892)

97. “从水上看威尼斯,前景是一艘木筏”,作者是卡雷尔·尼古拉斯·斯托姆(Carel Nicolas Storm of’s Gravesande) 高清作品[86%]

Gezicht op Venetië vanaf het water, met op de voorgrond in het water een houten vlot-

图片文件尺寸 : 6896 x 3738px

“从水上看威尼斯,前景是一艘木筏”,作者是卡雷尔·尼古拉斯·斯托姆(Carel Nicolas Storm of’s Gravesande)-Carel Nicolaas Storm van s-Gravesande

Gezicht op Venetië vanaf het water, met op de voorgrond in het water een houten vlot--Carel Nicolaas Storm van 's-Gravesande (荷兰, 1841 - 1924)

98. 安东尼奥·斯托姆为纪念安娜·玛丽亚·路易莎·德·美第奇、帕拉廷选帝侯和托斯卡纳大公科西莫三世的女儿而举行的舞会 高清作品[86%]

A ball in honour of Anna Maria Luisa de’ Medici, Electress Palatine and daughter of the Grand Duke Cosimo III of Tuscany-

图片文件尺寸 : 3833 x 2362px

安东尼奥·斯托姆为纪念安娜·玛丽亚·路易莎·德·美第奇、帕拉廷选帝侯和托斯卡纳大公科西莫三世的女儿而举行的舞会-Antonio Stom

A ball in honour of Anna Maria Luisa de’ Medici, Electress Palatine and daughter of the Grand Duke Cosimo III of Tuscany--Antonio Stom (意大利, 1672 - 1734)

99. 托姆布雷 高清作品[74%]

DO-Cy Twombly  - 现代艺术 I
图片文件像素:5713 x 4685 px

托姆布雷-

Cy Twombly * - Zeitgenössische Kunst I-

(Lexington, Virginia 1928–2011 Rome)
Untitled, 1963/1964, signed Cy Twombly, colored pencil, wax crayon on paper, 86 x 67 cm, framed

Provenance:
Galleria La Tartaruga, Rome
Galerie Karsten Greve, Cologne
Private Collection, 德国y
Kunsthaus Lempertz, 3 December 2016, lot 450 - acquired there by the present owner

Literature:
Nicola Del Roscio, Cy Twombly, drawings, catalogue raisonné, Gagosian Gallery, New York (Ed.), Munich 2011, vol. 4, no. 20

Cy Twombly occupies a unique position among US artists. Twombly lived and worked in Italy, far from the 美国 art world, and felt free to experiment. In Rome, Twombly refined his distinctive artistic language. Twombly\'s visual language is informed by classical literature, ancient history, poetry and mythology, as well as his own life experience. Since the 1950s, Twombly\'s drawings have been dominated by rhythmically repeated line progressions, swirls, dense tangles and isolated numbers. Pencil, coloured pens and ballpoint pens enabled Twombly to make this \'scriptural\' drawing, which ultimately includes the signature of the artist himself. On the white of the paper, the pictorial elements provoke by appearing as scribbles, appearing as if randomly distributed on the surface.

The untitled work offered here is a vivid example of Twombly\'s unique pictorial language. The pictorial elements merge into an abstract composition that is both delicate and dynamic. The work was created in Italy between 1963-64. Twombly lived in a 17th-century palazzo on Via di Monserrato in Rome at the time the work was created. Untitled is emblematic of the groundbreaking work Twombly produced in the 1960s, widely regarded as a critical and highly fruitful period in his long and illustrious career.

“Paint is something that I use with my hands and do all those tactile things. I really don’t like oil because you can’t get back into it, or you make a mess. It’s not my favourite thing... pencil is more my medium than wet paint.”
Cy Twombly