图片文件尺寸 : 4142 x 3199px
罗伯特·斯托姆·彼得森(Robert Storm Petersen)的《马戏团的内景》,剧中有小丑、飞人和壮汉-Robert Storm Petersen
Interiør fra et cirkus med klovne, trapezkunstnere og en stærk mand--Robert Storm Petersen (丹麦, 1882 – 1949)
大约有104幅作品符合查询(搜索耗时:0.0193秒)
图片文件尺寸 : 4997 x 5016px
Andy Warhol:Queen Ntombi Twala of Swaziland, from Reigning Queens (Feldman Schellmann IIB), 1985
Screenprint in colors on Lenox Museum board, a unique proof aside from the edition of 40 (there were also 10 artist\'s proofs), with the Warhol Authentication Board inkstamp on verso, published by George C.P. Mulder, Amsterdam, with the blindstamp of the printer, Rupert Jasen Smith, the full sheet, framed.
39 5/8 x 31 1/2in (100.6 x 80.1cm)
sheet 40 1/8 x 32 1/8in (101.9 x 81.5cm)
安迪·沃霍尔 斯威士兰女王恩托姆比·特瓦拉
托姆布雷-
Cy Twombly * - Zeitgenössische Kunst I-
(Lexington, Virginia 1928–2011 Rome)
Untitled, 1963/1964, signed Cy Twombly, colored pencil, wax crayon on paper, 86 x 67 cm, framed
Provenance:
Galleria La Tartaruga, Rome
Galerie Karsten Greve, Cologne
Private Collection, 德国y
Kunsthaus Lempertz, 3 December 2016, lot 450 - acquired there by the present owner
Literature:
Nicola Del Roscio, Cy Twombly, drawings, catalogue raisonné, Gagosian Gallery, New York (Ed.), Munich 2011, vol. 4, no. 20
Cy Twombly occupies a unique position among US artists. Twombly lived and worked in Italy, far from the 美国 art world, and felt free to experiment. In Rome, Twombly refined his distinctive artistic language. Twombly\'s visual language is informed by classical literature, ancient history, poetry and mythology, as well as his own life experience. Since the 1950s, Twombly\'s drawings have been dominated by rhythmically repeated line progressions, swirls, dense tangles and isolated numbers. Pencil, coloured pens and ballpoint pens enabled Twombly to make this \'scriptural\' drawing, which ultimately includes the signature of the artist himself. On the white of the paper, the pictorial elements provoke by appearing as scribbles, appearing as if randomly distributed on the surface.
The untitled work offered here is a vivid example of Twombly\'s unique pictorial language. The pictorial elements merge into an abstract composition that is both delicate and dynamic. The work was created in Italy between 1963-64. Twombly lived in a 17th-century palazzo on Via di Monserrato in Rome at the time the work was created. Untitled is emblematic of the groundbreaking work Twombly produced in the 1960s, widely regarded as a critical and highly fruitful period in his long and illustrious career.
“Paint is something that I use with my hands and do all those tactile things. I really don’t like oil because you can’t get back into it, or you make a mess. It’s not my favourite thing... pencil is more my medium than wet paint.”
Cy Twombly
大约有104幅作品符合查询(搜索耗时:0.0193秒)
图片文件尺寸 : 4997 x 5016px
Andy Warhol:Queen Ntombi Twala of Swaziland, from Reigning Queens (Feldman Schellmann IIB), 1985
Screenprint in colors on Lenox Museum board, a unique proof aside from the edition of 40 (there were also 10 artist\'s proofs), with the Warhol Authentication Board inkstamp on verso, published by George C.P. Mulder, Amsterdam, with the blindstamp of the printer, Rupert Jasen Smith, the full sheet, framed.
39 5/8 x 31 1/2in (100.6 x 80.1cm)
sheet 40 1/8 x 32 1/8in (101.9 x 81.5cm)
安迪·沃霍尔 斯威士兰女王恩托姆比·特瓦拉
托姆布雷-
Cy Twombly * - Zeitgenössische Kunst I-
(Lexington, Virginia 1928–2011 Rome)
Untitled, 1963/1964, signed Cy Twombly, colored pencil, wax crayon on paper, 86 x 67 cm, framed
Provenance:
Galleria La Tartaruga, Rome
Galerie Karsten Greve, Cologne
Private Collection, 德国y
Kunsthaus Lempertz, 3 December 2016, lot 450 - acquired there by the present owner
Literature:
Nicola Del Roscio, Cy Twombly, drawings, catalogue raisonné, Gagosian Gallery, New York (Ed.), Munich 2011, vol. 4, no. 20
Cy Twombly occupies a unique position among US artists. Twombly lived and worked in Italy, far from the 美国 art world, and felt free to experiment. In Rome, Twombly refined his distinctive artistic language. Twombly\'s visual language is informed by classical literature, ancient history, poetry and mythology, as well as his own life experience. Since the 1950s, Twombly\'s drawings have been dominated by rhythmically repeated line progressions, swirls, dense tangles and isolated numbers. Pencil, coloured pens and ballpoint pens enabled Twombly to make this \'scriptural\' drawing, which ultimately includes the signature of the artist himself. On the white of the paper, the pictorial elements provoke by appearing as scribbles, appearing as if randomly distributed on the surface.
The untitled work offered here is a vivid example of Twombly\'s unique pictorial language. The pictorial elements merge into an abstract composition that is both delicate and dynamic. The work was created in Italy between 1963-64. Twombly lived in a 17th-century palazzo on Via di Monserrato in Rome at the time the work was created. Untitled is emblematic of the groundbreaking work Twombly produced in the 1960s, widely regarded as a critical and highly fruitful period in his long and illustrious career.
“Paint is something that I use with my hands and do all those tactile things. I really don’t like oil because you can’t get back into it, or you make a mess. It’s not my favourite thing... pencil is more my medium than wet paint.”
Cy Twombly