图片文件尺寸 : 2435 x 2848px
“蓝色青瓷立式茶壶架（AoSeiji shaku tate），出自久保顺满的系列《五色茶具》（Chaki goshiki）-Kubo Shunman
Blue; Celadon Standing Ladle Holder (Ao; Seiji shaku tate), from the series Five Colors of Tea Utensils (Chaki goshiki)--Kubo Shunman (Japanese, 1757-1820)
材质 : Offset in colors, coated
图片文件尺寸 : 4859 x 3695 px
Gerhard Richter-Betty (Tate Poster), 1991.
格哈德·里希特-贝蒂（泰特海报），1991年。
图片文件尺寸 : 4234 x 4885px
KAWASE HASUI (1883-1957):One oban yoko-e print and one oban tate-e print
Showa era (1926-1989), 1947
The first, entitled Yamanakako no banshu (Autumn Evening at Lake Yamanaka); the second, entitled Kintaibashi no shunsho (Spring Evening at Kintai Bridge); both dated 1947, published by Watanabe Shozaburo, with Watanabe 6mm round seal, and signed Hasui (2)
The first, 10 1/2 x 15 1/4in (26.6 x 38.8cm); the second, 15 7/16 x 10 5/8in (39.2 x 26.9cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1947年
图片文件尺寸 : 4843 x 4135px
KAWASE HASUI (1883-1957):Two oban tate-e prints
Showa era (1926-1989), 1947
The first, entitled Mino no Tanigumidera (Tanigumi Temple of Mino); the second entitled Kintaibashi no Shunsho (Spring Evening at Kintai Bridge), with Kintai-bashi in Spring, near Hiroshima Hasui Kawase written in pencil; both dated 1947, published by Watanabe Shozaburo, with Watanabe 6mm round seal, and signed Hasui (2)
The first, 15 7/16 x 10 3/8in (38.2 x 26.3cm); the second, 14 15/16 x 10 3/8in (38 x 26.3cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1947年，两幅欧本州的版画
图片文件尺寸 : 4273 x 5270px
UTAGAWA HIROSHIGE I (1797–1858):Six oban tate-e prints
Edo period (1615-1868), 1857
The six prints of the Shokoku Mutamagawa (Six Jewel Rivers of Various Provinces) series, each print named for a river in different provinces of Japan and containing calligraphy of a poem from classic anthologies of Japanese poetry, the rivers depicted being: Omi Noji (Noji in Omi Province); Yamashiro Ide (Ide in Yamashiro Province); Kii Koya (Koya in Kii Province); Mutsu Noda (Noda in Mutsu Province); Settsu Kinuta (Kinuta in Settsu Province); and Musashi Chofu (Chofu in Musashi Province); each signed Hiroshige ga, all published by Maruya Kyushiro (6)
13 1/2 x 9 3/8in (34.4 x 23.8cm) each approximately
芥川广志一世（1797-1858） 江户时期，1857年
图片文件尺寸 : 4190 x 3815px
KAWASE HASUI (1883-1957):Three oban tate-e prints
Showa era (1926-1989), 1931-1948
The first, entitled Meguro Fudodo (The Fudo Hall of Meguro), dated 1931; the second, entitled Okayama no Kanetsukido (The Bell Tower of Okayama), dated 1947; the third, entitled Haru no Yu (Ueno Toshogu) (Spring Evening (Ueno Tosho-gu Shrine)), dated 1948, with Evening in Spring at Uyeno Park, Tokyo Hasui Kawase written in pencil; all published by Watanabe Shozaburo, with Watanabe 6mm round seal, and signed Hasui (3)
The first, 15 5/8 x 10 9/16in (39.7 x 26.8cm); the second, 15 5/16 x 10 3/8in (38.9 x 26.4cm); the third, 14 15/16 x 10 3/8in (38 x 26.4cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1931-1948年
图片文件尺寸 : 5180 x 5260px
YOSHIDA HIROSHI (1876-1950):Two oban tate-e prints and one oban yoko-e print
Showa era (1926-1989), 1928-1933
The first, entitled Sarusawa ike (Sarusawa Pond), dated 1933, signed Hiroshi Yoshida with jizuri seal; the second, entitled Kono Matsuri (\"Country Holiday\" Festival at Kono), dated 1933, signed Hiroshi Yoshida; the third, entitled Kingyo sukui (Scooping Up Goldfish) from the series Tokyo junidai (12 Scenes of Tokyo), dated 1928, signed Yoshida, with jizuri seal (3)
The first, 16 x 10 3/4in (40.6 x 27.3cm); the second, 15 3/4 x 10 1/2in (40 x 26.7cm); the third, 10 5/8 x 15 13/16in (27 x 40.2cm)
吉田广史（1876-1950） 昭和时代，1928-1933年
图片文件尺寸 : 4426 x 4223px
YOSHIDA HIROSHI (1876-1950):Three oban tate-e prints and one oban yoko-e print
Showa era (1926-1989), 1930-1986
The first, entitled Yomeimon (Yomei Gate), dated 1937, signed Yoshida Hiroshi, with jizuri seal; the second, entitled Bunnosuke chaya (\"A Little Temple Gate\" Bunnosuke Tea House), dated 1933, signed Yoshida Hiroshi, with jizuri seal; the third, entitled Kin to shiro (\"Gate in Gold and White\" Gold and White), original dated 1937 but this impression an atozuri impression from the original printing blocks made in 1986, signed Hiroshi Yoshida; the fourth, entitled Seto Naikai, Kura (\"Kura in Tomonoura\" Seto Inland Sea, Storehouses), dated 1930, signed Hiroshi Yoshida, with jizuri seal (4)
11 1/16 x 16 1/16in (28.1 x 40.8cm), the largest
吉田广史（1876-1950） 昭和时代，1930-1986
图片文件尺寸 : 5067 x 4761px
UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-58
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection); the first, Dai sanju-ikkan, Otome (Vol. 31, Otome), published by Totoya Eikichi; the second, Dai Goju-ikkan, Ukifune (Vol. 51, Ukifune), published by Ebisuya Shoshichi; the third, Sanju no maki, Fujibakama (Vol. 30, Fujibakama), published by Totoya Eikichi; the fourth, Jusan no maki, Aoi (Vol. 13, Aoi), published by Totoya Eikichi; the fifth, Dai ju-yonkan, Aoi (Vol. 14, Aoi), published by Totoya Eikichi; all carved by Yokokawa Takejiro, and signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately
UTAGAWA KUNISADA I（丰谷三世，1786-1864年） 江户时期，约1857年至1858年，五幅欧本州式双联版画
图片文件尺寸 : 4436 x 5763px
UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-1859
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection), the first, Dai ju-hachi no maki, Matsukaze (Vol. 18, Matsukaze), carved by Sugawa Sennosuke, published by Wakasaya Yoichi; the second, Dai nana no maki, Momiji no ga (Vol. 7, Momiji no Ga), carved by Yokokawa Takejiro, published by Hayashiya Shogoro; the third, Dai ju-rokkan, Sekiya (Vol. 16, Sekiya), published by Wakasaya Yoichi; the fourth, Yonju-nikan, Niou no Miya (Vol. 42, Niou no Miya), carved by Yokokawa Takejiro, published by Ebisuya Shoshichi; the fifth, Dai niju-nana no maki, Kagaribi (Volume 27, Kagaribi), published by Wakasaya Yoichi; each signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately
UTAGAWA KUNISADA I（丰谷三世，1786-1864年） 江户时期，约1857-1859年，五幅欧本州式双联版画
图片文件尺寸 : 2435 x 2848px
“蓝色青瓷立式茶壶架（AoSeiji shaku tate），出自久保顺满的系列《五色茶具》（Chaki goshiki）-Kubo Shunman
Blue; Celadon Standing Ladle Holder (Ao; Seiji shaku tate), from the series Five Colors of Tea Utensils (Chaki goshiki)--Kubo Shunman (Japanese, 1757-1820)
材质 : Offset in colors, coated
图片文件尺寸 : 4859 x 3695 px
Gerhard Richter-Betty (Tate Poster), 1991.
格哈德·里希特-贝蒂（泰特海报），1991年。
图片文件尺寸 : 4234 x 4885px
KAWASE HASUI (1883-1957):One oban yoko-e print and one oban tate-e print
Showa era (1926-1989), 1947
The first, entitled Yamanakako no banshu (Autumn Evening at Lake Yamanaka); the second, entitled Kintaibashi no shunsho (Spring Evening at Kintai Bridge); both dated 1947, published by Watanabe Shozaburo, with Watanabe 6mm round seal, and signed Hasui (2)
The first, 10 1/2 x 15 1/4in (26.6 x 38.8cm); the second, 15 7/16 x 10 5/8in (39.2 x 26.9cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1947年
图片文件尺寸 : 4843 x 4135px
KAWASE HASUI (1883-1957):Two oban tate-e prints
Showa era (1926-1989), 1947
The first, entitled Mino no Tanigumidera (Tanigumi Temple of Mino); the second entitled Kintaibashi no Shunsho (Spring Evening at Kintai Bridge), with Kintai-bashi in Spring, near Hiroshima Hasui Kawase written in pencil; both dated 1947, published by Watanabe Shozaburo, with Watanabe 6mm round seal, and signed Hasui (2)
The first, 15 7/16 x 10 3/8in (38.2 x 26.3cm); the second, 14 15/16 x 10 3/8in (38 x 26.3cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1947年，两幅欧本州的版画
图片文件尺寸 : 4273 x 5270px
UTAGAWA HIROSHIGE I (1797–1858):Six oban tate-e prints
Edo period (1615-1868), 1857
The six prints of the Shokoku Mutamagawa (Six Jewel Rivers of Various Provinces) series, each print named for a river in different provinces of Japan and containing calligraphy of a poem from classic anthologies of Japanese poetry, the rivers depicted being: Omi Noji (Noji in Omi Province); Yamashiro Ide (Ide in Yamashiro Province); Kii Koya (Koya in Kii Province); Mutsu Noda (Noda in Mutsu Province); Settsu Kinuta (Kinuta in Settsu Province); and Musashi Chofu (Chofu in Musashi Province); each signed Hiroshige ga, all published by Maruya Kyushiro (6)
13 1/2 x 9 3/8in (34.4 x 23.8cm) each approximately
芥川广志一世（1797-1858） 江户时期，1857年
图片文件尺寸 : 4190 x 3815px
KAWASE HASUI (1883-1957):Three oban tate-e prints
Showa era (1926-1989), 1931-1948
The first, entitled Meguro Fudodo (The Fudo Hall of Meguro), dated 1931; the second, entitled Okayama no Kanetsukido (The Bell Tower of Okayama), dated 1947; the third, entitled Haru no Yu (Ueno Toshogu) (Spring Evening (Ueno Tosho-gu Shrine)), dated 1948, with Evening in Spring at Uyeno Park, Tokyo Hasui Kawase written in pencil; all published by Watanabe Shozaburo, with Watanabe 6mm round seal, and signed Hasui (3)
The first, 15 5/8 x 10 9/16in (39.7 x 26.8cm); the second, 15 5/16 x 10 3/8in (38.9 x 26.4cm); the third, 14 15/16 x 10 3/8in (38 x 26.4cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1931-1948年
图片文件尺寸 : 5180 x 5260px
YOSHIDA HIROSHI (1876-1950):Two oban tate-e prints and one oban yoko-e print
Showa era (1926-1989), 1928-1933
The first, entitled Sarusawa ike (Sarusawa Pond), dated 1933, signed Hiroshi Yoshida with jizuri seal; the second, entitled Kono Matsuri (\"Country Holiday\" Festival at Kono), dated 1933, signed Hiroshi Yoshida; the third, entitled Kingyo sukui (Scooping Up Goldfish) from the series Tokyo junidai (12 Scenes of Tokyo), dated 1928, signed Yoshida, with jizuri seal (3)
The first, 16 x 10 3/4in (40.6 x 27.3cm); the second, 15 3/4 x 10 1/2in (40 x 26.7cm); the third, 10 5/8 x 15 13/16in (27 x 40.2cm)
吉田广史（1876-1950） 昭和时代，1928-1933年
图片文件尺寸 : 4426 x 4223px
YOSHIDA HIROSHI (1876-1950):Three oban tate-e prints and one oban yoko-e print
Showa era (1926-1989), 1930-1986
The first, entitled Yomeimon (Yomei Gate), dated 1937, signed Yoshida Hiroshi, with jizuri seal; the second, entitled Bunnosuke chaya (\"A Little Temple Gate\" Bunnosuke Tea House), dated 1933, signed Yoshida Hiroshi, with jizuri seal; the third, entitled Kin to shiro (\"Gate in Gold and White\" Gold and White), original dated 1937 but this impression an atozuri impression from the original printing blocks made in 1986, signed Hiroshi Yoshida; the fourth, entitled Seto Naikai, Kura (\"Kura in Tomonoura\" Seto Inland Sea, Storehouses), dated 1930, signed Hiroshi Yoshida, with jizuri seal (4)
11 1/16 x 16 1/16in (28.1 x 40.8cm), the largest
吉田广史（1876-1950） 昭和时代，1930-1986
图片文件尺寸 : 5067 x 4761px
UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-58
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection); the first, Dai sanju-ikkan, Otome (Vol. 31, Otome), published by Totoya Eikichi; the second, Dai Goju-ikkan, Ukifune (Vol. 51, Ukifune), published by Ebisuya Shoshichi; the third, Sanju no maki, Fujibakama (Vol. 30, Fujibakama), published by Totoya Eikichi; the fourth, Jusan no maki, Aoi (Vol. 13, Aoi), published by Totoya Eikichi; the fifth, Dai ju-yonkan, Aoi (Vol. 14, Aoi), published by Totoya Eikichi; all carved by Yokokawa Takejiro, and signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately
UTAGAWA KUNISADA I（丰谷三世，1786-1864年） 江户时期，约1857年至1858年，五幅欧本州式双联版画
图片文件尺寸 : 4436 x 5763px
UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-1859
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection), the first, Dai ju-hachi no maki, Matsukaze (Vol. 18, Matsukaze), carved by Sugawa Sennosuke, published by Wakasaya Yoichi; the second, Dai nana no maki, Momiji no ga (Vol. 7, Momiji no Ga), carved by Yokokawa Takejiro, published by Hayashiya Shogoro; the third, Dai ju-rokkan, Sekiya (Vol. 16, Sekiya), published by Wakasaya Yoichi; the fourth, Yonju-nikan, Niou no Miya (Vol. 42, Niou no Miya), carved by Yokokawa Takejiro, published by Ebisuya Shoshichi; the fifth, Dai niju-nana no maki, Kagaribi (Volume 27, Kagaribi), published by Wakasaya Yoichi; each signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately
UTAGAWA KUNISADA I（丰谷三世，1786-1864年） 江户时期，约1857-1859年，五幅欧本州式双联版画