3. 《草地上的午餐：在我意识到奥德琳对她的话赋予了不同的含义（2017）之前，我是如何认为奥德琳想让我给她画画的 by Phil Rabovsky 高清作品[29%]

Luncheon on the Grass: How I Thought Audrine Wanted Me to Paint Her Before I Realized She Attached Different Meanings to Her Words (2017) | Available for Sale

材质 :Oil, acrylic, and silkscreen on canvas; plants 尺寸 :About the work Painting

《草地上的午餐：在我意识到奥德琳对她的话赋予了不同的含义（2017）之前，我是如何认为奥德琳想让我给她画画的-菲尔·拉博夫斯基

英文名称:Luncheon on the Grass: How I Thought Audrine Wanted Me to Paint Her Before I Realized She Attached Different Meanings to Her Words (2017) | Available for Sale-Phil Rabovsky

4. 对于海洛因和女主人公来说，维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情（总是已经失去）的入口；或者，如何使用符号逻辑在迈克尔湾攻击两栖动物，同时在广场完工时保持坐姿（否则，就去问爱丽丝……当她十英尺高的时候……），2020年 by objet A.D 高清作品[23%]

Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020

材质 :Charcoal, Chalk, Oil-stick, and Oil-pastel on Paper 尺寸 :61 × 45.7 cm Drawing, Collage or other Work on Paper

图片文件尺寸 : 5630 x 4332px

对于海洛因和女主人公来说，维纳斯间的复活和静脉注射的亲密是沿着方位角进入爱情（总是已经失去）的入口；或者，如何使用符号逻辑在迈克尔湾攻击两栖动物，同时在广场完工时保持坐姿（否则，就去问爱丽丝……当她十英尺高的时候……），2020年-目标A.D(b. 1993)

英文名称:Of Heroin and Heroines—the Extimacy of the Inter-Venus and the Intimacy of the Intravenous as Entries Into Love (Always Already Lost) Along the Azimuth; or, How to Use Symbolic Logic to Launch an Assault on Amphibians in Michael’s Bay While Remaining Couched in the Completion of the Square (otherwise, Just Go Ask Alice… When She’s Ten Feet Tall…), 2020-objet A.D

6. 《荣耀》（亚当斯带漏光和旧电影滤镜）（2017） by Penelope Umbrico 高清作品[22%]

Glory (Adams with light leaks and old time movie filters) (2017) | Available for Sale

材质 :2 - 16min loop QuickTime Movies, two flat screen LCD TVs, electrical cords, office paper, white wall 尺寸 :This work is part of a limited edition set. Video\\\\u002FFilm\\\\u002FAnimation

《荣耀》（亚当斯带漏光和旧电影滤镜）（2017）-佩内洛普·昂布里科

英文名称:Glory (Adams with light leaks and old time movie filters) (2017) | Available for Sale-Penelope Umbrico

8. 可见不可见（镀金时代）+全透明滤镜（殖民地菲律宾）（2019年） by Stephanie Syjuco 高清作品[21%]

The Visible Invisible (Gilded Age) + Total Transparency Filter (Colonial Philippines) (2019) | Available for Sale

材质 :Hand-sewn chroma key backdrop fabric (cotton muslin), hard-sewn digitally printed cotton, nylon, silk, polyester, ribbon, hand crocheted lace, commercial lace, and dress form 尺寸 :182.9 × 299.7 × 137.2 cm Sculpture

可见不可见（镀金时代）+全透明滤镜（殖民地菲律宾）（2019年）-苏约克(Philippine, b. 1974)

英文名称:The Visible Invisible (Gilded Age) + Total Transparency Filter (Colonial Philippines) (2019) | Available for Sale-Stephanie Syjuco

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