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Matthijs Cock是1900年前的主要绘画和印刷品、的继承者/追随者-

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（1509–1548）
河边有房屋和磨坊的岩石景观，棕色和灰色的画笔，黑色粉笔的痕迹，在讲义上，背面用棕色羽毛标记“（H）ans Bol i f”，20 x 29.5厘米，棕色羽毛的边界线，晒黑，上边缘有轻微斑点，passep。，无框架（Sch）

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意大利学校，18岁。在19世纪，直到1900年，主要的绘画和版画是-

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Ein Heiliger umgeben von zwei Engeln und Putti, Feder in brauner Tusche über Spuren schwarzer Kreide, braun laviert, auf Bütten, rückseitig Figurenskizzen in schwarzer Feder, 19,4 x 16,5 cm, ohne Passep., ohne Rahmen,(Sch)

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凯旋的丘比特是艺术和战争的象征-托马斯·威勒伯茨·博斯切特

~ Triumphant Cupid among Emblems of Art and War (1645~1650) --Thomas Willeboirts Bosschaert (Flemish, 1614 - 1654)

材质 :Shoe, marble, photographs, clay, and mixed media 尺寸 :121.9 × 71.1 × 35.6 cm Sculpture

具有象征功能的超现实主义物品——Gala\'s Shoe（1932/1975）-萨尔瓦多·达利(Spanish, 1904–1989)

英文名称:Objet Surréaliste à fonctionnement symbolique—le soulier de Gala (Surrealist object that functions symbolically—Gala’s Shoe) (1932/1975)-Salvador Dalí

材质 :Inkjet print on canvas with custom jewelry and cotton and metallic embroidery, in artists chosen frame 尺寸 :104 × 77 × 6 cm Painting

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超现实主义是我！（萨尔瓦多·达利的肖像，带着珠宝和眼泪，在霍斯特之后），2009年-弗朗西斯科·维佐利(Italian, b. 1971)

英文名称:Le Surréalisme C\'Est Moi! (Portrait of Salvador Dalí with Jewels and Tears, After Horst), 2009-Francesco Vezzoli

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诗歌-戏剧-阿尔弗雷德·菲利普·罗尔

~ Poésie – Drame (1906 ~ 1914) --Alfred Philippe Roll (法国艺术家, 1846–1919)

Paesaggio rosso comunista (Paesaggio simbolico)-Franco-Angeli
（红色共产主义景观（象征性景观）-弗朗哥·安吉利）

材质 :Celestial sphere, two large brass fretwork hemispheres joined at the equator with two sets of rings. The first set consists of five parallel horizontal rings representing the Equator, Tropics of Cancer and Capricorn, and both polar circles as well as vertical colures and meridians intersecting both poles and crossing the equator at 30 degrees. The second set consists of six rings intersecting the equatorial poles at an angle of 23.5 degrees – this angle would allow the now-missing inner terrestrial sphere to consistently point to the north and south equatorial poles of the celestial sphere. Placed atop this set of 17 rings are the 48 Ptolemaic constellations and two non-Ptolemaic ones. The Lynx (LE LYNX) located between the Great Bear and Leo and the constellation of Eridanus, depicted as a naked female figure, were both added later. The planetary symbols and series of stars up to five magnitudes are engraved on the figures of each constellation. The celestial sphere is mounted on a graduated brass meridian ring held in place by two recesses on the horizon ring. One face of the meridian is stamped with a scale of 360 degrees, and an hour-ring and index is mounted at the North Pole. A set of four brackets support the horizon ring with engraved acanthus leaf decoration and foliage, which terminate in scrolls with a pierced opening holding a peg attached to the horizon. The upper face of the horizon features an inner scale of 360 degrees divided into 12 signs for the zodiac labelled in Latin and depicted with its symbol. An outer scale depicts the Julian calendar with the names of the months stamped in Roman capital letters. The first point of Aries coincides with the 11th of March. The 12 winds are engraved at the outer edge as blowing figures. The sphere is supported by a chased-brass circular base with four grotesque human figures amongst arabesque decoration. The sphere rests on a cylindrical marble stand with minor chips consistent with age. 尺寸 :86 × 33 × 33 cm Other

文艺复兴时期创造力和科学成就的顶峰：带有机械痕迹的天球。（c1540-c1550）-匿名的

英文名称:The culmination of Renaissance ingenuity and scientific achievement: Celestial sphere with traces of a mechanism. (c1540-c1550)-Anonymous

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象征主义景观-平克尼·马修斯·西蒙斯

~ Symbolist Landscape--Pinckney Marcius-Simons (美国艺术家, 1867-1909)

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来自的未命名（未来主义城市场景）马雅科夫斯基的诗歌-奥尔加·弗拉基米罗夫娜·罗扎诺娃

~ Untitled (Futurist City Scene) from Poetry of Mayakovsky (1914) --Olga Vladimirovna Rozanova (Russian, 1886 – 1918)