2. 表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是女性状态、女性的社会、政治和法律限制的指控。(2019-2020) by Susy Gómez 高清作品[33%]

Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear  feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)

材质 :Photography 96 x 11 each 尺寸 :96 × 111 cm Photography

表演参与者的肖像,准备感受一条L.B.项链,苏西·戈梅兹在其中提议试验一条项链,这是路易丝·布尔乔亚的作品,具有明确的女权主义内涵,创作时是女性状态、女性的社会、政治和法律限制的指控。(2019-2020)-苏西·戈梅兹(Spanish, b. 1964)

英文名称:Portraits of participants in the performance Ready to feel a L.B. necklace in which Susy Gómez proposes to experiment with a necklace, the work of Louise Bourgeois, with clear feminist connotations, created as an allegation about the state of the feminine, the social, political and legal limitations of women. (2019-2020)-Susy Gómez

8. 美国自己。碎片的音乐。当然无效。(2019) by Alicia Piller 高清作品[26%]

America herself. Music of fragments. Void of course.  (2019)

材质 :Latex balloons, resin, digital prints on recycled paper, digital prints on wood, gel medium, slides, leather, wood, glass beads, plastic, National Geographic magazine pages, foam, monofilament, clock spring, and film reels 尺寸 :210.8 × 114.3 × 29.2 cm Mixed Media

美国自己。碎片的音乐。当然无效。(2019)-艾丽西娅·皮勒(American)

英文名称:America herself. Music of fragments. Void of course. (2019)-Alicia Piller

9. 美国自己。碎片的音乐。当然无效。(2015-2019) by Alicia Piller 高清作品[26%]

America herself. Music of fragments. Void of course. (2015-2019)

材质 :Latex balloons, resin, digital prints on recycled paper, digital prints on wood, gel medium, slides, leather, wood, glass beads, plastic, National Geographic magazine pages, foam, monofilament, clock spring, and film reel 尺寸 :210.8 × 114.3 × 29.2 cm Mixed Media

图片文件尺寸 : 5630 x 4332px

美国自己。碎片的音乐。当然无效。(2015-2019)-艾丽西娅·皮勒(American)

英文名称:America herself. Music of fragments. Void of course. (2015-2019)-Alicia Piller